A former UN worker and prominent architect, Johan van Lengen has seen firsthand the desperate need for a "greener" approach to housing in impoverished tropical climates. This comprehensive book clearly explains every aspect of this endeavor, includingdesign (siting, orientation, climate consideration), materials (sisal, cactus, bamboo, earth), and implementation. The author emphasizes throughout the book what is inexpensive and sustainable. Included are sections discussing urban planning, small-scale energy production, cleaning and storing drinking water, and dealing with septic waste, and all information is applied to three distinct tropical regions: humid areas, temporate areas, and desert climates. Hundreds of explanatory drawings by van Lengen allow even novice builders to get started."
En la antigü edad, los primeros arquitectos amasaban la tierra con sus pies para elaborar ladrillos, hoy en dí a esa imagen está bastante alejada de nuestra realidad. Dado el cambio constante del mundo, los materiales tradicionales de construcció n se emplean con menos frecuencia y, por lo tanto, hay menos mano de obra con esos conocimientos. En este manual se ofrece una amplia gama de materiales y formas de construir una casa a partir de la combinació n de té cnicas tradicionales y modernas que contemplan el clima de las regiones donde se desea construir. Todo el texto está acompañ ado de dibujos que vuelven la informació n má s amena y clara, lo que lo convierte en un libro para arquitectos, universitarios, autoridades de gobierno y té cnicos, pero tambié n para todo aquel que quiera construir su propia casa.
A fresh edition of the sustainable design pioneer Victor Papanek’s classic and ever-relevant book examining the important role of design in combating climate change. Whether it’s horror at the plastic littering the world’s beaches or despair at the melting polar ice caps, the world is gradually waking up to the impending climate disaster. In The Green Imperative, Papanek argues for design that addresses these issues head-on. This means using materials that can be recycled and reused, no more pointless packaging, thinking about how products make us feel and engage all our senses, putting nature at the heart of design, working at a smaller scale, rejecting aesthetics for their own sake, and thinking before we buy. First published at the end of the twentieth century, this book offered a plethora of honest advice, clear examples, and withering critiques, laying out the flaws of and opportunities for the design world at that time. A quarter of a century on, Papanek’s lucid prose has lost none of its verve, and the problems he highlights have only become more urgent, giving today’s reader both a fascinating historical perspective on the issues at hand and a blueprint for how they might be solved.
Over nearly three centuries, Jesuit, Franciscan, and Dominican missionaries built a network of churches throughout the “new world” of New Spain. Since the early twentieth century, scholars have studied the colonial architecture of southern New Spain, but they have largely ignored the architecture of the north. However, as this book clearly demonstrates, the colonial architecture of Northern New Spain—an area that encompasses most of the southwestern United States and much of northern Mexico—is strikingly beautiful and rich with meaning. After more than two decades of research, both in the field and in archives around the world, Gloria Fraser Giffords has authored the definitive book on this architecture. Giffords has a remarkable eye for detail and for images both grand and diminutive. Because so many of the buildings she examines have been destroyed, she sleuthed through historical records in several countries, and she discovered that the architecture and material culture of northern New Spain reveal the influences of five continents. As she examines objects as large as churches or as small as ornamental ceramic tile she illuminates the sometimes subtle, sometimes striking influences of the religious, social, and artistic traditions of Europe (from the beginning of the Christian era through the nineteenth century), of the Muslim countries ringing the Mediterranean (from the seventh through the fifteenth centuries), and of Northern New Spain’s indigenous peoples (whose art influenced the designs of occupying Europeans). Sanctuaries of Earth, Stone, and Light is a pathbreaking book, featuring 200 stunning photographs and over 300 illustrations ranging from ceremonial garments to detailed floor plans of the churches.
Hardbound. The concepts, elements and design patterns of passive buildings are dealt with in this book. These patterns are a way to conserve energy in buildings or to provide more comfortable conditions inside the space through natural means. A systematic approach has been used in the presentation of the various concepts and elements of heating, cooling, combined heating and cooling, humidity control and daylighting. This has been achieved by describing the basic principles, their design aspects and performance, and illustrating with appropriate examples. The subject is covered in a compact yet comprehensive way. The information presented in the main text is supplemented by very useful appendices, which also include some case studies of passive buildings from all over the world.
Drawing on the discipline of stylistics, this book introduces a series of methodological tools and applies them to works by well-known Nigerian writers, including Abani, Adichie and Okri. In doing so, it demonstrates how attention to form fosters understanding of content in their work, as well as in African and postcolonial literatures more widely.
