Maximum Gaga
Maximum Gaga

Author: Lara Glenum

Publisher:

Published: 2008

Total Pages: 128

ISBN-13:

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Poetry. Get minky in the momodrome with Lara Glenum's second book, MAXIMUM GAGA. In scenic Catatonia, the Normopath snoozles, the Cherubim applaud, King Minus lies face-down, the Visual Mercenaries burst in, Icky and his school-boy minions race past, and the Queen Naked Mole Rat climbs inside the miraculating machine. Reworking the tabloid maximalism of Jacobean drama, this book investigates the politics of aesthetics and prosthetics, gender and power. With original cover art by Swedish artist Mia Makila. Lara Glenum's first book, THE HOUNDS OF NO, is also available from SPD.

Climatological Data for the United States by Sections
Climatological Data for the United States by Sections

Author:

Publisher:

Published: 1946

Total Pages: 260

ISBN-13:

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A collection of the monthly climatological reports of the states, originally issued separately for each state or section. Similar data was combined in the Monthly weather review for July 1909 to Dec. 1913, also pub. separately during that time for each of the 12 districts. Previous to July 1909 monthly reports were issued for each state or section.

Pop Corpse
Pop Corpse

Author: Lara Glenum

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780983148050

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Poetry. Drama. "Father lend me your megabone / & I'll lend u my shotgun mouth." A radiant brew of emoticon opera, fairytale fan-fiction, and chat-room flame war, POP CORPSE! follows a heroine mermaid on her devoutly disarming search for "realness." Along the way, Glenum dismantles pieties of both the left and the right, proposing new models of configuring text, voice, body and species-hood for those who swim in the increasingly fetid waters of the 21st century.

The Hounds of No
The Hounds of No

Author: Lara Glenum

Publisher:

Published: 2005

Total Pages: 72

ISBN-13:

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Poetry. Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. "The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and "a circus made of meat" vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!"--D.A. Powell.