"This book explores the career and legacy of Nancy Elizabeth Prophet (1890-1960), whose figural sculptures embody her uncompromising sovereignty over her work and life. Through original essays, catalogue entries on Prophet's major works, and an illustrated chronology of her remarkable life, this book demonstrates how Prophet continues to inspire a new generation of artists and viewers today. Contributors trace her transatlantic career, from Parisian ateliers to Spelman College, and consider topics such as the art institutions Prophet navigated, the stylistic connections between her figurative sculpture and the work of her modernist contemporaries, and how she resisted predetermined conceptions of her cultural identity."--
In today's rapidly changing society, the rules you learned as a child may no longer apply, causing you to experience restlessness and confusion. The Eight Masks of Men: A Practical Guide in Spiritual Growth for Men of the Christian Faith will encourage you to come out from behind your mask of solitude and loneliness--one of man's most obtrusive masks--and reach out for help and community. By answering questions commonly asked by men of various religious and personal backgrounds, this book will help you tune into your feelings, innermost thoughts, and that void you feel inside. As you become consciously aware of how the eight masks are a part of your being, you will recognize the true gift beneath each one.The Eight Masks of Men is the first book to combine historical, theological, and sociological perspectives with a practical approach for personal growth. To help you divest yourself of your inhibitions and experience inner harmony, it blends personal stories, humorous anecdotes, biblical research, and clinical information. The eight masks that men wear and what they hide that author Rev. Dr. Frederick G. Grosse explores include: mask: loneliness; hides: desire for community mask: rage and anger; hide: pain and hurt mask: compulsion; hides: desire for love mask: performance; hides: desire for acceptance mask: control; hides: desire for friendship mask: producing; hides: desire to just “be” mask: competition; hides: desire for humility mask: institutional religion; hides: desire for spiritual growth Don't let tragedy or desperation strike before you commit to building a healthier relationship with yourself, the people important to you, and God. Men who feel out of touch with their spiritual sides, retreat and spiritual direction leaders, pastoral counselors, chaplains, marriage and family counselors, and members of the clergy will find in The Eight Masks of Men the inspiration and insight they need to guide themselves and one another to a season of union with God.
"What matters about a play is not the extent to which it is like any other play, but the way in which it is different," writes Thomas G. Rosenmeyer. "This is, I suggest, how the ancient audiences received the performances.... My purpose, then, in writing these essays is twofold: ... to devote enough space to the discussion of each play to allow its special tone and texture to emerge without hindrance and at leisure ... and to include in one collection analyses of plays so different from one another that the accent will come to rest on the variety of the tragic experience rather than on any one narrowly defined norm." Greek tragedy is a vehicle for many different ideas and many different intentions. From the wealth of material that has come down to us the author has chosen six plays for analysis. He reminds us that the plays were written to be seen and heard, and only secondarily to be studied. The listeners expected each play to have a specific objective, and to exhibit its own mood. These the author attempts to recover for us, by listening to what each play, in its own right, has to say. His principal concern is with the tragic diction and the tragic ideas, designed to release certain massive responses in the large theater-going group of ancient Athens. In exploring the characters and the situations of the plays he has chosen, the author transports his reader to the world of fifth-century B.C. Greece, and establishes the relevance of that world to our own experience. The essays are not introductory in nature. No space is given, for instance, to basic information about the playwrights, the history of Greek drama, or the special features of the Attic stage. Yet the book addresses itself to classicists and nonclassicists alike. The outgrowth of a series of lectures to nonspecialists, its particular appeal is to students of literature and the history of Western thought. Parallels are drawn between the writings of the philosophers and the tragedies, and attention is paid to certain popular Greek beliefs that colored the tragic formulations. Ultimately, however, the approach is not historical but critical; it is the author's intention to demonstrate the beauty and the craftsmanship of the plays under discussion.
In the early 1900s, the Committee of Union and Progress (CUP) committed the Armenian Genocide as part of their pursuit of Pan-Turkist and Pan-Islamist aspirations known as "ittihadism." The CUP also sought to Turkify non-Muslim property, reminiscent of the Aryanization program in Nazi Germany that targeted Jewish assets. The ittihadist dream was shattered when the Ottoman Empire collapsed following their defeat in the Great War. Established in 1923 as an ittihadist project, the Republic of Turkey adopted "ittihadism" as its fundamental ideology as well. The desire to reach Central Asia and unite with other Turkic nations was initially reignited during World War II. Nonetheless, the dream was once again crushed when Nazi Germany was defeated on the Eastern Front. The collapse of the Soviet Union brought back the aspiration once more. This book provides an in-depth examination of the major events in the Ottoman Empire and the Republic of Turkey over a century, placing particular emphasis on the Armenian Genocide, the ongoing Cyprus dilemma, and the Kurdish minority issue. By unraveling the reasoning behind these events, the book provides insight into the worldview of the current Turkish government, led by President Erdoğan and his AK Party, and the transformation of "ittihadism" into "neo-ittihadism" under their leadership.
The big questions. Is there a God? Is there meaning and purpose to life? What happens after our physical death? Why are religions that claim to access Truth often in violent conflict with each other? If there is a God, why is there so much suffering and evil?Drawing on over forty years of personal transcendent experiences together with studies in spirituality, psychology and theology, the author considers the foundations of spiritual experience, belief and practice. In the process, religious and spiritual beliefs are categorized, basic conceptions about spirituality and knowledge are considered, spiritual paths are described, the role of morality and gender in spirituality is touched upon, and the nature of existence and experience is contemplated. Does 'Inner Spirituality' offer real answers to the big questions or are such adepts mistaken?This second edition outlines a 'Spiritual Matrix'. The main text has been grammatically revised throughout and an index has been added for easy reference.
In the early twentieth century, a group of writers banded together in Moscow to create purely original modes of expression. These avant-garde artists, known as the Futurists, distinguished themselves by mastering the art of the scandal and making shocking denunciations of beloved icons. With publications such as "A Slap in the Face of Public Taste," they suggested that Aleksandr Pushkin, the founder of Russian literature, be tossed off the side of their "steamship of modernity." Through systematic and detailed readings of Futurist texts, James Rann offers the first book-length study of the tensions between the outspoken literary group and the great national poet. He observes how those in the movement engaged with and invented a new Pushkin, who by turns became a founding father to rebel against, a source of inspiration to draw from, a prophet foreseeing the future, and a monument to revive. Rann's analysis contributes to the understanding of both the Futurists and Pushkin's complex legacy. The Unlikely Futurist will appeal broadly to scholars of Slavic studies, especially those interested in literature and modernism.
To the ancient Greeks the universe consisted of earth, air, fire, and water. To Saint Augustine it was the Word of God. To many modern scientists it is the dance of atoms and waves, and in years to come it may be different again. What then is the real Universe? History shows that in every age each society constructs its own universe, believing it to be the real and final Universe. Yet each universe is only a model or mask of the unknown Universe. Originally published in 2003, this book brings together fundamental scientific, philosophical, and religious issues in cosmology, raising thought-provoking questions. In every age people have pitied the universes of their ancestors, convinced that they have at last discovered the ultimate truth. Does the modern model stand at the threshold of discovering everything, or will it, like all the rest, come to be pitied?
These remarkable letters reveal Holmes to be patient, sympathetic, even indulgent of theories that, by his own admission, he did not really understand. The y bring further notice to financial analyst Franklin Ford, who was a close associate of John Dewey.
Each year, in a solemn Sunni Muslim feast, the Ait Mizane of southern Morocco reenact the story of Abraham as a ritual sacrifice, a symbolic observance of their submission to the divine. After this sober ceremony comes a bacchanalian masquerade which seems to violate every principle the sacrifice affirmed. Because of the apparent contradiction between sacrifice and masquerade, observers have described the two as entirely separate events. This book reunites them as a single ritual process within Islamic tradition.
