After May’s terrible day, riding her pony will make everything better . . . won’t it? May can’t seem to do anything right. First, she happens to wake up Jasmine’s baby sister from a nap. Then she accidentally lets a puppy out of his pen, making Jasmine’s mom chase him all morning. Unintentionally, May seems to be causing problems for the people around her. She knows that a nice afternoon ride with her friend Joey will cheer her up, but she winds up getting into even more trouble. Now all of her friends think she has run away from home! Can the Pony Tails save May from this awful day?
May Grover is having one of those days. Everyone is mad at her. First she wakes up Jasmines baby sister, Sophie. Then she lets a greyhound puppy out of his pen, and Doc Tock has to chase him all over the yard. Finally she breaks the heel on one of Mrs. Grovers favourite shoes. May doesnt mean to do anything wrong, but she cant do anything right. When she goes riding with her friend Joey Dutton and his father, May is determined not to make any more mistakes, but everything still goes wrong! Now Mays family and friends think she has run away from home. Will May be able to straighten it all out?
HERE’S A CONTEMPORARY retelling of Andersen’s tale, revamped and fleshed out for today’s hip tweens. As she did in Cinderella (As If You Didn’t Already Know the Tale), Ensor re-imagines this classic, adding her own inimitable humor, flair, and stylish black-and-white silhouette spot illustrations. Thumbelina is that story most of us can’t quite remember. Okay, sure, it’s about a tiny girl just the size of your thumb. But did you know that her troubles (or adventures, if you prefer) begin when she begs her mother to let her sleep outside on the porch? And that in no time she is engaged to a frog, and then a mole, and even receives a proposal from a miniature king?
Owen Marston could never forget the passionate Vegas weekend that ended at the altar with Isabella Cavaletti. Or the way his new bride walked out on him the morning after. The footloose librarian obviously wasn't cut out for married life. So what was she doing at the injured firefighter's bedside? Marrying a man she'd known for only three days in the Elvis Luvs U Wedding Chapel definitely rated up there with one of Izzy's wilder and crazier moments. But now her "impulse" groom needed her back at his side. Except the longer she stayed with her too-arousing temporary husband, the more permanent she wanted the arrangement to be…
SECRETS OF A RUNAWAY BRIDE Valerie Bowman Miss Annie Andrews is finally free to marry the man she loves. With her overprotective sister out of the country on her honeymoon, nothing can prevent her flight to Gretna Green—nothing, that is, but an abduction by the wrong gentleman. When Jordan Holloway, the Earl of Ashbourne, promised to look after his best friend's sister-in-law, he didn't realize she would prove so difficult. But when he spirits her away to his country house to prevent her elopement, he discovers that the tempting beauty knows how to put up a fight. To make matters worse, he's stuck playing the role of honorable protector...when what he really wants is to run away with her himself.
There’s more than one way to stop a bully Wil never misses a chance to pick on best friends Jasmine, May, and Corey about playing with their toy horses. Not only do the girls love their real ponies, they love to play with their toy ones, too. May decides it’s time to teach Wil a lesson. But even though Jasmine’s feelings are hurt, she wants May to leave Wil alone. When she begins helping Corey train her pony, Samurai, for the scavenger hunt at Pine Hollow Stables, she realizes there might be a better way to stop a bully.
Jasmine wants her first horse show to be perfect—but when everything starts going wrong, will she be able to keep her cool? Jasmine couldn’t be more excited for her first horse show. But when her pony Outlaw stumbles and falls during a ride, the Pine Hollow veterinarian says that he needs rest. Without her pony, how can Jasmine compete? With the show approaching, Jasmine is a nervous wreck. Nothing is going the way she had hoped. But with the help of the Pony Tails, she learns that keeping it together under pressure can be just as important as beating the competition.
"MAY IS GOING FROM STRENGTH TO STRENGTH... A WONDERFUL EXHIBITION OF JUST HOW GOOD MAY CAN BE." --The Daily Mail "Five of us had run away that fateful night just over a month before. Only three of us would be going home. And nothing, nothing would ever be the same again." Glasgow, 1965. Headstrong teenager Jack Mackay has just one destination on his mind--London--and successfully convinces his four friends, and fellow bandmates, to join him in abandoning their homes to pursue a goal of musical stardom. Glasgow, 2015. Jack Mackay, heavy-hearted sixty-seven-year-old is still haunted by what might have been. His recollections of the terrible events that befell him and his friends some fifty years earlier, and how he did not act when it mattered most is a memory he has tried to escape his entire adult life. London, 2015. A man lies dead in a one-room flat. His killer looks on, remorseless. What started with five teenagers following a dream five decades before has been transformed over the intervening decades into a waking nightmare that might just consume them all.
With proper training, any horse can become a great riding companion out on the trail. It's a matter of learning how to adapt your experience to your particular horse. Fully illustrated lessons in trail riding start with the differences in working with a retired jumper, an actively competing reiner, or even a natural-born trail horse. The section on riding techniques helps you use what you already know from hunter-jumper, dressage, or other experiences. Both solitary and group riding get special attention, as does handling different types of parks and paths. The full range of possible spooking challenges covers encountering animals, heavy traffic, weather, and children, as well as tripping, hoof injuries, mounting and dismounting in unusual situations, and other emergencies.
When John Kennedy ran for president, some Americans thought a Catholic couldn't—or shouldn't—win the White House. Credit Bing Crosby, among others, that he did. For much of American history, Catholics' perceived allegiance to an international church centered in Rome excluded them from full membership in society, a prejudice as strong as those against blacks and Jews. Now Anthony Burke Smith shows how the intersection of the mass media and the visually rich culture of Catholicism changed that Protestant perception and, in the process, changed American culture. Smith examines depictions of and by Catholics in American popular culture during the critical period between the Great Depression and the height of the Cold War. He surveys the popular films, television, and photojournalism of the era that reimagined Catholicism as an important, even attractive, element of American life to reveal the deeply political and social meanings of the Catholic presence in popular culture. Hollywood played a big part in this midcentury Catholicization of the American imagination, and Smith showcases the talents of Catholics who made major contributions to cinema. Leo McCarey's Oscar-winning film Going My Way, starring the soothing (and Catholic) Bing Crosby, turned the Catholic parish into a vehicle for American dreams, while Pat O'Brien and Spencer Tracy portrayed heroic priests who championed the underclass in some of the era's biggest hits. And even while a filmmaker like John Ford rarely focused on clerics and the Church, Smith reveals how his films gave a distinctly ethnic Catholic accent to his cinematic depictions of American community. Smith also looks at the efforts of Henry Luce's influential Life magazine to harness Catholicism to a postwar vision of middle-class prosperity and cultural consensus. And he considers the unexpected success of Bishop Fulton J. Sheen's prime-time television show Life is Worth Living in the 1950s, which offered a Catholic message that spoke to the anxieties of Cold War audiences. Revealing images of orthodox belief whose sharpest edges had been softened to suggest tolerance and goodwill, Smith shows how such representations overturned stereotypes of Catholics as un-American. Spanning a time when hot and cold wars challenged Americans' traditional assumptions about national identity and purpose, his book conveys the visual style, moral confidence, and international character of Catholicism that gave it the cultural authority to represent America.
