The Isle of Man is full of faery beings. In a concentrated area, it has all the most fascinating supernatural creatures of the British Isles, not just fairies, but various goblins, faery beasts and mermaids. It provides a fascinating case study of the wider wonders of British faery-lore, a kind of microcosm of Britain’s faeries.
Sophia Morrison (1859 - 1917) was a Manx cultural activist, folklore collector and author. Through her own work and through her role in encouraging and enthusing others, she is considered to be one of the key figures of the Manx cultural revival. 'Manx Fairy Tales' was first published in 1911. "There is at least one spot in the world where Fairies are still believed in, and where, if you look in the right places, they may still be found, and that is the little island from which these stories come - Ellan Vannin, the Isle of Mann. But I have used a word which should not be mentioned here -they are never called Fairies by the Manx, but Themselves, or the Little People, or the Little Fellows, or the Little Ones, or some times even the Lil' Boys. These Little People are not the tiny creatures with wings who flutter about in many English Fairy tales, but they are small persons from two to three feet in height, otherwise very like mortals. They wear red caps and green jackets and axe very fond of hunting indeed they are most often seen on horseback followed by packs of little hounds of all the colours of the rainbow. They are rather inclined to be mischievous and spiteful, and that is why they are called by such good names, in case they should be listening!" "Besides these red-capped Little Fellows there are other more alarming folk. There is the Fynoderee, who is large, ugly, hairy and enormously strong, but not so bad as he looks, for often he helps on the farm during the night by thrashing corn. He does not like to be seen, so if a farmer wants work done by him, he must take care to keep out of the Fynoderee's way. Then, far uglier than Fynoderee, are the Bugganes, who are horrible and cruel creatures. They can appear in any shape they please - as ogres with huge heads and great fiery eyes, or without any heads at all; as small dogs who grow larger and larger as you watch them until they are larger than elephants, when perhaps they turn into the shape of men or disappear into nothing; as homed monsters or anything they choose. Each Buggane has his own particular dwelling place-a dark sea-cave, a lonely hill, or a ruined Keeill, or Church. There are many others too, but these are the chief."
The materials crowded into the earlier chapters mark out the stories connected with the fairies, whether of the lakes or of the dry land, as the richest lode to be exploited in the mine of Celtic folklore. That work is attempted in the later chapters; and the analysis of what may briefly be described as the fairy lore given in the earlier ones carries with it the means of forcing the conviction, that the complex group of ideas identified with the little people is of more origins than one; in other words, that it is drawn partly from history and fact, and partly from the world of imagination and myth. The latter element proves on examination to be inseparably connected with certain ancient beliefs in divinities and demons associated, for instance, with lakes, rivers, and floods. Accordingly, this aspect of fairy lore has been dealt with in chapters vi and vii: the former is devoted largely to the materials themselves, while the latter brings the argument to a conclusion as to the intimate connexion of the fairies with the water-world. Then comes the turn of the other kind of origin to be discussed, namely, that which postulates the historical existence of the fairies as a real race on which have been lavishly superinduced various impossible attributes. This opens up a considerable vista into the early ethnology of these islands, and it involves a variety of questions bearing on the fortunes here of other races. In the series which suggests itself the fairies come first as the oldest and lowest people: then comes that which I venture to call Pictish, possessed of a higher civilization and of warlike instincts. Next come the earlier Celts of the Goidelic branch, the traces, linguistic and other, of whose presence in Wales have demanded repeated notice; and last of all come the other Celts, the linguistic [xii]ancestors of the Welsh and all the other speakers of Brythonic. The development of these theses, as far as folklore supplies materials, occupies practically the remaining five chapters. Among the subsidiary questions raised may be instanced those of magic and the origin of druidism; not to mention a neglected aspect of the Arthurian legend, the intimate association of the Arthur of Welsh folklore and tradition with Snowdon, and Arthur’s attitude towards the Goidelic population in his time.
A historical collection of the many wonderful folk tales from the Isle of Man. First published in 1901, John Rhys recorded these fascinating folk tales from the Isle of Man, featuring many ancient superstitions and traditional customs. Explore this captivating corner of Celtic legend within this volume.
Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.
A New History of the Isle of Man will provide a new benchmark for the study of the island’s history. In five volumes, it will survey all aspects of the history of the Isle of Man, from the evolution of the natural landscape through prehistory to modern times. The Modern Period is the first volume to be published. Wide in coverage, embracing political, constitutional, economic, labor, social and cultural developments in the nineteenth and twentieth centuries, the volume is particularly concerned with issues of image, identity and representation. From a variety of angles and perspectives, contributors explore the ways in which a sense of Manxness was constructed, contested, continued and amended as the little Manx nation underwent unprecedented change from debtors’ retreat through holiday playground to offshore international financial center.
In this study, which is first of all a folk-lore study, we pursue principally an anthropo-psychological method of interpreting the Celtic belief in fairies, though we do not hesitate now and then to call in the aid of philology; and we make good use of the evidence offered by mythologies, religions, metaphysics, and physical sciences.
In 'The Fairy-Folklore in Celtic Countries,' W. Y. Evans-Wentz delves deep into the rich world of Celtic mythology, exploring the intricate relationships between humans and the mythical creatures known as fairies. Drawing on a wealth of folktales, legends, and traditions from Ireland, Scotland, Wales, and Brittany, Evans-Wentz brings to light the fascinating beliefs and customs surrounding these mystical beings. His detailed analysis of the storytelling techniques and symbolic motifs used in Celtic folklore provides an invaluable resource for scholars and enthusiasts alike, shedding light on the cultural heritage of the Celtic peoples. Through his scholarly approach, Evans-Wentz uncovers the profound connections between folklore, literature, and spiritual beliefs in Celtic societies, offering a comprehensive and insightful study of fairy lore in the Celtic tradition. W. Y. Evans-Wentz, a renowned scholar of Celtic studies, dedicated much of his career to the preservation and exploration of Celtic folklore and spirituality. His deep admiration for Celtic culture and his meticulous research led him to compile this seminal work on fairy folklore, highlighting the importance of these mythical beings in Celtic societies. Evans-Wentz's expertise and passion for his subject shine through in his comprehensive and authoritative analysis of Celtic fairy tales, making 'The Fairy-Folklore in Celtic Countries' a must-read for anyone interested in Celtic mythology and folklore. I highly recommend 'The Fairy-Folklore in Celtic Countries' to readers who are eager to immerse themselves in the enchanting world of Celtic fairy tales and folk traditions. Evans-Wentz's scholarly approach and in-depth exploration of Celtic folklore offer a captivating journey into the mystical realm of fairy beings, providing valuable insights into the cultural heritage of the Celtic peoples.