This is the story of a youngster who is entrusted to the household of a member of the Santiago elite. While living there he falls in love with his guardian's daughter, and their love provides a commentary about the mores of Chilean society.
With such figures as Jorge Luis Borges, Miguel ngel Asturias and Gabriel Garc a M rquez (both the latter Nobel Prizewinners) Spanish American fiction is now unquestionably an integral part of the mainstream of Western literature. This book draws on the most recent research in describing the origins and development of narrative in Spanish America during the nineteenth and twentieth centuries, tracing the pattern from Romanticism and Realism, through Modernismo, Naturalism and Regionalism to the Boom and beyond. It shows how, while seldom moving completely away from satire, social criticism and protest, Spanish American fiction has evolved through successive phases in which both the conceptions of the writer's task and presumptions about narrative and reality have undergone radical alterations. DONALD SHAW holds the Brown Forman Chair of Spanish American literature in the University of Virginia.
This book analyzes the work of iconic Chilean author Alberto Blest Gana (1830–1920) through the lens of Machiavelli and Cervantes. Transatlantic in scope, it uses literary studies and cultural history to delve into Chile’s emergence as a nation and to illustrate a set of conflicts among the political parties and social classes in the early days of independence, the 1830s and 1850s. With a focus on Martín Rivas: Novela de costumbres politico-sociales [Martin Rivas: A Novel of Socio-Political Manners] (1862), El ideal de un calavera [The Ideal of a Rogue/Libertine] (1863), and Durante la Reconquista [During the Re-Conquest] (1897), this study examines the political and social exchanges and the place of social order in a critical period in Chile’s national development. Blest Gana’s three novels vividly depict the whys and hows of Chile’s early political struggles, dramatically underscoring the painfully real and very deep disagreements about the nation’s early direction and sense of identity, and showing how political and cultural antagonisms resulted from social hierarchies. For some, patria was synonymous with order itself; order needed to be established and maintained no matter how severe the measures. The book is informed by a desire to use early narrative expressions of Chile’s national identity to illuminate the political and cultural heritage of the twentieth century, especially the disruptions that occurred during the government and ultimate ousting of Salvador Allende Gossens (1908–1973), president of Chile from 1970 to 1973. In Blest Gana’s three texts, the enmities among Chileans reveal a fundamental and ongoing social, political and cultural disunity. This crack in the national foundation accounts in part for what erupted during the government of Allende, an idealist and a quixotic individual who believed in socialism via democracy and fought for equality in society. Betrayed from all sides, Allende was violently removed from power by a military junta led by Augusto Pinochet Ugarte (1915–2006), who ruled from 1973 to 1990. Under Pinochet’s dictatorship, books and print materials were scrutinized and censored in a way that was not unlike the period when Cervantes published the first and second parts of Don Quijote. Martín Rivas, however, continued to be read in schools, but mostly as a love story, with its political commentary effectively concealed.
The world discovered Latin American literature in the twentieth century, but the roots of this rich literary tradition reach back beyond Columbus's discovery of the New World. The great pre-Hispanic civilizations composed narrative accounts of the acts of gods and kings. Conquistadors and friars, as well as their Amerindian subjects, recorded the clash of cultures that followed the Spanish conquest. Three hundred years of colonization and the struggle for independence gave rise to a diverse body of literature—including the novel, which flourished in the second half of the nineteenth century. To give everyone interested in contemporary Spanish American fiction a broad understanding of its literary antecedents, this book offers an authoritative survey of four centuries of Spanish American narrative. Naomi Lindstrom begins with Amerindian narratives and moves forward chronologically through the conquest and colonial eras, the wars for independence, and the nineteenth century. She focuses on the trends and movements that characterized the development of prose narrative in Spanish America, with incisive discussions of representative works from each era. Her inclusion of women and Amerindian authors who have been downplayed in other survey works, as well as her overview of recent critical assessments of early Spanish American narratives, makes this book especially useful for college students and professors.
The Chile Reader makes available a rich variety of documents spanning more than five hundred years of Chilean history. Most of the selections are by Chileans; many have never before appeared in English. The history of Chile is rendered from diverse perspectives, including those of Mapuche Indians and Spanish colonists, peasants and aristocrats, feminists and military strongmen, entrepreneurs and workers, and priests and poets. Among the many selections are interviews, travel diaries, letters, diplomatic cables, cartoons, photographs, and song lyrics. Texts and images, each introduced by the editors, provide insights into the ways that Chile's unique geography has shaped its national identity, the country's unusually violent colonial history, and the stable but autocratic republic that emerged after independence from Spain. They shed light on Chile's role in the world economy, the social impact of economic modernization, and the enduring problems of deep inequality. The Reader also covers Chile's bold experiments with reform and revolution, its subsequent descent into one of Latin America's most ruthless Cold War dictatorships, and its much-admired transition to democracy and a market economy in the years since dictatorship.
This book covers the heterogeneity of Chilean literary production from the times of the Spanish conquest to the present. It shifts critical focus from national identity and issues to a more multifaceted transnational, hemispheric, and global approach. Its emphasis is on the paradigm transition from the purportedly homogeneous to the heterogeneous.