"Recounts the publication history of nearly fifty books illustrated by Henri Matisse, including Lettres portugaises, Mallarmae's Poaesies, and Matisse's own Jazz. Explores his illustration methods, typographic precepts, literary sensibilities, and opinions about the role of the artist in the publication process"--Provided by publisher.
This collection of work by Henri Matisse and Ellsworth Kelly is based on anxhibition of more than 100 rarely exhibited drawings organized by the Centreompidou in Paris. A comparative display, the exhibition focuses on the rolef drawing in the work of these two distinctly different 20th-century masters.Henri Matisse (1869-1954) is recognized for the lyrical form and decorativeesthetic seen in his paintings and colourful paper cut-outs. Ellsworth Kellyborn 1923) is known for the monumental abstract forms of his sculpture andhe bold colours of his hard-edge paintings. Yet both artists explored theironcepts in prolific studies of plants, often in series in which each drawingxisted on its own terms as well as part of an infinite process.
First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.
"A world of intense colour comes to mind when we first think of the art of Henri Matisse. Yet, as this book so aptly proves, Matisse's genius also conquered the graphic world of black on white. Here, in 91 prints, we follow his excitement in exploring the various printmaking media, and his delight in pursuing a wide range of themes. This selection consists of works printed in black. It begins with Matisse's first print, a self-portrait carefully constructed of drypoint lines, executed between 1900 and 1903, and it ends with the bold, aquatinted "masks" of 1951-52". -Page 6.
Henri Matisse is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; and drawings and colour.
An account of Henri Matisse's activity as a maker of portraits and self-portraits. The author considers the transaction that produces a portrait - a transaction between the artist and the sitter that is social as much as artistic - and investigates the social contexts of Matisse's sitters.