This is the latest edition of the Mark Ritual No. 1, Advancement by the Grand Lodge of Mark Master Masons, published under the authority of the General Board, 2000.
In this study of American 19th-century secret orders, the author argues that religious practices and gender roles became increasingly feminized in Victorian America and that secret societies, such as the Freemasons, offered men and boys an alternative, male counterculture.
This volume utilizes Catherine Bell's ritual theory to shed new light on the many rituals reflected in ancient Mediterranean texts. In recent decades scholars of religion have come to realize that ritual and bodily practices are just as important for religion as beliefs and doctrine. With the development of ritual studies in the 1990s there arose a critical framework for investigating ritual and practice. Only recently, however, has Bell's theorizing been employed to study the rituals portrayed in ancient texts. This cross-disciplinary examination assesses the utility of Bell's theorizing for studying the textual evidence for rituals of the ancient Near East, the Hebrew Bible, the Dead Sea Scrolls, the New Testament, and other early Christian literature. The contributors to this volume illustrate a path away from regarding rituals as inert and fixed and toward a more complex and vibrant interactive model of ritual behaviour. In this volume, as each scholar works to recover the traces of long-past rituals in a particular set of materials, these and other concepts are consciously employed to guide or challenge the investigation, pushing beyond previous conclusions about ancient rituals. The contributors' attention to theory, and especially the social context, practical function, and symbolic interpretation, set this collection apart from studies that consider the rituals in more traditional textual ways.
"Why do beer commercials dominate Super Bowl advertising? How do political ceremonies establish authority? Why were circular forms favored for public festivals during the French Revolution? This book answers these questions using a single concept: common knowledge. Game theory shows that in order to coordinate its actions, a group of people must form "common knowledge." Each person wants to participate only if others also participate. Members must have knowledge of each other, knowledge of that knowledge, and so on. Michael Chwe applies this insight, with striking erudition, to analyze a range of rituals across history and cultures. He shows that public ceremonies are powerful not simply because they transmit meaning from a central source to each audience member but because they let audience members know what other members know. In a new afterword, Chwe delves into new applications of common knowledge, both in the real world and in experiments, and considers how generating common knowledge has become easier in the digital age." -- From the jacket.
How has the mass media changed our experience of Election Day? This chronological account of Election Day in Philadelphia begins in the colonial era and traces the evolution of the democratic process through to the present day. Using a variety of sources, the book documents how Philadelphians have dramatically changed the ways in which they perform and discuss Election Day, and examines the significance of these changes, using them as a lens through which to understand differing conceptions of democratic life. Particular attention is paid to the day's status as a mass-mediated ritual, and the various forms of media - among them broadsides, newspapers, television, and the Internet - that have dominated public portrayals of the occasion.Well-researched and written, Celebrating Democracy is as much about the history of Election Day as it is about the history of American journalism and mass media.
On the Zócalo, the main square of Mexico City, Mexico's entire musical history is performed every day. "Mexica" percussionists drum and dance to the music of Aztec rituals on the open plaza. Inside the Metropolitan Cathedral, choristers sing colonial villancicos. Outside the National Palace, the Mexican army marching band plays the "Himno Nacional," a vestige of the nineteenth century. And all around the square, people listen to the contemporary sounds of pop, rock, and música grupera. In all, some seven centuries of music maintain a living presence in the modern city. This book offers an up-to-date, comprehensive history and ethnography of musical rituals in the world's largest city. Mark Pedelty details the dominant musical rites of the Aztec, colonial, national, revolutionary, modern, and contemporary eras, analyzing the role that musical ritual played in governance, resistance, and social change. His approach is twofold. Historical chapters describe the rituals and their functions, while ethnographic chapters explore how these musical forms continue to resonate in contemporary Mexican society. As a whole, the book provides a living record of cultural continuity, change, and vitality.
Ritual today can be encountered in the midst of catastrophic and transforming events. This collection reassesses and revises traditionally understood relationships between ritual and politics, ritual and everyday life, ritual and art making, and ritual and disaster. The methodologies as well as the subject matter are interdisciplinary: they range from the anthropological to the art and dance historical, from the theatrical and literary to the linguistic, philosophical, and psychoanalytic. It will be a valuable tool for scholars of Theater and Performance Studies, as well as Anthropology, Art, and History.