Male Image, Female Gaze

Male Image, Female Gaze

Author: Manpreet J. Singh

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9788131605080

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The novels of Shashi Deshpande have frequently been analyzed through the traditional feminist framework, an attempt sometimes contested by the writer, although she writes unambiguously from the female point of view. Male Image, Female Gaze analyzes Deshpande's apparently dichotomous stance and elaborates on her departure from the limited scope of theoretical assumptions. The book focuses on Deshpande's understanding of contextual peculiarities and the need to affect sustainable shifts from within social and relational structures. Instead of viewing men as antagonists, she therefore considers the possibility of men as a medium for an integrated and inclusive change. The intricate working of the resistant male psyche is observed and tackled, not from a belligerent but an analytical point of view. Deshpande's purpose is to locate constraints on masculine identity which hamper the reshaping of the gender paradigm, and to consider factors which could impel men to move out of them. Male Image, Female Gaze also examines Deshpande's portrayal of husbands, brothers, sons, and fathers to throw light on the slow pace of social change, as it works its way through underlying psychological conflicts and crises of identities. The book brings into focus her assessment of the inbuilt flexibility of human nature which eventually adapts to changing situations, creating openings where none existed.


A Web of Fantasies

A Web of Fantasies

Author: Patricia B. Salzman-Mitchell

Publisher: Ohio State University Press

Published: 2005

Total Pages: 270

ISBN-13: 0814209998

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"Drawing on recent scholarship in art, film, literary theory, and gender studies, A Web of Fantasies examines the complexities, symbolism, and interactions between gaze and image in Ovid's Metamorphoses and forms a gender-sensitive perspective. It is a feminist study of Ovid's epic, which includes many stories about change, in which discussions of viewers, viewing, and imagery strive to illuminate Ovid's constructions of male and female. Patricia Salzman-Mitchell discusses the text from the perspective of three types of gazes: of characters looking, of the poet who narrates visually charged stories, and of the reader who "sees" the woven images in the text. Arguing against certain theorists who deny the possibility of any feminine vision in a male-authored poem, the author maintains that the female point of view can be released through the traditional feminine occupation of weaving, featuring the woven images of Arachne (involved in a weaving contest in which she tried to best the goddess Athena, who turned her into a spider) and Philomela (who had her tongue cut out, so had to weave a tapestry depicting her rape and mutilation)." "The book observes that while feminist models of the gaze can create productive readings of the poem, these models are too limited and reductive for such a protean and complex text as Metamorphoses. This work brings forth the pervasive importance of the act of looking in the poem which will affect future readings of Ovid's epic."--BOOK JACKET.


Manga Cultures and the Female Gaze

Manga Cultures and the Female Gaze

Author: Kathryn Hemmann

Publisher: Springer Nature

Published: 2020-03-31

Total Pages: 177

ISBN-13: 3030180956

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The female gaze is used by writers and readers to examine narratives from a perspective that sees women as subjects instead of objects, and the application of a female gaze to male-dominated discourses can open new avenues of interpretation. This book explores how female manga artists have encouraged the female gaze within their work and how female readers have challenged the male gaze pervasive in many forms of popular media. Each of the chapters offers a close reading of influential manga and fancomics to illustrate the female gaze as a mode of resistant reading and creative empowerment. By employing a female gaze, professional and amateur creators are able to shape and interpret texts in a manner that emphasizes the role of female characters while challenging and reconfiguring gendered themes and issues.


The Female Gaze

The Female Gaze

Author: Alicia Malone

Publisher: Mango Media Inc.

Published: 2018-11-15

Total Pages: 296

ISBN-13: 1633538389

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Alicia Malone’s take on Influential Women in Film! “Once again Alicia Malone champions women filmmakers, opening the floodgates to a great new wave of female voices and creative vision.”―Maria Giese, filmmaker and activist #1 Bestseller in Movies & Video Guides & Reviews With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard! The voices of powerful women in old Hollywood—told. You may have heard the term “male gaze,” coined in the 1970s, about how art and entertainment have been influenced by the male’s perspective. What about the opposite? Women have been making movies since the very beginning of cinema. In The Female Gaze, Alicia Malone explores the ideas, thoughts, and views we learn from women from behind the scenes. What does the world look like through the “female gaze”? Learn about women who changed the world. Discover brilliantly talented and accomplished women directors, both world renowned and obscure, who have shaped the film industry in ways rarely fully acknowledged. Find mini-essays written by women like Alicia Malone and other diverse female film critics. Featuring past and present films, this behind the scenes guidebook is perfect for the Hollywood history fan in your life. Inside, observe: • How female directors’ voices shaped films and the film industry • The advancements and accomplishments of influential women in history and film • The lives of these women and the struggles they faced throughout Hollywood history If you liked Women in Art or Camera Man, you’ll adore the powerful women in history found in Alicia Malone’s The Female Gaze.


Girl on Girl

Girl on Girl

Author: Charlotte Jansen

Publisher: Laurence King Publishing

Published: 2019-11-05

Total Pages: 0

ISBN-13: 9781786275554

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Girl on Girl looks at how women are using photography, the internet and the female gaze to explore self–image and female identity in contemporary art. A new generation of women is taking the art world – online and offline – by storm. In an image–obsessed culture saturated with social media, these 40 artists are using photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism, making a profound impact on our visual world. Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity. "Charlotte Jansen has brought together some of the finest female photographers of our generation" – Refinery29 "A very important book" – Vogue Italia "Young female artists are using photography and social media to explore issues of female identity. This gorgeous book introduces 40 of them, in an investigation of photography and the female gaze."– Eva Wiseman, Observer Magazine Features work by Aneta Bartos Tonje Bøe Birkeland Nakeya Brown Juno Calypso Anja Carr Amanda Charchian Petra Collins Maisie Cousins Nathalie Daoust Shae DeTar Lalla Essaydi Maya Fuhr Yaeli Gabriely Petrina Hicks Ayana V. Jackson Lebohang Kganye Lilia Li–Mi–Yan Pixy Liao Alexandra Marzella Rania Matar Izumi Miyazaki Monika Mogi Zanele Muholi Mihaela Noroc Birthe Piontek Elizabeth Renstrom Marianna Rothen Phebe Schmidt Leah Schrager Molly Soda Johanna Stickland Iiu Susiraja Deanna Templeton Yvonne Todd Mayan Toledano Jaimie Warren Isabelle Wenzel Aviya Wyse Jessica Yatrofsky Pinar Yolaçan


Laura Mulvey 'Visual Pleasure and Narrative Cinema' 1975

Laura Mulvey 'Visual Pleasure and Narrative Cinema' 1975

Author: Laura Mulvey

Publisher: Koenig Books

Published: 2016

Total Pages: 64

ISBN-13: 9783863359652

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Since it first appeared in Screen in 1975, Laura Mulvey's essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey's compelling polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge preconceived ideas and produce new works that owe their possibility to the generative qualities of this key essay. In this book, the celebrated New York-based video artist Rachel Rose (born 1986) has produced an innovative work that extends and adds to the essay's frame of reference. Drawing on 18th- and 19th-century fairy tales, and observing how their flat narratives matched the flatness of their depictions, Rose created collages that connect these pre-cinematic illustrations to what Mulvey describes in her essay--cinema flattening sexuality into visuality.


Proud Flesh

Proud Flesh

Author: Sally Mann

Publisher: Aperture

Published: 2009

Total Pages: 72

ISBN-13:

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Mann's photographs of her husband, Larry, who has late-onset muscular dystrophy.


Women in the Picture: What Culture Does with Female Bodies

Women in the Picture: What Culture Does with Female Bodies

Author: Catherine McCormack

Publisher: W. W. Norton & Company

Published: 2021-11-16

Total Pages: 159

ISBN-13: 0393542092

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Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives. Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.


Women Photograph Men

Women Photograph Men

Author: Dannielle B. Hayes

Publisher: William Morrow

Published: 1977

Total Pages: 144

ISBN-13:

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From foreword: This work was originally conceived and seen as an outdoor slide/sound presentation entitled "Woman Photographs Man" in Rockefeller Center on May 2, 1976. The show was so successful that we entertained the hope that somehow it would have a life beyond that one-day exposure. Two weeks later at William Marrow and Company, they began another life in this book.