"Manhattan Manners: Architecture and Style, 1850-1900 mines a wealth of vintage photographs, maps, and historic periodicals to recreate the era during which the characteristics that distinguish Manhattan as a city to this day-innovation, eclecticism, peripatetic fashion, and a dizzying pace of commercial and real estate development-were formed. A depiction and an assessment of New York City in the second half of the Nineteenth Century, Manhattan Manners is a tour of a quintessentially urban American place from its great public parks, squares, monuments, and fashionable boulevards to its ever-changing neighborhoods of private town houses, brownstones, luxury apartments, and tenement buildings."--Publisher's description.
New York Times Bestseller Living in New York City for five years as a transplant from Ohio, illustrator and T-shirt designer Nathan Pyle was fascinated by the unique habits and unspoken customs New Yorkers follow to make life bearable in a city with 8 million people (and seemingly twice the number of tourists). In NYC Basic Tips and Etiquette, Pyle reveals the secrets and unwritten rules for living in and visiting New York including the answers to such burning questions as, how do I hail a cab? What is a bodega? Which way is Uptown? Why are there so many doors in the sidewalk? How do I walk on an escalator? Do we need be touching right now? Where should I inhale or exhale while passing sidewalk garbage? How long should I honk my horn? If New York were a game show, how would I win? What happens when I stand in the bike lane? Who should get the empty subway seats? How do I stay safe during a trash tornado? Each tip is a little story illustrated in simple black and white drawings.
A revised addition to the Living In series shows and describes the gardens, boulevards, museums, monuments, and parks of Paris, and includes interiors of homes decorated in various styles.
Shows vividly how the Great Fire of 1835, which nearly leveled Manhattan also created the ashes from which the city was reborn.In 1835, a merchant named Gabriel Disosway marveled at a great fire enveloping New York, commenting on how it "spread more and more vividly from the fiery arena, rendering every object, far and wide, minutely discernible - the lower bay and its Islands, with the shores of Long Island and NewJersey." The fire Disosway witnessed devastated a large swath of lower Manhattan, clearing roughly the same number of acres as the World Trade Center bombing, Manhattan Phoenix explores the emergence of modern New York after it emerged from the devastating fire of 1835 - a catastrophe that revealedhow truly unprepared and haphazardly organized it was - to become a world-class city merely a quarter of a century later. The one led to other. New York effectively had to start over.Daniel Levy's book charts Manhattan's almost miraculous growth while interweaving the lives of various New Yorkers who took part in the city's transformation. Some are well known, such as the land baron John Jacob Astor and Mayor Fernando Wood. Others less so, as with the African-American oystermanThomas Downing and the Bowery Theatre impresario Thomas Hamblin. The book celebrates Fire Chief James Gulick who battled the blaze, and celebrates the work of the architect Alexander Jackson Davis who built marble palaces for the rich. It chronicles the career of the merchant Alexander Stewart whoconstructed the first department store, follows the struggles of the abolitionist Arthur Tappan, and records of the efforts of the engineer John Bloomfield Jervis who brought clean water into homes. And this resurgence owed so much to the visionaries, such as Frederick Law Olmsted and Calvert Vaux,who designed Central Park, creating a refuge that it remains to this day.Manhattan Phoenix reveals a city first in flames and then in flux but resolute in its determination to emerge as one of the world's greatest metropolises.
THE STORY: Loretta thinks she is a machine. Her father, Monty, seeks independence and a place in history. Will Loretta learn the secret she needs to hear? Will Monty forgive her for a slap across the face that broke the rules? A play about the body
When 25-year-old Laura Smart moves from Cleveland to Manhattan to take a job at a magazine, she hopes the world will become her oyster. Instead, she has to deal with the demands of her self-absorbed boss and the shallow world of women's magazines.
On the agricultural frontier and through technological progress, Europeans and others and their descendants have sought to fulfill their dreams of improvement. Through businesses, governments, and other bodies, city dwellers expedited these desires by organizing settlements, communications, trade, finance, and manufacturing. In turn, cities grew mightily. To assess the present condition of cities, Liberal Dreams and Nature's Limits focuses on five large North American cities at various times in the past --Philadelphia (about 1760), New York (1860), Chicago (1910), Los Angeles (1950), and Toronto (1975). Life inside these cities--specifically the economy, society and politics, public services, land development, and the geographies of circulation, workplaces, and residential districts--is the central concern of this book. Another concern is drawing contrasts and similarities between the American and Canadian urban experiences. North Americans, most now living in cities, face the challenge of a social frontier--how to maintain civility in a near-stagnant economy. Despite recent advances in cyberspace, nature has imposed limits on technical progress defined by speed, convenience, and comfort; Promethean gains through creative destruction are no longer possible. Increased preoccupation with money, status, and safety suggests that the striving inspired by liberalism is still appealing. Yet without growth, liberal dreams cannot be fulfilled. To ensure work, income equity, and a degree of freedom in thought and action, citizens and leaders in both countries will have to commit themselves as never before to managing fairness through social democracy. Sustainable cities are not possible otherwise.
A perceptive & provocative analysis of the transformation that swept through American Catholicism in the decades leading up to Vatican II. The Jesuits have been the carriers of a culture borne along by a fruitful & often frustrating tension between their dual commitment to ancient virtues & to the pursuit of the free play of ideas. This book explains developments among the Jesuits and sets them in the larger context of the sea-changes that shook the world and the Catholic Church in the world during the mid-20th century.
Situated on Broadway between Fourteenth and Seventeenth Streets, Union Square occupies a central place in both the geography and the history of New York City. Though this compact space was originally designed in 1830 to beautify a residential neighborhood and boost property values, by the early days of the Civil War, New Yorkers had transformed Union Square into a gathering place for political debate and protest. As public use of the square changed, so, too, did its design. When Frederick Law Olmsted and Calvert Vaux redesigned the park in the late nineteenth century, they sought to enhance its potential as a space for the orderly expression of public sentiment. A few decades later, anarchists and Communist activists, including Emma Goldman, turned Union Square into a regular gathering place where they would advocate for radical change. In response, a series of city administrations and business groups sought to quash this unruly form of dissidence by remaking the square into a new kind of patriotic space. As Joanna Merwood-Salisbury shows us in Design for the Crowd, the history of Union Square illustrates ongoing debates over the proper organization of urban space—and competing images of the public that uses it. In this sweeping history of an iconic urban square, Merwood-Salisbury gives us a review of American political activism, philosophies of urban design, and the many ways in which a seemingly stable landmark can change through public engagement and design. Published with the support of Furthermore: a program of the J. M. Kaplan Fund.
