In the small African republic of Kinjanja, British diplomat Morgan Leafy bumbles heavily through his job. His love of women, his fondness for drink, and his loathing for the country prove formidable obstacles on his road to any kind of success. But when he becomes an operative in Operation Kingpin and is charged with monitoring the front runner in Kinjanja’s national elections, Morgan senses an opportunity to achieve real professional recognition and, more importantly, reassignment. After he finds himself being blackmailed, diagnosed with a venereal disease, attempting bribery, and confounded with a dead body, Morgan realizes that very little is going according to plan.
By featuring the life histories of eight senior men, Making Men in Ghana explores the changing meaning of becoming a man in modern Africa. Stephan F. Miescher concentrates on the ideals and expectations that formed around men who were prominent in their communities when Ghana became an independent nation. Miescher shows how they negotiated complex social and economic transformations and how they dealt with their mounting obligations and responsibilities as leaders in their kinship groups, churches, and schools. Not only were notions about men and masculinity shaped by community standards, but they were strongly influenced by imported standards that came from missionaries and other colonial officials. As he recounts the life histories of these men, Miescher reveals that the passage to manhood—and a position of power, seniority, authority, and leadership—was not always welcome or easy. As an important foil for studies on women and femininity, this groundbreaking book not only explores masculinity and ideals of male behavior, but offers a fresh perspective on African men in a century of change.
A groundbreaking history that puts early and medieval West Africa in a global context Pick up almost any book on early and medieval world history and empire, and where do you find West Africa? On the periphery. This pioneering book, the first on this period of the region’s history in a generation, tells a different story. Interweaving political and social history and drawing on a rich array of sources, including Arabic manuscripts, oral histories, and recent archaeological findings, Michael Gomez unveils a new vision of how categories of ethnicity, race, gender, and caste emerged in Africa and in global history more generally. Scholars have long held that such distinctions arose during the colonial period, but Gomez shows they developed much earlier. Focusing on the Savannah and Sahel region, Gomez traces the exchange of ideas and influences with North Africa and the Central Islamic Lands by way of merchants, scholars, and pilgrims. Islam’s growth in West Africa, in tandem with intensifying commerce that included slaves, resulted in a series of political experiments unique to the region, culminating in the rise of empire. A major preoccupation was the question of who could be legally enslaved, which together with other factors led to the construction of new ideas about ethnicity, race, gender, and caste—long before colonialism and the transatlantic slave trade. Telling a radically new story about early Africa in global history, African Dominion is set to be the standard work on the subject for many years to come.
In 1998, acclaimed photojournalist Teun Voeten headed to Sierra Leone for what he thought would be a standard assignment on the child soldiers there. But the cease-fire ended just as he arrived, and the clash between the military junta and the West African peace-keeping troops forced him to hide in the bush from rebels who were intent on killing him. How de Body? ("how are you?" in Sierra Leone's Creole English) is a dramatic account of the conflict that has been raging in the country for nearly a decade-and how Voeten nearly became a casualty of it. Accessible and conversational, it's a look into the dangerous diamond trade that fuels the conflict, the legacy of war practices such as forced amputations, the tragic use of child soldiers, and more. The book is also a tribute to the people who never make the headlines: Eddy Smith, a BBC correspondent who eventually helps Voeten escape; Alfred Kanu, a school principal who risks his life to keep his students and teachers going amidst the bullets and raids; and Padre Victor, who runs a safe haven for ex-child soldiers; among others. Featuring Voeten's stunning black-and-white photos from his multiple trips to the conflict area, How de Body? is a crucial testament to a relatively unknown tragedy.
This is an illustrated "graphic history" based on an 1876 court transcript of a West African woman named Abina, who was wrongfully enslaved and took her case to court. The main scenes of the story take place in the courtroom, where Abina strives to convince a series of "important men"--A British judge, two Euro-African attorneys, a wealthy African country "gentleman," and a jury of local leaders --that her rights matter.--Publisher description.
A Man among Other Men examines competing constructions of modern manhood in the West African metropolis of Abidjan, Côte d'Ivoire. Engaging the histories, representational repertoires, and performative identities of men in Abidjan and across the Black Atlantic, Jordanna Matlon shows how French colonial legacies and media tropes of Blackness act as powerful axes, rooting masculine identity and value within labor, consumerism, and commodification. Through a broad chronological and transatlantic scope that culminates in a deep ethnography of the livelihoods and lifestyles of men in Abidjan's informal economy, Matlon demonstrates how men's subjectivities are formed in dialectical tension by and through hegemonic ideologies of race and patriarchy. A Man among Other Men provides a theoretically innovative, historically grounded, and empirically rich account of Black masculinity that illuminates the sustained power of imaginaries even as capitalism affords a deficit of material opportunities. Revealed is a story of Black abjection set against the anticipation of male privilege, a story of the long crisis of Black masculinity in racial capitalism.
Toby Green weaves a mystical narrative of lore and tradition as he searches for, and finds, the secret power of invisibility.Exploring the extraordinarily vibrant spiritual world which underlies the surface of West Africa, this book examines the conflict between the traditional and the modern in a region whose culture is a melting pot of local, Islamic and European influences. Building on local narrative, we hear first-hand the mysterious stories of invulnerability and invisibility retold from the author's own experiences. Engaging the reader with themes as diverse as the histories of the slave trade and the kingdoms of West Africa, the invisible men of HG Wells and Ralph Ellison, Plato's simile of the cave and Marco Polo's observations about Zanzibar, the book is by turns mysterious, hilarious, beautiful and troubling.
In the 1970s and early 1980s, there was a lack of contemporary, readily available studies of the informal relationships between the sexes; their day to day activities and expectations and how these were altering; especially in contexts in which there were radical demographic, political and economic changes taking place. Originally published in 1983, this volume documents the complexities and subtleties of the modes of interaction between women and men in one region of Africa. It seeks to provide insights and understanding of changing social contexts and relationships based upon ethnographic field work carried out in the previous decade. There are five sections. The first is comparative; presenting and analysing statistical data from the countries of the region; including demographic profiles of fertility, migration, mortality, as well as census and survey evidence on work patterns and education. It provides the broad framework within which the individual case studies are located. The theme of the first set of case studies is the traditional separation and interconnectedness apparent in the worlds of women and men in several culture areas in the spheres of arts and crafts, music, political roles, language, symbolism, ritual, domestic organization and resources and sexuality. The second set focuses on the theme of domestic cooperation and conflict, in production and consumption – in particular the conflicting claims and expectations of men and women, as spouses and kin. The third set of essays is concerned with the relative resources and opportunities of females and males in schools and employment contexts, in sexual encounters and in national community and domestic decision-making processes. The subjects of the final section include individualism, autonomy and dependence of the members of one sex upon the other. The increased individualism, resulting from migration and the scattering of kin, and the breakdown of cooperative work patterns between spouses and relatives is seen as leading to instances of both increased dependence on the one hand, especially of women on men, and increased opportunities for economic autonomy on the other. The case studies span a wide range of socio-economic conditions including studies of farmers, traders, fishermen and fishmongers, factory and office workers, the relatively rich and the relatively poor, from many different ethnic groups and six countries. The book was expected to be of interest to a wide range of readers in social science disciplines as well as to planners and administrators. It should still prove to be particularly relevant to the needs of university students in the fields of women’s studies, African studies, Black studies, sex roles, family relations, sociology and anthropology.
Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling “the walls of his room with piteous petitions to be released, all written in the Arabic language,” as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic. In A Muslim American Slave, scholar and translator Ala Alryyes offers both a definitive translation and an authoritative edition of this singularly important work, lending new insights into the early history of Islam in America and exploring the multiple, shifting interpretations of Ibn Said’s narrative by the nineteenth-century missionaries, ethnographers, and intellectuals who championed it. This edition presents the English translation on pages facing facsimile pages of Ibn Said’s Arabic narrative, augmented by Alryyes’s comprehensive introduction, contextual essays and historical commentary by leading literary critics and scholars of Islam and the African diaspora, photographs, maps, and other writings by Omar Ibn Said. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that “Islam” and “America” are not mutually exclusive terms. This edition presents the English translation on pages facing facsimile pages of Ibn Said’s Arabic narrative, augmented by Alryyes’s comprehensive introduction and by photographs, maps, and other writings by Omar Ibn Said. The volume also includes contextual essays and historical commentary by literary critics and scholars of Islam and the African diaspora: Michael A. Gomez, Allan D. Austin, Robert J. Allison, Sylviane A. Diouf, Ghada Osman, and Camille F. Forbes. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that “Islam” and “America” are not mutually exclusive terms. Best Books for General Audiences, selected by the American Association of School Librarians
