A dead boy, a cougar, and peanuts… There's no time for celebrating the holidays when a young messenger boy's corpse is discovered just outside Manatas. Snake had ambitions of bettering himself, but as Halvar, Selim, and the Town Guard seek for the lad's killer, they discover signs of a plot that could endanger the entire city. Then a noted master of mathematics is discovered dead in the Madrassa. Halvar's instincts tell him the two deaths are connected, but unearthing that link may present his most complicated puzzle to date. And, of course, make him a target yet again.
Halvar Danske, known as the Hireling, has come to Manatas to determine whether there’s fraud afoot in the Feria. His master, the Al-Andalusian Calif Don Felipe, has had a letter from an old friend named Leon di Vicenza claiming part of the calif’s share of the Feria’s revenues is being funneled into unauthorized pockets. It’s more than an omen when Halvar stumbles on a brutally murdered man his first morning in Manatas, and the day goes downhill from there. Is the corpse really Leon di Vincenza, or is someone staging a gigantic hoax? And what does Halvar’s childhood love Dani Glick have to do with it? In this first pair of novellas, filk-artist and author Roberta Rogow introduces a world where Spain rules North America and a Danish soldier turned investigator is thrust into a place where the primitive nature of the surroundings is a sharp contrast to the sophisticated intrigue that plagues the island of Manatas.
The end is in sight. Or not. As the fall Feria comes to a close, Halvar is ready to snatch Leon di Vicenza from the fratery and head back to Al-Andalus. No such luck. An Afrikan merchant dies of poisoning, and there are enough suspects to populate half of Manatas. Then a Bretain student is also murdered, and the Calif's Hireling is once again up to his boot tops in mystery.
This collection of funny and heartrending autobiographical essays by the young Filipino Chinese author is a photo album of sorts—there are black-and-white shots, vivid Polaroids, ID pictures, and yellowed photographs that look like scenes from a dream.
Based on extensive archival research in Peru, Spain, and Italy, Making Medicines in Early Colonial Lima, Peru examines how apothecaries in Lima were trained, ran their businesses, traded medicinal products, prepared medicines, and found their place in society. In the book, Newson argues that apothecaries had the potential to be innovators in science, especially in the New World where they encountered new environments and diverse healing traditions. However, it shows that despite experimental tendencies among some apothecaries, they generally adhered to traditional humoral practices and imported materia medica from Spain rather than adopt native plants or exploit the region’s rich mineral resources. This adherence was not due to state regulation, but reflected the entrenchment of humoral beliefs in popular thought and their promotion by the Church and Inquisition.
Explore a story told across the millennia that delves deep into a pair of fascinating necron characters, their relationship and their plans for the galaxy. Before the being called the Emperor revealed Himself, before the rise of the aeldari, before the necrontyr traded their flesh for immortal metal, the world was born in violence.Even when they inhabited bodies of flesh, Trazyn the Infinite and Orikan the Diviner were polar opposites. Trazyn, a collector of historical oddities, presides over a gallery full of the most dangerous artefacts – and people – of the galactic past. Orikan, a chronomancer without peer, draws zodiacs that predict and manipulate the future. But when an artefact emerges that may hold the key to the necrons’ next evolution, these two obsessives enter a multi-millennia game of cat and mouse that ends civilisations, reshapes timelines, and changes both forever. As riddles unwind and ancient secrets are revealed, the question remains: will their feud save the necron race or destroy it?
Peter Benchley’s fascination with the sea and its magnificent inhabitants inspired such classic novels as Jaws and The Deep, making him the preeminent author of ocean adventure and suspense. The Girl of the Sea of Cortez was his most heartfelt, cherished story of the relationship between man and the sea, both those that live in it and those who love it. On an island in the Gulf of California, an intrepid young woman named Paloma carries a special legacy from her father—a deep understanding of the sea and a sixth sense about the need to protect it. Every day, Paloma paddles her tiny boat into the ocean and anchors over a seamount—a submerged volcanic peak sixty feet underwater that is clustered with spectacular sea animals and a wondrous web of marine life. It is there that an astonishing event takes place, when on one of her dives Paloma is shadowed by a manta ray—an animal so large it blocks the sun. She develops an extraordinary relationship with this luminous, gentle creature, but instinctively knows its existence is a secret she must fiercely protect. Benchley’s novel paints a poignant picture of humanity’s precarious relationship with the ocean, which unfolds alongside a heartrending story of familial bonds, often revealing that the ignorance of man is far more dangerous than the sea. Full of beauty, danger, and adventure, The Girl of the Sea of Cortez is triumphant—a novel to fall in love with. Praise for The Girl of the Sea of Cortez “It’s hard not to compare Benchley’s tale . . . with Hemingway’s classic The Old Man and the Sea.”—The Christian Science Monitor “Charming.”—The New York Times Book Review “For a hot summer’s day, The Girl of the Sea of Cortez is the next best thing to looking through a clear face mask into blue water swimming with fish.”—United Press International
Calvinist determinism destroys moral responsibility and makes God the author of sin. These two accusations are not new, and were arguably anticipated by Paul in Romans 9, but they remain today the most important objections offered against Calvinist/determinist views of human free will. This book is a philosophically rigorous and comprehensive defense of Calvinism against these two families of arguments. With respect to human moral responsibility, it discusses whether determinism destroys “free will,” turns humans into pets or puppets, and involves or is analogous to coercion and manipulation. It responds to the consequence argument and direct argument for incompatibilism, the principle of alternate possibilities, the “ought implies can” maxim, and related claims. With respect to the authorship of sin, it discusses whether Calvinist determinism improperly involves God in evil. Does it mean that “God sins,” or “causes sin,” or “wills sin” in problematic ways? “Does God intend our sin, or (merely) permit sin?” In each case the coherence of the Calvinist view is defended against its most potent objections, to reject the claim that Calvinism is “excusing sinners and blaming God.”
