Sung Cho addresses the seeming contradiction of Herod the Great's massacre in Matthew 2:16-18, questioning why such a tragedy had to occur, why it was included in the good news of Jesus, and what connection it has to ancient prophecies. In creating a reception history of the Massacre of the Innocents, Cho progresses through two millennia worth of interpretation and depiction to highlight key works for discussion. Beginning with a close reading of Matthew 2:16-18, Cho moves to analyse depictions of the tragedy in the Early Patristic Tradition, from the sixth century to the early modern period, and thus to the present day; complete with an examination of visual interpretations of the massacre. Cho's examination provides a positive step to understanding the depths of human suffering with the help of many diverse perspectives.
The critically acclaimed if controversial game series Wolfenstein is famous for its inclusion of historical objects and figures from the realm of Nazi Occultism, including the Swastika, the Spear of Destiny, the Thule Medallion, Heinrich Himmler, Helena Blavatsky, and Karl Wiligut. The series was criticized for its alleged Nazi glorification and for completely neglecting primary victims of the Second World War, the Jewish people. But since its reboot with Wolfenstein: New Order in 2014, the series has a new, distinct filo semitic flavor, including a number of explicit Jewish characters, a playable concentration camp level, and several theological discussions on God and the existence of evil. In Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein, game theologian Frank G. Bosman critically examines both the Nazi occultist and Judaist inspirations and aspirations of the game series, putting forth the question if the series has not invertedly ventured into implicit antisemitic territory by including the Da’at Yichud, a fictional, ancient, and distinct Jewish organization harboring the great minds of history.
The Transformations of Tragedy: Christian Influences from Early Modern to Modern explores the influence of Christian theology and culture upon the development of post-classical Western tragedy. The volume is divided into three parts: early modern, modern, and contemporary. This series of essays by established and emergent scholars offers a sustained study of Christianity’s creative influence upon experimental forms of Western tragic drama. Both early modern and modern tragedy emerged within periods of remarkable upheaval in Church history, yet Christianity’s diverse influence upon tragedy has too often been either ignored or denounced by major tragic theorists. This book contends instead that the history of tragedy cannot be sufficiently theorised without fully registering the impact of Christianity in transition towards modernity.
Preface -- Acknowledgments -- Abbreviations -- 1. Matthew and Reception History -- 2. A Close Reading of Matthew 2:16-18 -- 3. Massacre of the Innocents in Early Patristic Tradition (Second to Fifth Centuries) -- 4. Massacre of the Innocents from Sixth Century to 1516 -- 5. Massacre of the Innocents from 1517 -- 6. Visual Interpretations of the Massacre of the Innocents -- 7. Concluding Reflections -- Bibliography -- Index.
Broaden the scope of your New Testament studies with this introduction to early Christian apocryphal literature. To understand the New Testament well, it is important to study the larger world surrounding it, and one of the primary avenues for this exploration is through reading related ancient texts. But this task is daunting for scholars and novices alike given the sheer size of the ancient literary corpora. The Ancient Literature for New Testament Studies series aims to bridge this gap by introducing the key ancient texts that form the cultural, historical, and literary context for the study of the New Testament. Early New Testament Apocrypha offers an entry point into the corpus of early Christian apocryphal literature through twenty-eight texts or groups of texts. While the majority of the texts fall within the first four centuries CE, and therefore are useful for uncovering the earliest interpretations assigned to the New Testament, select later texts serve as reminders of how the meanings of New Testament texts continued to develop in subsequent centuries. Each essay covers introductory matters, a summary of content, interpretive issues, key passages for New Testament studies and their significance, and a select bibliography. Whether you are a scholar looking to familiarize yourself with a new corpus of texts or a novice seeking to undertake a serious contextualized study of the New Testament, this is an ideal reference work for you. Essays and contributors include: Part 1: Apocryphal Gospels Agrapha, Andrew Gregory Fragments of Gospels on Papyrus, Tobias Nicklas Gospel of Barnabas, Philip Jenkins Gospel of Peter, Paul Foster Infancy Gospel of Thomas, Reidar Aasgaard Jewish-Christian Gospels, Petri Luomanen Legend of Aphroditian, Katharina Heyden Pilate Cycle, J. K. Elliott Protevangelium of James, Eric M. Vanden Eykel Toledot Yeshu, Sarit Kattan Gribetz Revelation of the Magi, Catherine Playoust Part 2: Apocryphal Acts Acts of Andrew, Nathan C. Johnson Acts of John, Harold W. Attridge Acts of Paul, Harold W. Attridge Acts of Peter, Robert F. Stoops, Jr. Acts of Philip, Christopher R. Matthews Acts of Thomas, Harold W. Attridge Departure of My Lady Mary from This World (Six Books Dormition Apocryphon), J. Christopher Edwards Pseudo-Clementines, F. Stanley Jones Part 3: Apocryphal Epistles Jesus's Letter to Abgar, William Adler Correspondence of Paul and Seneca, Andrew Gregory Epistle to the Laodiceans, Philip L. Tite Epistula Apostolorum, Florence Gantenbein The Sunday Letter, Jon C. Laansma Part 4: Apocryphal Apocalypses Apocalypse of Paul, Jan N. Bremmer Apocalypse of Peter (Greek), Dan Batovici Apocalypse of Thomas, Mary Julia Jett 1 Apocryphal Apocalypse of John, Robyn J. Whitaker New Testament Apocrypha: Introduction and Critique of a Modern Category, Dale B. Martin SERIES DESCRIPTION: Ancient Literature for New Testament Studies is a 10-volume series that introduces key ancient texts that form the cultural, historical, and literary context for the study of the New Testament. Each volume features introductory essays to the corpus, followed by articles on the relevant texts. Each article will address introductory matters, provenance, summary of content, interpretive issues, key passages for New Testament studies and their significance, and a select bibliography. Neither too technical to be used by students nor too thin on interpretive information to be useful for serious study of the New Testament, this series provides a much-needed resource for understanding the New Testament in its Jewish, Greco-Roman, and early Christian contexts. Produced by an international team of leading experts in each corpus, Ancient Literature for New Testament Studies stands to become the standard resource for both scholars and students.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
How do we begin to carry out such a vast task-the examination of three millennia of diverse uses and influences of the biblical texts? Where can the interested scholar find information on methods and techniques applicable to the many and varied ways in which these have happened? Through a series of examples of reception history practitioners at work and of their reflections this volume sets the agenda for biblical reception, as it begins to chart the near-infinite series of complex interpretive 'events' that have been generated by the journey of the biblical texts down through the centuries. The chapters consider aspects as diverse as political and economic factors, cultural location, the discipline of Biblical Studies, and the impact of scholarly preconceptions, upon reception history. Topics covered include biblical figures and concepts, contemporary music, paintings, children's Bibles, and interpreters as diverse as Calvin, Lenin, and Nick Cave.
