Marta the Divine

Marta the Divine

Author: Tirso de Molina

Publisher: Aris & Phillips Hispanic Class

Published: 2012

Total Pages: 249

ISBN-13: 1908343001

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Tirso de Molina's Marta the Divine (c. 1614-15) is a spirited comedy about an ingenious young woman who fakes religious piety in order to avoid an arranged marriage imposed upon her by her father. Marta's false religiosity becomes a cover for sneaking her boyfriend into her house and, to all intents and purposes, having a sexual relationship with him without her credulous father suspecting a thing. The stakes involved in this risky gambit are particularly high because her boyfriend, Felipe, is also the man who has killed her brother. In this fast-moving play that celebrates the victory of youth over age, of love over revenge, little is held sacred, as circumstances spiral to the point of outrageousness. Not surprisingly, Marta has been a controversial play over the years, condemned for immorality and salaciousness by some, championed as an anticlerical tract by others. Readers and audience members over the years have puzzled as to what Tirso wants us to make of the title character and her behaviour. Is she a cautionary example, a sly hypocrite, whom we are to hold at a critical distance? Or she is a sympathetic comic heroine, even a proto-feminist, whose cause we are to embrace? No matter one's perspective, Marta is memorable because of the audaciousness and resourcefulness of the title character. Marta is a great stage creation, and the plot Tirso builds around this trickster has the feel of the archetypal, transcending the time and place of its creation. At the same time, Marta is a surprisingly comprehensive satire of the Spanish empire of its day. Through a variety of subtle touches, Tirso paints a picture of an imperial capital plagued by avarice and hypocrisy. The play has some puzzling elements or 'problems' from a technical point of view, but the irresistible force of its comic energy has appealed to readers and audiences for nearly 400 years. This edition presents the play for the first time ever in English translation. The translation is accompanied by the Spanish text, translators' note and a substantial introduction.


Staging and Stage Décor: Early Modern Spanish Theater

Staging and Stage Décor: Early Modern Spanish Theater

Author: Bárbara Mujica

Publisher: Vernon Press

Published: 2022-06-05

Total Pages: 282

ISBN-13: 1648894356

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This is the first book on staging and stage décor to focus specifically on early modern Spanish theater, from the 16th to the early 20th centuries. The introduction provides an overview of Spanish theater design from the 16th century, with particular attention to the corral theater and Lope de Vega. The scope of the book is vast. Some of the articles deal with early modern stagings, while others deal with contemporary productions. The collection contains articles by an international array of specialists on topics such as scenography and costuming, lighting, and performance space. It also broaches little-studied areas such as the use of alternative performance spaces, most notably prisons. The book provides in-depth analyses of particular archetypes - the melancholiac, the queen, the astrologer - and how they were, and are, staged. The focus on performance and performance space, costuming, set design, lighting, and audience seating make this a truly unique volume. This book is designed for students of Spanish literature and theater, researchers interested in theater history and early modern Spain, as well as theater professionals.


Role-play and the World as Stage in the Comedia

Role-play and the World as Stage in the Comedia

Author: Jonathan Thacker

Publisher: Liverpool University Press

Published: 2002-01-01

Total Pages: 222

ISBN-13: 9780853235484

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The theatrum mundi metaphor was well-known in the Golden Age, and was often employed, notably by Calderón in his religious theatre. However, little account has been given of the everyday exploitation of the idea of the world as stage in the mainstream drama of the Golden Age. This study examines how and why playwrights of the period time and again created characters who dramatize themselves, who re-invent themselves by performing new roles and inventing new plots within the larger frame of the play. The prevalence of metatheatrical techniques among Golden Age dramatists, including Lope de Vega, Tirso de Molina, Calderón de la Barca and Guillén de Castro, reveals a fascination with role-playing and its implications. Thacker argues that in comedy, these playwrights saw role-playing as a means by which they could comment on and criticize the society in which they lived, and he reveals a drama far less supportive of the social status quo in Golden Age Spain than has been traditionally thought to be the case.


Remaking the Comedia

Remaking the Comedia

Author: Harley Erdman

Publisher: Boydell & Brewer Ltd

Published: 2015

Total Pages: 325

ISBN-13: 1855662922

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Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike. This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de García is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco García Vicente, Alejandro González Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de García, Felipe B. Pedraza Jiménez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey


Marta

Marta

Author: Eliza Orzeszkowa

Publisher: Ohio University Press

Published: 2018-08-07

Total Pages: 273

ISBN-13: 0821446290

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Eliza Orzeszkowa was a trailblazing Polish novelist who, alongside Leo Tolstoy and Henryk Sienkiewicz, was a finalist for the 1905 Nobel Prize in Literature. Of her many works of social realism, Marta (1873) is among the best known, but until now it has not been available in English. Easily a peer of The Awakening and A Doll’s House, the novel was well ahead of the English literature of its time in attacking the ways the labor market failed women. Suddenly widowed, the previously middle-class Marta Świcka is left penniless and launched into a grim battle for her survival and that of her small daughter. As she applies for job after job in Warsaw—portrayed here as an every-city, an unforgiving commercial landscape that could be any European metropolis of the time—she is told time after time that only men will be hired, that men need jobs because they are fathers and heads of families. Marta burns with Orzeszkowa’s feminist conviction that sexism was not just an annoyance but a threat to the survival of women and children. It anticipated the need for social safety nets whose existence we take for granted today, and could easily read as an indictment of current efforts to dismantle those very programs. Tightly plotted and exquisitely translated by Anna Gąsienica-Byrcyn and Stephanie Kraft, Marta resonates beyond its Polish setting to find its place in women’s studies, labor history, and among other works of nineteenth-century literature and literature of social change.


Bicycles of the Gods

Bicycles of the Gods

Author: Michael Simms

Publisher: Madville Publishing

Published: 2020-08-23

Total Pages: 275

ISBN-13: 1956440054

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In Bicycles of the Gods, the main character, Jesse, presents an earthly incarnation of Jesus Christ come to earth in the body of a 12-year-old boy in the company of Xavi, who is the earthly incarnation of Shiva, Destroyer of Worlds, also a 12-year-old boy. The pair stand on a hilltop above the city of Los Angeles contemplating how best to destroy it as a precursor to destroying the entire world to rid it of humanity so it can refresh and rebuild. Xavi is ready to get on with the task The Big Guy, God, has assigned them, but Jesse has a problem. He isn’t sure that everyone deserves to be destroyed.


Faith in the Barrios

Faith in the Barrios

Author: Rebecca Pierce Bomann

Publisher: Lynne Rienner Publishers

Published: 1999

Total Pages: 184

ISBN-13: 9781555878276

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Seeking an understanding of believers' perspectives, evangelical Christian Bomann studied a poor barrio in Colombia as a participant researcher in the mid-1990s, asking why those raised in a Catholic culture convert to a minority religion and how they maintain their faith despite hardships. The author is director of a non-profit organization which mobilizes churches to help the needy. Annotation copyrighted by Book News, Inc., Portland, OR


Pirandello's Love Letters to Marta Abba

Pirandello's Love Letters to Marta Abba

Author: Luigi Pirandello

Publisher: Princeton University Press

Published: 2017-03-14

Total Pages: 434

ISBN-13: 1400887283

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In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age, and fell in love with her. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse and artistic collaborator, helping him in his plans to reform Italian theater under the Fascist regime. Pirandello's love for the young actress was neither a literary infatuation nor a form of fatherly affection, but rather an unfulfilled, desperate passion that secretly consumed him during the last decade of his life. Bitterly disillusioned by the conditions of the theatrical world in Italy, Pirandello and Abba shared a dream of going abroad to earn their fortune and returning to Italy with the means to establish a national theater dedicated to high artistic standards. In March 1929, when Marta finally yielded to family pressure and left Pirandello alone in Berlin to revive her Italian stage career and to end rumors over their involvement, he endured a devastating heartbreak and fell into a life-threatening depression--more profound and long-lasting than any of his biographers have yet imagined. The hundreds of letters Pirandello wrote to Abba during these years are the only source that reveals the true story of his relentless torment. Selected, translated, and introduced here for the first time in any language, these powerful and moving documents reward the reader with the unique experience of living in intimacy with a profound poet of human pain. Here Pirandello encourages his beloved in her difficult career as actor/manager, rejoices in her triumphs, and desperately implores her to return to him. The letters are filled with glimpses of this major artistic personality at some of his most distinctive moments--such as the award of the Nobel Prize, his meetings with Mussolini, and Marta's long-dreamed-of success on Broadway--but they remain foremost an authentic confession of a Pirandello, without the mask of his art, telling the story of his real-life tragedy. In 1986, two years before she died, Marta Abba authorized the publication of the present correspondence so that the world might understand how deeply Pirandello had suffered. This English-language volume contains a selection of 164 letters from the complete edition of 552, which Princeton University Press will publish in cooperation with Mondadori, in the original Italian, in 1995. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Coming of Age in the Afro-Latin American Novel

Coming of Age in the Afro-Latin American Novel

Author: Bonnie S. Wasserman

Publisher: Boydell & Brewer

Published: 2022

Total Pages: 177

ISBN-13: 1648250289

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Explores the dimensions of the coming-of-age novel in the Spanish-speaking Caribbean and Brazil, focusing on works by eight major Afro-Latin American writers


Film, Music, Memory

Film, Music, Memory

Author: Berthold Hoeckner

Publisher: University of Chicago Press

Published: 2019-11-27

Total Pages: 287

ISBN-13: 022664989X

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Film has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.