Marxist Literary and Cultural Theories
Marxist Literary and Cultural Theories

Author: Moyra Haslett

Publisher: Red Globe Press

Published: 2000

Total Pages: 0

ISBN-13: 0333692136

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"In this study Moyra Haslett argues that marxist literary and cultural theories are more diverse than is conventionally thought, drawing upon the work of a wide range of marxist thinkers. She discusses the works of those who sought to theorize the relationships between literature and culture and between culture and ideology, including Volosinov, Lukacs, Jameson, and Fagleton. The second section of the book looks at marxist readings of three very different topics: the work of the eighteenth-century poet Mary Leapor, Oscar Wilde's The Picture of Dorian Gray, and the film versions of Jane Austen's novels made in the 1990s. Haslett ably demonstrates that marxist readings have continuing relevance and great creative potential."--Jacket

Marxism and Literature
Marxism and Literature

Author: Raymond Williams

Publisher: Oxford Paperbacks

Published: 1977-11-10

Total Pages: 226

ISBN-13: 0198760612

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This classic study examines the place of literature within Marxist cultural theory, and offers an assessment of the contributions of previous thinkers to Marxist literary theory.

Marxist Literary and Cultural Theories
Marxist Literary and Cultural Theories

Author: Moyra Haslett

Publisher: Palgrave Macmillan

Published: 2000

Total Pages: 322

ISBN-13: 9780312226732

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"In this study Moyra Haslett argues that marxist literary and cultural theories are more diverse than is conventionally thought, drawing upon the work of a wide range of marxist thinkers. She discusses the works of those who sought to theorize the relationships between literature and culture and between culture and ideology, including Volosinov, Lukacs, Jameson, and Fagleton. The second section of the book looks at marxist readings of three very different topics: the work of the eighteenth-century poet Mary Leapor, Oscar Wilde's The Picture of Dorian Gray, and the film versions of Jane Austen's novels made in the 1990s. Haslett ably demonstrates that marxist readings have continuing relevance and great creative potential."--Jacket

Beginning Theory
Beginning Theory

Author: Peter Barry

Publisher: Manchester University Press

Published: 2002-09-07

Total Pages: 308

ISBN-13: 9780719062681

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In this second edition of Beginning Theory, the variety of approaches, theorists, and technical language is lucidly and expertly unraveled and explained, and allows readers to develop their own ideas once first principles have been grasped. Expanded and updated from the original edition first published in 1995, Peter Barry has incorporated all of the recent developments in literary theory, adding two new chapters covering the emergent Eco-criticism and the re-emerging Narratology.

Contemporary Marxist Literary Criticism
Contemporary Marxist Literary Criticism

Author: Francis Mulhern

Publisher: Routledge

Published: 2014-05-12

Total Pages: 278

ISBN-13: 1317899091

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Marxism has had an enormous impact on literary and cultural studies, and all those interested in the field need to be aware of its achievements. This collection presents the very best of recent Marxist literary criticism in one single volume. An international group of contributors provide an introduction to the development, current trends and evolution of the subject. They include such notable Marxist critics as Tony Bennett, Terry Eagleton, Edward W. Said, Raymond Williams and Fredric Jameson. A diverse range of subjects are analysed such as James Bond, Brecht, Jane Austen and the modern history of the aesthetic.

Literary and Cultural Theory
Literary and Cultural Theory

Author: Donald Eugene Hall

Publisher: Cengage Learning

Published: 2001

Total Pages: 356

ISBN-13:

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This clear, succinct primer for literary theory provides students with a useful guide to contemporary theory and methodologies. Theoretical overviews summarize each literary approach for clarification and "Application Essays" by well-known scholars, on works by authors such as Shakespeare, Austen, Melville, Faulkner, and Angelou, represent the stated principles. The text helps students generate consistent, well-focused analyses based on any of ten critical methodologies, including New Criticism, Psychoanalytic Analysis, Deconstruction, Feminist Analysis, and New Historicism.

The Dematerialisation of Karl Marx
The Dematerialisation of Karl Marx

Author: Leonard Jackson

Publisher: Routledge

Published: 2014-07-22

Total Pages: 323

ISBN-13: 1317898281

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This volume constitutes both an attack on modern left wing literary theory - the main product of the last Marxist renaissance in the past thirty years - and a defence of the one element of Marxism which, in the general collapse, modern theorists have been happiest to lose, its economic materialism. It traces Marxist theory from its beginnings in Hegelian idealism to its end in Althusser's structuralism, and concludes that while Marxist economics will not work, and the type of revolution prophesied was fantasy, the principle of historical materialism remains intact and defensible. This will be a key text in literary and cultural studies as well as being of interest to students on philosophy and sociology courses.

Marxism and Form
Marxism and Form

Author: Fredric Jameson

Publisher: Princeton University Press

Published: 2016-11-22

Total Pages: 455

ISBN-13: 1400884500

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For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukács, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form. Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism. One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation.

Critical Encounters in Secondary English
Critical Encounters in Secondary English

Author: Deborah Appleman

Publisher: Teachers College Press

Published: 2015-04-28

Total Pages: 273

ISBN-13: 0807773557

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Because of the emphasis placed on nonfiction and informational texts by the Common Core State Standards, literature teachers all over the country are re-evaluating their curriculum and looking for thoughtful ways to incorporate nonfiction into their courses. They are also rethinking their pedagogy as they consider ways to approach texts that are outside the usual fare of secondary literature classrooms. The Third Edition of Critical Encounters in Secondary English provides an integrated approach to incorporating nonfiction and informational texts into the literature classroom. Grounded in solid theory with new field-tested classroom activities, this new edition shows teachers how to adapt practices that have always defined good pedagogy to the new generation of standards for literature instruction. New for the Third Edition: A new preface and new introduction that discusses the CCSS and their implications for literature instruction. Lists of nonfiction texts at the end of each chapter related to the critical lens described in that chapter. A new chapter on new historicism, a critical lens uniquely suited to interpreting nonfiction and informational sources. New classroom activities created and field-tested specifically for use with nonfiction texts. Additional activities that demonstrate how informational texts can be used in conjunction with traditional literary texts. “What a smart and useful book!” —Mike Rose, University of California, Los Angeles “[This book] has enriched my understanding both of teaching literature and of how I read. I know of no other book quite like it.” —Michael W. Smith, Temple University, College of Education “I have recommended Critical Encounters to every group of preservice and practicing teachers that I have taught or worked with and I will continue to do so.” —Ernest Morrell, director of the Institute for Urban and Minority Education (IUME), Teachers College, Columbia University