Centenary Reflections on Mark Twain's No. 44, the Mysterious Stranger

Centenary Reflections on Mark Twain's No. 44, the Mysterious Stranger

Author: Joseph Csicsila

Publisher: University of Missouri Press

Published: 2009

Total Pages: 305

ISBN-13: 0826271863

DOWNLOAD EBOOK

In this first book on No. 44 in thirty years, thirteen especially commissioned essays by some of today's most accomplished Twain scholars cover an array of topics, from domesticity and transnationalism to race and religion, and reflect a variety of scholarly and theoretical approaches to the work. This far-reaching collection considers the status of No. 44 within Twain's oeuvre as they offer cogent insights into such broad topics as cross-culturalism, pain and redemption, philosophical paradox, and comparative studies of the "Mysterious Stranger" manuscripts. All of these essays attest to the importance of this late work in Twain's canon, whether considering how Twain's efforts at truth-telling are premeditated and shaped by his own experiences, tracing the biblical and religious influences that resonate in No. 44, or exploring the text's psychological dimensions. Several address its importance as a culminating work in which Twain's seemingly disjointed story lines coalesce in meaningful, albeit not always satisfactory, ways. An afterword by Alan Gribben traces the critical history of the "Mysterious Stranger" manuscripts and the contributions of previous critics. A wide-ranging critical introduction and a comprehensive bibliography on the last century of scholarship bracket the contributions. Close inspection of this multidimensional novel shows how Twain evolved as a self-conscious thinker and humorist--and that he was a more conscious artist throughout his career than has been previously thought. Centenary Reflections deepens our understanding of one of Twain's most misunderstood texts, confirming that the author of No. 44 was a pursuer of an elusive truth that was often as mysterious a stranger as Twain himself.


Twain's Brand

Twain's Brand

Author: Judith Yaross Lee

Publisher: Univ. Press of Mississippi

Published: 2013-02-26

Total Pages: 347

ISBN-13: 162674453X

DOWNLOAD EBOOK

Samuel L. Clemens lost the 1882 lawsuit declaring his exclusive right to use “Mark Twain” as a commercial trademark, but he succeeded in the marketplace, where synergy among his comic journalism, live performances, authorship, and entrepreneurship made “Mark Twain” the premier national and international brand of American humor in his day. And so it remains in ours, because Mark Twain's humor not only expressed views of self and society well ahead of its time, but also anticipated ways in which humor and culture coalesce in today's postindustrial information economy—the global trade in media, performances, and other forms of intellectual property that began after the Civil War. In Twain's Brand: Humor in Contemporary American Culture, Judith Yaross Lee traces four hallmarks of Twain's humor that are especially significant today. Mark Twain's invention of a stage persona, comically conflated with his biographical self, lives on in contemporary performances by Garrison Keillor, Margaret Cho, Jerry Seinfeld, and Jon Stewart. The postcolonial critique of Britain that underlies America's nationalist tall tale tradition not only self-destructs in A Connecticut Yankee in King Arthur's Court but also drives the critique of American Exceptionalism in Philip Roth's literary satires. The semi-literate writing that gives Adventures of Huckleberry Finn its “vernacular vision”—wrapping cultural critique in ostensibly innocent transgressions and misunderstandings—has a counterpart in the apparently untutored drawing style and social critique seen in The Simpsons, Lynda Barry's comics, and The Boondocks. And the humor business of recent decades depends on the same brand-name promotion, cross-media synergy, and copyright practices that Clemens pioneered and fought for a century ago. Twain's Brand highlights the modern relationship among humor, commerce, and culture that were first exploited by Mark Twain.


Annotated Huckleberry Finn

Annotated Huckleberry Finn

Author: Mark Twain

Publisher: W. W. Norton & Company

Published: 2001

Total Pages: 658

ISBN-13: 9780393020397

DOWNLOAD EBOOK

"All modern American literature comes from one book called Huckleberry Finn," declared Ernest Hemingway. "There was nothing before. There has been nothing as good since." Yet even from the time of its first publication in 1885, Mark Twain's masterpiece has been one of the most celebrated and controversial books ever published in America. No other story so central to our American identity has been so loved and so reviled as Huck Finn's autobiography.


Autobiographical Writings

Autobiographical Writings

Author: Mark Twain

Publisher: Penguin

Published: 2012-05-29

Total Pages: 605

ISBN-13: 1101601779

DOWNLOAD EBOOK

An intimate look at Mark Twain that only he himself could offer, with added photos, music, video, and more Enhanced eBook features added by scholar R. Kent Rasmussen to this selection of Mark Twain’s autobiographical writings include: – Contemporary advertisements for Mark Twain’s autobiographical writings from newspapers around America – The only existing video of Mark Twain, taken by Thomas Edison’s production company in 1909, soundtracked with the popular contemporary song “In the Sweet Bye and Bye” – An expansive glossary linked with the text for a richer reading experience A must-have for all lovers of Mark Twain, this selection opens a rare window onto the writer’s life, particularly his early years. Born on November 30, 1835, in Florida, Missouri, Samuel Langhorne Clemens first used the pseudonym Mark Twain while a journalist in Nevada in 1863. When his first major book, The Innocents Abroad, appeared six years later, he began what would become one of the most celebrated and influential careers in American letters. Autobiographical Writings will help readers know the author intimately and appreciate why, a century after his death, he remains so vital and appealing.


The Uneasy Chair

The Uneasy Chair

Author: Wallace Earle Stegner

Publisher: U of Nebraska Press

Published: 2001-03-01

Total Pages: 516

ISBN-13: 9780803292840

DOWNLOAD EBOOK

Traces the life of the American novelist from his childhood in Utah, to Harvard, to his writing career that included novels, prize-winning Western histories, and his monthly column "Easy Chair" in Harper's magazine.


The Letters of Mark Twain and Joseph Hopkins Twichell

The Letters of Mark Twain and Joseph Hopkins Twichell

Author: Harold K. Bush

Publisher: University of Georgia Press

Published: 2017-04-15

Total Pages: 468

ISBN-13: 0820350745

DOWNLOAD EBOOK

This book contains the complete texts of all known correspondence between Samuel L. Clemens (Mark Twain) and Joseph Hopkins Twichell. Theirs was a rich exchange. The long, deep friendship of Clemens and Twichell—a Congregationalist minister of Hartford, Connecticut—rarely fails to surprise, given the general reputation Twain has of being antireligious. Beyond this, an examination of the growth, development, and shared interests characterizing that friendship makes it evident that as in most things about him, Mark Twain defies such easy categorization or judgment. From the moment of their first encounter in 1868, a rapport was established. When Twain went to dinner at the Twichell home, he wrote to his future wife that he had “got up to go at 9.30 PM, & never sat down again—but [Twichell] said he was bound to have his talk out—& I was willing—& so I only left at 11.” This conversation continued, in various forms, for forty-two years—in both men’s houses, on Hartford streets, on Bermuda roads, and on Alpine trails. The dialogue between these two men—one an inimitable American literary figure, the other a man of deep perception who himself possessed both narrative skill and wit—has been much discussed by Twain biographers. But it has never been presented in this way before: as a record of their surviving correspondence; of the various turns of their decades-long exchanges; of what Twichell described in his journals as the “long full feast of talk” with his friend, whom he would always call “Mark.”