Union organizer and balladeer Ella May became a martyr for workers nationwide when she was murdered on her way to a union meeting in Gastonia, North Carolina, at age 28. A mother of nine and bookkeeper for the communist-led National Textile Workers Union, May worked to organize fellow mill workers in Gaston County. Her efforts to organize black workers--along with her brash, outspoken manner--incensed the local community and she was shot by an anti-union vigilante group on September 14, 1929. Written by her great-granddaughter, this book tells Ella May's story, including her involvement in the Loray Mill Strike, the largest communist-led strike on American soil. Her most famous ballad, "Mill Mother's Lament," reveals her motivation: "It is for our little children."
Union organizer and balladeer Ella May became a martyr for workers nationwide when she was murdered on her way to a union meeting in Gastonia, North Carolina, at age 28. A mother of nine and bookkeeper for the communist-led National Textile Workers Union, May worked to organize fellow mill workers in Gaston County. Her efforts to organize black workers--along with her brash, outspoken manner--incensed the local community and she was shot by an anti-union vigilante group on September 14, 1929. Written by her great-granddaughter, this book tells Ella May's story, including her involvement in the Loray Mill Strike, the largest communist-led strike on American soil. Her most famous ballad, "Mill Mother's Lament," reveals her motivation: "It is for our little children."
Of the wave of labor strikes that swept through the South in 1929, the one at the Loray Mill in Gastonia, North Carolina, is perhaps the best remembered. In Gastonia 1929 John Salmond provides the first detailed account of the complex events surrounding the strike at the largest textile mill in the Southeast. His compelling narrative unravels the confusing story of the shooting of the town's police chief, the trials of the alleged killers, the unsolved murder of striker Ella May Wiggins, and the strike leaders' conviction and subsequent flight to the Soviet Union. Describing the intensifying climate of violence in the region, Salmond presents the strike within the context of the southern vigilante tradition and as an important chapter in American economic and labor history in the years after World War I. He draws particular attention to the crucial role played by women as both supporters and leaders of the strike, and he highlights the importance of race and class issues in the unfolding of events.
Working-Class Heroes is an organic melding of history, music, and politics that demonstrates with remarkably colorful evidence that workers everywhere will struggle to improve their conditions of life. And among them will be workers who share an insight: in order to better our lot, we must act collectively to change the world. This profusely illustrated treasury of song sheets, lyrics, photographs, histories, and biographical sketches explores the notion that our best hope lies in the capacity of ordinary working people to awaken to the need to emancipate ourselves and all of humanity. Featuring over a dozen songwriters, from Joe Hill to Aunt Molly Jackson,Working-Class Heroes delivers a lyrical death blow to the falsehood that so-called political songs of the twentieth century were all written by intellectuals in New York. Many, like Ella May Wiggins, were murdered by the bosses. Others, like Sarah Ogan Gunning, watched their children starve to death and their husbands die of black lung, only to rise up singing against the system that caused so much misery. Most of the songs collected here are from the early twentieth century, yet their striking relevance to current affairs invites us to explore the historical conditions that inspired their creation: systemic crisis, advancing fascism, and the threat of world war. In the face of violent terror, these working-class songwriters bravely stood up to fight oppression. Such courage is immortal, and the songs of such heroes can still lift our spirits, if we sing them today. Featured in this twenty-song collection are Sarah Ogan Gunning, Ralph Chaplin, Woody Guthrie, Ella May Wiggins, Joe Hill, Paul Robeson, John Handcox, Aunt Molly Jackson, Jim Garland, Alfred Hayes, Joseph Brandon, and several anonymous proletarian songwriters whose names have been long forgotten, though their words will never die.
Two aging Civil War veterans mourned the death of their sons at a joint funeral in Knoxville National Cemetery. One, a cavalry general, had fought for the Union. The other had served as surgeon/major of a Confederate cavalry regiment. They met for the first time at the graves of their sons--two army lieutenants and University of Tennessee graduates killed together in Cuba during the Spanish-American War. Newspaper accounts presented the encounter as an example of reconciliation between North and South. This book recounts the meeting of two families from opposing sides of the war--both rooted in East Tennessee, a region harshly divided by the conflict--placing their story in the context of America's reconciliation narrative at the end of the 19th century.
Of all the 'third party' movements in American history, none have been as controversial as the Communist Party of the United States of America. Although denounced as a tool of the Soviet Union, accused of espionage and charged with advocating the revolutionary overthrow of the American government, before WWII it had been an accepted part of the political landscape. This collection offers an intriguing insight into this controversial political party in light of the Moscow archives that were made accessible after the end of the Cold War. This collection of original essays explores new aspects in the history of American Communism, drawing on a range of documents from Moscow and Eastern Europe. Examining traditional subjects in the light of new evidence, the essays cover a range of topics including party leaders, espionage, campaigns against racism, the Spanish Civil War, communism and gender, the fate of members after the McCarthy era and ways in which Communists became Anti-Communists.
After the Americans withdrew from the Vietnam War, their Indochinese allies faced imprisonment, torture and death under communist regimes. The Tai Dam, an ethnic group from northern Vietnam, campaigned for sanctuary, writing letters to 30 U.S. governors in 1975. Only Robert D. Ray of Iowa agreed to help. Ray created an agency to relocate the Tai Dam, advocated for the greater admission of "boat people" fleeing Vietnam, launched a Cambodian relief program that generated $540,000, and lobbied for the Refugee Act of 1980. Interviews with 30+ refugees and officials inform this study, which also chronicles how the Tai Dam adapted to life in the Midwest and the Iowans' divided response.
The warlocks and ghosts of fantasy film haunt our popular culture, but the genre has too long been ignored by critics. This comprehensive critical survey of fantasy cinema demonstrates that the fantasy genre amounts to more than escapism. Through a meticulously researched analysis of more than a century of fantasy pictures--from the seminal work of Georges Melies to Peter Jackson's recent tours of Middle-earth--the work identifies narrative strategies and their recurring components and studies patterns of challenge and return, setting and character. First addressing the difficult task of defining the genre, the work examines fantasy as a cultural force in both film and literature and explores its relation to science fiction, horror, and fairy tales. Fantasy's development is traced from the first days of film, with emphasis on how the evolving genre reflected such events as economic depression and war. Also considered is fantasy's expression of politics, as either the subject of satire or fuel for the fires of propaganda. Discussion ventures into the subgenres, from stories of invented lands inhabited by fantastic creatures to magical adventures set in the familiar world, and addresses clashes between fantasy and faith, such as the religious opposition to the Harry Potter phenomenon. From the money-making classics to little-known arthouse films, this richly illustrated work covers every aspect of fantasy film.
Infidelity raises questions: Why do women stay with a cheater? Why do women cheat? Why do women become "the Other Woman"? How do past experiences with infidelity impact future relationships? Drawing on interviews with U.S. women of various ages, racial backgrounds, educational attainments, and sexual orientations, this insightful study examines their personal experiences of being cheated on, cheating, being the Other Woman, or some combination of the three. Always engaging and equal parts uplifting and dispiriting, their narratives range from all-too-familiar stories to unconventional perspectives on love, life, and interpersonal communication.
Inspired by a 1937 map and travelogue of a newspaperman’s tour, author Mark W. Nichols embarked on his own long journey into the unique cities of the South. En route he met beekeepers, cheese makers, crawfish “bawlers,” duck callers, and a licensed alligator hunter, as well as entrepreneurs and governors. His keen observations encompass the southern states from Virginia to Arkansas and points south, and he unpacks the unique qualities of every city he visits. “It’s easy to say that getting to meet so many interesting and wonderful people was the best part of the journey--because it’s true,” Nichols writes. “I know there are friendly people everywhere, but southern friendliness is different.” His story embraces a wealth of southern charm from local characters, folklore, and customs to food, music, and dancing. Besides being just plain fun to read, Nichols’s account of his journey gives readers a true taste of the flavor of the evolving modern South.
