Mary Martin, Kenneth Martin
Author: Mary Martin
Publisher:
Published: 1954
Total Pages: 1
ISBN-13:
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Author: Mary Martin
Publisher:
Published: 1954
Total Pages: 1
ISBN-13:
DOWNLOAD EBOOKAuthor: Mary Martin
Publisher:
Published: 1970
Total Pages: 30
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1970
Total Pages: 36
ISBN-13:
DOWNLOAD EBOOKAuthor: Mary Martin
Publisher:
Published: 1970
Total Pages:
ISBN-13:
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Publisher:
Published: 2020-04
Total Pages: 112
ISBN-13: 9781853323676
DOWNLOAD EBOOKThe first contemporary survey of postwar British women sculptors from modernism to the YBA's This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.
Author: Margaret A. Boden
Publisher: MIT Press
Published: 2019-07-16
Total Pages: 393
ISBN-13: 0262352109
DOWNLOAD EBOOKEssays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits, a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies—photography and film—have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not? Is writing a computer program equivalent to painting with a brush? Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays.
Author: Andrew Forge
Publisher: Encounter Books
Published: 2018-07-17
Total Pages: 213
ISBN-13: 0985905271
DOWNLOAD EBOOKAndrew Forge was an English painter and a teacher of painting (Yale University 1975–1994), renowned and respected on both sides of the Atlantic. But he was also known for his writing on the arts, spanning almost fifty years, which was admired for the delicacy and openness of his language and the ways in which he thought about the processes of perception in all their sensual possibilities. The selection here of his writings is intended to show the range of his interests and the particularly personal interpretations he brought to all he saw in an art with which he was so passionately engaged. It is also a fascinating record of the arts that were of concern in the years he wrote, from the work of Rubens to that of Rauschenberg and Frankenthaler, as well as, especially in his last essays, the work of his many friends and associates: Kenneth Martin, Euan Uglow, Jake Berthot, William Bailey, and Graham Nickson.
Author:
Publisher:
Published: 1981
Total Pages: 580
ISBN-13:
DOWNLOAD EBOOKAuthor: Jonneke Jobse
Publisher: 010 Publishers
Published: 2005
Total Pages: 484
ISBN-13: 9789064505775
DOWNLOAD EBOOKFrom 1958 to 1964 the journal 'Structure' was a major platform for artists reconsidering the design tenets and underlying principles of the Bauhaus, Constructivism and De Stijl. This book explores the artists' body of ideas in meticulous detail.
Author: Francesca Franco
Publisher: Routledge
Published: 2017-10-05
Total Pages: 243
ISBN-13: 1317137434
DOWNLOAD EBOOKIn this unique book the author explores the history of pioneering computer art and its contribution to art history by way of examining Ernest Edmonds’ art from the late 1960s to the present day. Edmonds’ inventions of new concepts, tools and forms of art, along with his close involvement with the communities of computer artists, constructive artists and computer technologists, provides the context for discussion of the origins and implications of the relationship between art and technology. Drawing on interviews with Edmonds and primary research in archives of his work, the book offers a new contribution to the history of the development of digital art and places Edmonds’ work in the context of contemporary art history.