The author of Dances With Wolves turns his creativity and imagination toward America's doomed romantic hero, George Armstrong Custer--the youngest general of the Civil War, trailblazer, Indian hunter, passionate lover, obsessive husband, and tormented, guilt-ridden soul. A wonderful merger of fact and fiction, Marching to Valhalla is soon to be a major motion picture starring Brad Pitt.
Swords of Good Men--the first volume Snorri Kristjansson's Vhlhalla Saga--in is a raucous and gripping fantasy adventure set in Viking Norway, where plundering and pillaging are a way of life and creature comforts rarely exceed a mug of sour mead. To weary Viking Ulfar Thormodsson, the town of Stenvik is the penultimate stop on what has been a long and perilous journey. It has been particularly challenging for Thormodsson, who has been charged with protecting the life of his high-born cousin. Having travelled the world for two years, all he wants is to go home--but Stenvik awaits. After coming ashore, Thormodsson meets the beautiful and tragic Lilja, who immediately captures his heart. Stenvik is also home to solitary blacksmith Audun Arngrimsson, whose past hides many dark secrets. Soon, the conflict brewing between two factions of dangerous and determined men of the town threatens to sweep all of them, natives and visitors alike, into the jaws of war. As the Vikings learn, King Olav is marching on Stenvik from the east, determined to bring the White Christ to the masses at the point of his sword - even as a host of bloodthirsty raiders led by a mysterious woman sails from the north. Thormodsson and his companions will soon learn that in this conflict between the Old Gods and the new, there are enemies everywhere - outside the walls of Stenvik as well as within. Swords of Good Men features a memorable cast of original characters and is driven by non-stop action and a clever sense of humor. Kristjansson deftly and elegantly weaves Norse mythology and history with fantasy in a novel that offers not only a good dose of bloody Viking feuding, but intrigue and romance.
There are many things that Rory would like to forget about his childhood growing up in rural Arkansas. Sometimes, he'd even like to forget about Joe, his mentally challenged older brother, both his closest friend and biggest problem. But when a young girl named Sylvia shows up, claiming to be a Valkyrie sent by the Norse god Odin to deliver Rory to Valhalla, he will have to face the past he's tried to lock away.
Ordered to hold an abandoned army post, John Dunbar found himself alone, beyond the edge of civilization. Thievery and survival soon forced him into the Indian camp, where he began a dangerous adventure that changed his life forever. Relive the adventure and beauty of the incredible movie, DANCES WITH WOLVES.
In this prequel to Assassin’s Creed Valhalla: Dawn of Ragnarök, follow Baldr, the valiant son of Havi on his quest to forge a lasting peace among the realms. War is about to break out between the two neighboring realms of Muspelheim and Svartalfheim. Surtr, lord of the Muspels, is gathering his army of fire giants. Determined to prevent such bloodshed, Baldr, son of Odin and god of light, enlists the help of the great trickster god, Loki. Will Loki betray Baldr and the rest of the Æsir? Or will Baldr win the heart of the daughter of the Surtr and forge a lasting peace between the Nine Realms? Written by Alex Freed (Star Wars: The Old Republic) and illustrated by Martin Tunica (Crossed + One Hundred, Assassin’s Creed: Valhalla - Song of Glory) with colors by Michael Atiyeh and letters by Jimmy Betancourt, this hardcover collection is an essential addition to the legendary universe of Assassin’s Creed! Collects Assassin's Creed Valhalla Series II #1–#3.
A brilliant hard-tech debut novel by the well-known author of Her Name, Titanic and Unearthing Atlantis. On Earth, the designers of an advanced space mission fear they've put awesome power in the hands of a maniac, and in the depths of space, a hostile species awakens to the discovery of a new enemy--Earthlings. Illustrated.
An amateur HAM radio operator intercepts a garbled shortwave transmission that indicates the Gestapo's top henchman is coming to America to kill Erika Lehmann, the Nazis' top spy.
"Rise." Erik wakes to the word and finds a valkyrie standing at the foot of his bed. She says she's come to guide him to Valhalla. It's a trip he will find is not as glorious as the old myths might make it seem.
Custer’s Last Stand remains one of the most iconic events in American history and culture. Had Custer prevailed at the Little Bighhorn, the victory would have been noteworthy at the moment, worthy of a few newspaper headlines. In defeat, however tactically inconsequential in the larger conflict, Custer became legend. In Inventing Custer: The Making of an American Legend, Edward Caudill and Paul Ashdown bridge the gap between the Custer who lived and the one we’ve immortalized and mythologized into legend. While too many books about Custer treat the Civil War period only as a prelude to the Little Bighorn, Caudill and Ashdown present him as a product of the Civil War, Reconstruction Era, and the Plains Indian Wars. They explain how Custer became mythic, shaped by the press and changing sentiments toward American Indians, and show the many ways the myth has evolved and will continue to evolve as the United States continues to change.
The author reads Goethe's Faust as the first epic written under Spinoza's influence. He shows how its thematic development is governed by Spinoza's pantheistic naturalism. He further contends that Wagner and Nietzsche have tried to surpass their mentor Goethe's work by writing their own Spinozan epics of love and power in The Ring of the Nibelung and Thus Spoke Zarathustra. These Spinozan epics are designed to succeed the Christian epics in the Western literary tradition. Whereas the Christian epics dared to groom human beings for their destiny in the supernatural world, the Spinozan epics try to reinstate humanity as the children of Mother Nature and overcome their alienation from the natural world, which had been dictated by the long reign of Christianity. However, it has been well noted that none of these new epics seems to hang together thematically as a coherent work. By his Spinozan reading, the author not only demonstrates the thematic unity of each of them singly, but further illustrates their thematic relation with each other.
