This book makes a compelling case for a matriarchal Bronze Age Crete. It is acknowledged that the preeminent deity was a Female Divine, and that women played a major role in Cretan society, but there is a lively, ongoing debate regarding the centrality of women in Bronze Age Crete. a gap in the scholarly literature which this book seeks to fill.
In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.
The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. She received three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association.
One of the reasons for the study of the Greek and Roman classics is their perpetual relevance. In no area can this position be more clearly defended than in the investigation of the feminine condition, for it was here that basic attitudes derogatory to the sex were molded by legal and social systems, by philosophers and poets, and by the thinking of men long since gone. Women in the Ancient World brings together essays that examine philosophy, social history, literature, and art, and that extend from the early Greek period through the Roman Empire. Their wide range of critical perspectives throws new light on the personal, political, socio-economic, and cultural position of women.
According to the myth of matriarchal prehistory, men and women lived together peacefully before recorded history. Society was centered around women, with their mysterious life-giving powers, and they were honored as incarnations and priestesses of the Great Goddess. Then a transformation occurred, and men thereafter dominated society. Given the universality of patriarchy in recorded history, this vision is understandably appealing for many women. But does it have any basis in fact? And as a myth, does it work for the good of women? Cynthia Eller traces the emergence of the feminist matriarchal myth, explicates its functions, and examines the evidence for and against a matriarchal prehistory. Finally, she explains why this vision of peaceful, woman-centered prehistory is something feminists should be wary of.
"Professor Willetts presents the first complete picture of the civilization of Ancient Crete - one which gives full weight to its origins as well as to its post-Minoan development. He shows the important influences from the neighbouring regions of Mesopotamia and Egypt, and examines the island's development from the arrival of the Neolithic farmers during the early Bronze Age, through the spectacular Minoan civilization of the Bronze Age, down to the Dorian aristocracy of the Iron Age which ended in the Roman Conquest of the first century B.C."--BOOK JACKET.
Nine papers examines a specific body of archaeological data - from societies including Minoan Crete, ancient Zimbabwe and the Maya - in order to discuss the role of women in the evolution of states.
In this smart, intimate, and conversational book, Cynthia Eller delves into the twin thickets of gender theory and everyday experience to ask how we decide who is a woman-and why we find the answer important. Is a woman defined by her anatomy? Does she perceive the world differently than men? Is it her behavior that somehow marks her as inescapably female? Or is it a matter of how others evaluate her? Eller's answers demonstrate that the question is far more complicated, and its effects more pernicious, than it might at first appear.
Here, for the first time, an author weaves together threads that explain the mysterious disappearance of ancient cultures in which women and the environment were at the center, a loss that has dramatically influenced 3,500 years of Western history.
