In 1928 Margaret Mead announced her stunning discovery of a culture in which the storm and stress of adolescence didn't exist. The resulting book, Coming of Age in Samoa has since become a classic - and the best-selling anthropology book of all time. Within the nature-nurture controversy that still divides scientists, Mead's evidence has long been a crucial negative instance, an apparent proof of the sovereignty of culture over biology.
In 1928 Margaret Mead published Coming of Age in Samoa, a fascinating study of the lives of adolescent girls that transformed Mead herself into an academic celebrity. In 1983 anthropologist Derek Freeman published a scathing critique of Mead’s Samoan research, badly damaging her reputation. Resonating beyond academic circles, his case against Mead tapped into important public concerns of the 1980s, including sexual permissiveness, cultural relativism, and the nature/nurture debate. In venues from the New York Times to the TV show Donahue, Freeman argued that Mead had been “hoaxed” by Samoans whose innocent lies she took at face value. In The Trashing of Margaret Mead, Paul Shankman explores the many dimensions of the Mead-Freeman controversy as it developed publicly and as it played out privately, including the personal relationships, professional rivalries, and larger-than-life personalities that drove it. Providing a critical perspective on Freeman’s arguments, Shankman reviews key questions about Samoan sexuality, the alleged hoaxing of Mead, and the meaning of the controversy. Why were Freeman’s arguments so readily accepted by pundits outside the field of anthropology? What did Samoans themselves think? Can Mead’s reputation be salvaged from the quicksand of controversy? Written in an engaging, clear style and based on a careful review of the evidence, The Trashing of Margaret Mead illuminates questions of enduring significance to the academy and beyond. 2010 Distinguished Lecturer in Anthropology at the American Museum of Natural History “The Trashing of Margaret Mead reminds readers of the pitfalls of academia. It urges scholars to avoid personal attacks and to engage in healthy debate. The book redeems Mead while also redeeming the field of anthropology. By showing the uniqueness of the Mead-Freeman case, Shankman places his continued confidence in academia, scholars, and the field of anthropology.”—H-Net Reviews
This short volume is an ideal starting point for anyone wanting to learn about, arguably, the most famous anthropologist of the twentieth century. “Since her death, a steady drip of books about Mead, one of the most significant women in twentieth century social science and American society, has appeared, some interesting, many quite a bit less so. While Shankman’s biography makes use of them, it nevertheless stands out among the better ones, not only for its well-informed and balanced view of Mead, but also for its concision.”—Times Literary Supplement Tracing Mead’s career as an ethnographer, as the early voice of public anthropology, and as a public figure, this elegantly written biography links the professional and personal sides of her career. The book looks at Mead’s early career through the end of World War II, when she produced her most important anthropological works, as well as her role as a public figure in the post-war period, through the 1960s until her death in 1978. The criticisms of Mead are also discussed and analyzed. From the introduction: After her death, she was awarded the Presidential Medal of Freedom by President Jimmy Carter.... On the other side of the world, Mead’s passing was remembered in a very different context. On the island of Manus off the coast of New Guinea, the people of Pere village also mourned her death. Mead first studied the people of Pere in the late 1920s, returning in the 1950s with further visits thereafter. Over a span of five decades, she touched their lives, and they touched hers. Such was Mead’s stature that they commemorated her death with a ceremony befitting a great leader.
In 1953 Margaret Mead and Rhoda Metraux produced The Study of Culture at a Distance, a compilation of research from this period. This work, long unavailable, presents a rich and complex methodology for the study of cultures through literature, film, informant interviews, focus groups, and projective techniques.
This volume introduces a side of Margaret Mead that few people know. Coffman provides a fascinating account of Mead's life and reinterprets her work, highlighting religious concerns.
Part intellectual biography, part cultural history and part history of human sciences, this fascinating volume follows renowned anthropologist Margaret Mead and her colleagues as they showed that anthropology could tackle the psychology of the most complex, modern societies in ways useful for waging the Second World War.
The American anthropologist Margaret Mead (1901-1978) was barely 24 years old when she left New York to study the natives of Samoa, New Guinea, and other remote Pacific islands. Anthropological research to her was not a dull academic discipline but an adventure in which every little detail, from Balinese ritual dances to Polynesian tattooing, held enormous fascination. Her 1928 book--Coming of Age in Samoa--made her both famous and controversial. She boldly challenged the most deeply ingrained principles of the Western way of life: family structure, education, and child-rearing. When she died in 1978, a Pacific tribe she befriended held a five-day ceremony in her honor normally reserved for their greatest chiefs. Joan Mark guides us through the most exciting anthropological discoveries of the 20th century while following Margaret Meads many triumphs around the globe in quick-paced, engrossing prose that reads like an adventure story. Oxford Portraits in Science is an ongoing series of scientific biographies. Written by top scholars and writers, each biography examines the personality of its subject as well as the thought process leading to his or her discoveries. These illustrated biographies combine accessible technical information with compelling personal stories to portray the scientists whose work has shaped our understanding of the natural world.
