This work offers a detailed reconstruction of the campaigns for and trials resulting in the beatification (in 1626) and subsequent canonization in 1169 of the Florentine mystic nun, Maria Maddalena de' Pazzi (1566-1607). Clare Copeland places her findings in the wide context of the politics of saint-making at a time of particular significance for the history of Roman Catholic canonization. The Protestant Reformation had put the Roman Catholic Church on the defensive in this area of devotional practice and the period covered in this volume (ca. 1600-1669) saw far-reaching reforms in the ways in which sanctity was measured and adjudicated by Rome. Copeland shows how these developments need to be seen less in terms of a top-down attempt by the central organs of ecclesiastical control to impose a hegemony of holiness and more in terms of negotiation over the meanings of sanctity—and how it relates to canonization-between the various stakeholders.
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PURGATORY occupies an important place in our holy religion : it forms one of the principal parts of the work of Jesus Christ, and plays an essential role in the economy of the salvation of man. What then is the work which we, members of the Church, have to do for the souls in Purgatory ? We have to alleviate their sufferings. God has placed in our hands the key of this mysterious prison : it is prayer for the dead, devotion to the souls in Purgatory.
Employing contemporary theoretical perspectives, Uttering the Word provides the first detailed analysis of the language and thought of Maria Maddalena de' Pazzi (1566-1607), an important but neglected Renaissance mystic. Borrowing from Lacan, de Certeau, and Deleuze, Maggi analyzes de' Pazzi's unique mystical discourse and studies how the Florentine visionary interprets the relationship between orality and writing, authorship and audience, sexual identity and language.
This study considers the campaigns for and trials resulting in the beatification and subsequent canonization of the Florentine mystic nun, Maria Maddalena de' Pazzi (1566-1607). It explores the politics of saint-making at a time of particular significance for the history of Roman Catholic canonization.
This book gathers more than 150 peer-reviewed papers presented at the 5th INTBAU International Annual Event, held in Milan, Italy, in July 2017. The book represents an invaluable and up-to-date international exchange of research, case studies and best practice to confront the challenges of designing places, building cultural landscapes and enabling the development of communities. The papers investigate methodologies of representation, communication and valorization of historic urban landscapes and cultural heritage, monitoring conservation management, cultural issues in heritage assessment, placemaking and local identity enhancement, as well as reconstruction of settlements affected by disasters. With contributions from leading experts, including university researchers, professionals and policy makers, the book addresses all who seek to understand and address the challenges faced in the protection and enhancement of the heritage that has been created.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance. Recent studies in the material culture of artifacts from these periods have drawn increasing attention to a sense of material tangibility derived from relics. Putting that conclusion into perspective, this edited collection focuses on the aesthetic meaning generated by a specific material culture of sanctity - one in which artists based their practice upon the nature, variety, and history of relics. Works of art that contained relics shared in the aura of the relics, defining themselves as non-substitutable signs, or signs that preserved the physical relationship to the immutable nature and origin of relics. As studied in this volume, funerary monuments, chapel decorations, altarpieces, liturgical objects, and sacred sites yielded an unordinary aesthetic meaning, one that captured and at the same time transmitted the histories linked to a relic. Each chapter emphasizes the specific history contained within works of art premised upon relics and thus forever embedded in the relics' status as sacred originals..