Assemble a composite portrait of the Texas plains through these historic tales. Many thousands of years ago, Clovis Man hunted huge mammoths here. More recently, Waylon Jennings drew his musical inspiration here. In the intervening time, the Texas prairie has been the backdrop for the wildest of Wild West shootouts, landmark legal battles and epic achievements in sports, music and medicine. Familiar icons like Roy Orbison and Dan Blocker, as well as forgotten characters like Charlie "Squirrel-Eye" Emory and John "the Catfish Kid" Gough all helped shape the colorful history of the Texas Plains. Who shot the sheriff? Who was the earliest American? Who invented the slam dunk? Author Chuck Lanehart answers these questions and many more in a wide-ranging collection of stories.
Framing Meinzer's work in elegant historic context, preeminent Panhandle historian Frederick W. Rathjen gives us a rare appreciation of the topographic majesty of the Periman Red Beds that 230 to 280 million years ago lay below a shallow sea and through subsequent millennia and riverine deposit, erosion, and redeposit would gain 'variegated walls and formations of gray, yellow, maroon, lavender and orange shown most conspicuously in the lovely Spanish Skirts."
Of the canyons that break the eastern edge of the Staked Plains, Palo Duro is by far the most spectacular. As one approaches the edge, the earth opens up into a vast gash, a geological and ecological wonder. And whether you come to Palo Duro as a novice or veteran canyoneer, the thrill and the mystery are always intense. How did the canyon get here? What caused the vari-color of the walls and formations? Why do some formations stand completely separated from the canyon walls? Did the little stream running along the canyon floor form this canyon all by itself? Who were the first people to find this canyon and how did they react? On this last question imagination goes to work and contemplates what ancient people must have felt when they, even less aware than we, stumbled upon the chasm rim and quickly realized that they had found a bonanza, an immense concentration of water, wood, game, and protection--all they needed to sustain life.--Frederick W. Rathjen Originally published as an edition of the Panhandle Plains Historical Review, The Story of Palo Duro Canyon, with its seven essays devoted to geology, archeology, paleontology, vegetation, park development, and the amphitheater, and its road log from Canyon, Texas, through the Palo Duro State Park, has become a classic. This Double Mountain Books edition, with a new introduction by Frederick W. Rathjen, makes 04 Activeable once again a comprehensive discovery and invaluable memento for the many thousands who visit the park each year.
The story of Texas is the story of struggle and triumph in a land of extremes. It is a story of drought and flood, invasion and war, boom and bust, and of the myriad peoples who, over centuries of conflict, gave rise to a place that has helped shape the identity of the United States and the destiny of the world. “I couldn’t believe Texas was real,” the painter Georgia O’Keeffe remembered of her first encounter with the Lone Star State. It was, for her, “the same big wonderful thing that oceans and the highest mountains are.” Big Wonderful Thing invites us to walk in the footsteps of ancient as well as modern people along the path of Texas’s evolution. Blending action and atmosphere with impeccable research, New York Times best-selling author Stephen Harrigan brings to life with novelistic immediacy the generations of driven men and women who shaped Texas, including Spanish explorers, American filibusters, Comanche warriors, wildcatters, Tejano activists, and spellbinding artists—all of them taking their part in the creation of a place that became not just a nation, not just a state, but an indelible idea. Written in fast-paced prose, rich with personal observation and a passionate sense of place, Big Wonderful Thing calls to mind the literary spirit of Robert Hughes writing about Australia or Shelby Foote about the Civil War. Like those volumes it is a big book about a big subject, a book that dares to tell the whole glorious, gruesome, epically sprawling story of Texas.
Twenty years ago, Dan Flores’s Caprock Canyonlands became one of the first books ever to treat the flat, arid landscape of the southern High Plains as a place of uncommon beauty and enduring spirit. Now a classic, Caprock Canyonlands has been favorably compared by readers to the work of such icons of nature and environmental writing as William Bartram, Aldo Leopold, John Muir, and Henry David Thoreau. Containing the author's stunning photography, a foreword by Pulitzer Prize–winning author Annie Proulx, author of "Brokeback Mountain," an afterword by environmental historian Thomas R. Dunlap, and a new preface by the author, this twentieth anniversary edition makes available to a new generation of readers Flores's knowledgeable and heartfelt narrative of the canyons and badlands of eastern New Mexico and western Oklahoma and Texas. He evokes the history and natural history that shaped the region, drawing upon geology, mythology, botany, art, history and natural history that shaped the region, drawing upon geology, mythology, botany, art, history, and literature. "Caprock Canoynlands keeps its place on our bookshelves . . . for its exploration of a deeply human activity: the search for the beauty of the earth, the depth and strength of our ties to it, and the ways those appear in a particular landscape . . . here illuminated by love."--from the afterword by Thomas R. Dunlap
“Fluent, mordant, authentic, propulsive…wonderfully lit from within” (Lee Child, The New York Times Book Review), this critically acclaimed, stunningly mature literary debut is the darkly comic story of a car thief on the run in the gritty and arid landscape of the 1970s Texas panhandle. In this “stellar debut,” (Publishers Weekly) car thief Troy Falconer returns home after years of wandering to reunite with his younger brother, Harlan. The two set out in search of Harlan’s wife, Bettie, who’s left him cold and run away with the little money he had. When stealing a station wagon for their journey, Troy and Harlan find they’ve accidentally kidnapped a Mennonite girl, Martha Zacharias, sleeping in the back of the car. But Martha turns out to be a stubborn survivor who refuses to be sent home, so together, these unlikely road companions haphazardly attempt to escape across the Mexican border, pursued by the police and Martha’s vengeful father. But this is only one layer of Troy’s story. Through interjecting entries from his journal that span decades of an unraveling life, we learn that Troy has become so estranged from society that he’s shunned the very idea of personal property. Instead of claiming possessions, he works motels, stealing the suitcases and cars of men roughly his size, living with their things until those things feel too much like his own, at which point he finds another motel and vanishes again into another man’s identity. Richly nuanced and complex, “like a nesting doll, [Presidio] continually uncovers stories within stories” (Ian Stansel, author of The Last Cowboys of San Geronimo). With a page-turning plot, prose as gritty and austere as the novel’s Texas panhandle setting, and a determined yet doomed cast of characters ranging from con artists to religious outcasts, this “rich and rare book” (Annie Proulx, author of Barkskins) packs a kick like a shot of whiskey. Perfect for fans of Cormac McCarthy, Denis Johnson, and Larry McMurtry, who said that Kennedy “captures the funny yet tragic relentlessness of survival in an unforgiving place. Let’s hope he keeps his novelistic cool and brings us much, much more.”
