"This is the first major publication of Mary Weatherford, who is quickly becoming one of the most prominent artists of her generation, and surveys the artist's neon paintings. Since the beginning of her career she has rooted her abstract painting in subjective experience and brought a feminist perspective to what is perhaps the defining category of modern and contemporary art, breaking down preconceived notions of scale, technical achievement, and formal progress. Weatherford accents the surface of her recent luminous paintings and installations with neon lighting fixtures to evoke the dynamic nature of city life. This beautifully illustrated book presents all of Weatherford's neon works to date, along with essays by Robert Faggen, Katy Siegel, Jennifer Peterson, and an interview with the artist."--Book jacket.
This is the first monograph to offer a comprehensive account of the work of Californian artist Mary Weatherford (born 1963), beginning in the mid-1980s and extending to the present. Weatherford was a student of pioneering twentieth-century art historian Sam Hunter at Princeton. Her broadly literate and visually arresting paintings address the legacies of American modernists from Arthur Dove and Agnes Pelton to Willem de Kooning and Morris Louis, while grappling with the politics of gender, the representation of specific moods and experiences, and other concerns squarely rooted in the present moment. From her early monumental targets, through canvases studded with real shells and starfish, as well as more abstract evocations of landscape inspired by caves, to her recent neon-appended panels whose atmospheres of rolling color foreground the painting process itself, Weatherford's works argue forcibly and convincingly for the engagement of painting with contemporary life. Suzanne Hudson's text, the fruit of many studio visits and long interviews, reveals a singularly inventive artist whose boundless facility for reinvention will compel any viewer, student, or critic of painting.
Timeless Painting presents the work of 17 contemporary painters whose works reflect a singular approach that is peculiarly of our time: they are a-temporal, a term coined by William Gibson and Bruce Sterling, the originators of the cyberpunk aesthetic. A-temporality or timelessness manifests itself in painting as an ahistoric free-for-all, where contemporaneity as an indicator of new form is nowhere to be found, and all eras co-exist. Published to accompany an exhibition at The Museum of Modern Art that explores the impact of this cultural condition on contemporary painting, this publication features work by an international roster of artists including Joe Bradley, Kerstin Brätsch, Matt Connors, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, , Julie Mehretu, Oscar Murillo, Laura Owens and Josh Smith, among others. An overview essay by curator Laura Hoptman is divided into thematic chapters that explore topics such as re-animation and reenactment, recontextualization, 'Zombie' painting, and the concomitant 'Frankenstein approach', which describes a process of stitching together pieces of the history of painting to create a work of art that would be dead but for its juxtaposed parts, all working in association with one another to propel the work into life.
"Taking Helen Frankenthaler's 1950s New York debut as its starting point, "The heroine Paint": After Frankenthaler, a new publication edited by Katy Siegel, follows Frankenthaler's own painting over the years, expanding its focus to include the immediate social and artistic context of Frankenthaler's work, as well as tracing artistic currents as they move outwards in different directions over the decades. The book collects six scholarly essays, six short texts from contemporary artists, and reprints of historical writing, interweaving these voices with a visual chronology that locates key works from performances, publications, and cultural ephemera from over seven decades."--Publisher description.
A new focus on the sublime landscapes in Lisa Yuskavage's voluptuous figure paintings Though she is arguably best known for the voluptuous female nudes that populate her paintings, Lisa Yuskavage's work is just as focused on the ethereal settings in which these subjects appear. Yuskavage creates finely detailed landscapes that blur the line between the fantastical and the familiar, melding abstraction with realism to depict self-contained worlds. These outdoor scenes defy conventions of landscape painting with surreal color palettes of lush greens and delicate pinks, cast in a gauzy light quality that highlights the almost magical nature of her paintings. Published in conjunction with a joint exhibition between the Aspen Art Museum in Colorado and the Baltimore Museum of Art in Maryland, this volume includes color reproductions of Yuskavage's paintings and watercolors from the early 1990s to the present, as well as an interview between Yuskavage and fellow artist Mary Weatherford. Based in New York City, American artist Lisa Yuskavage(born 1962) received her MFA from the Yale School of Art in 1986. In the years since, her signature style of figure painting has developed something of a cult following for its attention to art historical tradition and a decidedly contemporary, pop culture-based approach to the representation of the female form. Her work has been in solo exhibitions around the world. Yuskavage is represented by David Zwirner.
Since the 2016 presidential election, Americans have witnessed countless stories about Appalachia: its changing political leanings, its opioid crisis, its increasing joblessness, and its declining population. These stories, however, largely ignore black Appalachian lives. Karida L. Brown's Gone Home offers a much-needed corrective to the current whitewashing of Appalachia. In telling the stories of African Americans living and working in Appalachian coal towns, Brown offers a sweeping look at race, identity, changes in politics and policy, and black migration in the region and beyond. Drawn from over 150 original oral history interviews with former and current residents of Harlan County, Kentucky, Brown shows that as the nation experienced enormous transformation from the pre- to the post-civil rights era, so too did black Americans. In reconstructing the life histories of black coal miners, Brown shows the mutable and shifting nature of collective identity, the struggles of labor and representation, and that Appalachia is far more diverse than you think.
"Well-crafted and in-depth, They Dared to Dream has moved women, their experiences, and their contributions to the forefront of Florida's history and heritage. This is a long-overdue and much-needed turning point in understanding our state's past and present."--Canter Brown Jr., coeditor of The Varieties of Women's Experiences "Represents a leap forward in the study of Florida history. Weatherford has done an outstanding job of researching and writing about Florida women, from paupers to queens, elevating their status to a level of equality within the overall story of Florida."--Rodney Kite-Powell, Saunders Foundation Curator of History at the Tampa Bay History Center and editor of Tampa Bay History "Exhaustively researched, well written, and engaging, They Dared to Dream breaks new ground in the study of Florida. Doris Weatherford's ambitious history of women in Florida will be widely read and discussed. From Princess Ulele to Alex Sink, from the role of criollas in Colonial St. Augustine to the struggles of women in the twenty-first century, Weatherford chronicles their lives in the Sunshine State."--Gary Mormino, author of Land of Sunshine, State of Dreams In this extensive portrayal of Florida's guiding matriarchs, Doris Weatherford highlights the myriad contributions women have made throughout Florida's history. From the select few who traveled with Ponce de Leon to the state's first female mayor Marion H. O’Brien, Weatherford sheds light on the roles these pioneering women played in the shaping of the Sunshine State. They Dared to Dream reveals the lifestyles and achievements of women throughout landmark moments in history, including Native civilizations before the arrival of European colonists; early Spanish, British, and French exploration, the Civil War era, Reconstruction, the early twentieth century, and the population explosions post-World War II. Featuring often-celebrated personalities--including Mary Martha Reid, Harriet Beecher Stowe, and Elizabeth Cady Stanton--alongside the lesser-known lives of Princess Murat, lighthouse keeper Barbara Mabrity, Florida Memorial College founder Sarah Ann Blocker, and others--this pivotal examination of Florida's female agents of change draws attention to women's instrumental roles in the historical events that defined the Sunshine State. From prehistoric times to the space age, the female half of the population has made giant, but too often unacknowledged, contributions to Florida history. Countless women have overcome great obstacles and yet are often left out of historical accounts. They Dared to Dream aims to fill in some of these gaps by celebrating the many successes women have made. Because without women, there is no history--nor any future. Doris Weatherford is the author of A History of the American Suffragist Movement and other reference guides on American women’s history. The Florida Commission on the Status of Women Foundation, Inc., is dedicated to empowering women and girls in our state by supporting educational, entrepreneurial and self sufficiency programs and initiatives through grants, mentoring, and other opportunities. The FCSW Foundation supports the work and programs of the Florida Commission on the Status of Women, including the Florida Women's Hall of Fame. The Florida Commission on the Status of Women Foundation, Inc. dedicates this book to: the women of the past who struggled to achieve gender equality and showed the path, the women of the present who continue with the same goal, and the women of the future who will carry the baton and make us proud.--Dr. Mona Jain Acknowledgments, by the Florida Commission on the Status of Women Foundation, Inc The Florida women’s history book project could not have been completed without the cooperation and support of many people. To thank all of them who made it possible would be nearly impossible. We would, however, like to express our sincere appreciation to those who have helped take this endeavor "from dream to reality." First and foremost, we are indebted forever to our nine founding members as well as to the generous donors to the History Book Project. Next, our thanks go to the charter members: Nancy Acevedo, Claudia Kirk Barto, Susanne Hebert, Laura McLeod, Dr. Jeanne O’Kon, Laurie Pizzo, Blanca Bichara, Dr. Mona Jain, Carrie Lee, and Kathleen Passidomo, Esq., who freely gave their time and talents. Our heartfelt thanks to Kelly Sciba and Michele Manning, who spent many, many hours of their own time to see that the project was moving forward smoothly. Special mention is also made here for the assistance given by Kimberly Mehr and Veronica Vasquez. We gratefully acknowledge Doris Weatherford for writing this comprehensive Florida women’s history book. We are also grateful to the University Press of Florida for publishing the book as well as for valuable editorial help and comments. Our special thanks to each and every one who played a part in discovering the stories behind the women that makes them unique and trailblazers. These notable women have created history. We are also thankful to many women and men for their well wishes and encouragement in order to fill a void in the history of the Sunshine State. Together we empower each other. Last but not least the foundation members offer our deepest sense of appreciation to our families for believing in us as well as for their unwavering moral support. To all others we have omitted inadvertently, please accept our sincere apologies and thanks. According to the old saying, "To err is human and to forgive is divine." Florida Commission on the Status of Women Foundation, Inc. Founding Members, "Visionaries" Blanca C. Bichara, Miami Cheryl Holley, Tampa Dr. Anila Jain, Bradenton-Sarasota Dr. Mona Jain, Bradenton-Sarasota Carrie E. Lee, Gainesville Marie Flore Lindor-Latortue, Miami Janet Mabry, Gulf Breeze Representative Kathleen Passidomo, Esq., Naples Debbie Sembler, Pinellas Park Donors, from "Vision" to "Reality" This Florida Women’s History Book Project has been made possible due to the generosity of the following: Hawa Allarakhia, Bradenton Blanca C. and Ricardo Bichara, Miami Eugenia Price Joyce Blackburn Foundation Brighthouse Networks of Manatee County for Rose Carlson, Bradenton Leah Brown, Bradenton Betty Chambliss, Bradenton LaDonna Cloud, Sarasota Community Foundation of Tampa Bay for Alex Sink, CFO Representative Faye Culp, Tampa Lynn and Dr. Arthur Guilford, Sarasota Gini Hyman, Sarasota Dr. Mona and Kailash Jain, Bradenton-Sarasota Kappa Delta Foundation, Inc. for Dr. Anila Jain, Chair, Bradenton-Sarasota Carrie E. and Dennis Lee, Gainesville Manatee and Sarasota Commissions on the Status of Women Miami-Dade Commission for Women Dorothy Middleton, Bradenton JoAnn Morgan, Melbourne Representative Kathleen Passidomo, Esq., Naples Mary Runnells, Bradenton Linda Simmons, Tampa St. Petersburg Times Fund (Lynda Keever) Mariamma and Dr. George Thomas, Bradenton University of South Florida for Dr. Judy Genshaft, President Amy VanDell, Bradenton Anne Voss, Tampa Renee Warmak, Tampa Senator Marlene Woodson-Howard, Bradenton
The first book-length biography of a theater icon South Pacific. The Sound of Music. Peter Pan. As the star of these classic Broadway musicals, Mary Martin captivated theater audiences with her impish persona and magnificent voice. Now Ronald L. Davis fills a major gap in theater history, moving beyond Martin’s own 1976 memoir to provide a complete picture of her life and career. Lively and engaging, Davis’s biography is the first book-length portrait of the theater icon, spanning her lifetime to reveal facts about her childhood, marriages, and friendships—as well as artistic collaborations that included the likes of Rodgers and Hammerstein, Cole Porter, and Elia Kazan. Born in Weatherford, Texas, and mother to the future actor Larry Hagman, Martin went to California after the failure of her first marriage. There, she auditioned for every studio without success. “Audition Mary” finally had her big break when she won a talent contest, leading to her breakthrough 1938 performance in Leave It to Me—in which she wowed audiences singing “My Heart Belongs to Daddy.” Davis traces Martin’s numerous appearances on Broadway, in touring productions, and on television, showing how—through hard work and persistent optimism—she built a career that lasted nearly fifty years and earned her the adoration and respect of fans and colleagues alike. Because Martin’s life was entwined with many luminaries of the stage, this biography offers rich insights into theater history, including accounts of how various productions were developed. No other book tells her story in such detail—it is must reading for fans and an essential resource for theater aficionados everywhere.
This striking new book features 18 paintings by the renowned American abstract painter Helen Frankenthaler. Showcasing eighteen of Frankenthaler’s paintings, dating from 1962 to 1987, this beautiful book highlights the diverse relationship between drawing and painting evident in the artist’s work. The book includes color plates of all 18 works, as well as nine double-page spread details. Never-before-published documentary material appears throughout new and insightful texts by John Elderfield, Francine Prose, and Carol Armstrong. This book accompanies the 2016 exhibition of Frankenthaler’s work at Gagosian Gallery Beverly Hills.
