How can you appreciate Jane Austen when you have no idea what she’s saying?! If you’ve ever sat down with one of the original scribes of romance fiction, and find yourself scratching your head wondering what she’s saying then this bundled book is just for you! Inside you will find a comprehensive study guide, a biography about the life and times of Austen, and a modern retelling (along with the original text) of Austen’s Persuasion. Each section of this book may also be purchased individually.
After winter break, the girls at the very prestigious Longbourn Academy become obsessed with the upcoming prom. Scholarship student, Lizzie Bennett, can neither afford nor is interested in designer dresses and shoes, but her best friend Jane is; especially as her crush, Charles Bingley, is returning from a semester in the UK. Lizzie is happy about her friend's burgeoning romance but less than impressed by Charles's friend Will Darcy, who'd snobby and pretentious. Darcy doesn't seem to like Lizzie, either, and she assumes it is because her family has no money. But if Will Darcy is such a jerk, why does Lizzie find herself so drawn to him? Will Lizzie's pride and Darcy's prejudice keep them apart, or will they overcome their mutual distrust and accept their attraction? Elizabeth Eulberg has created a delightful modern-day romp through the well known parlour rooms of Jane Austen's world, it is a love story to entertain and engage as much now as then. 'Eulberg's adaptation is faithful without being dogmatic; she successfully translates the essential elements of Austen's narrative into 21st-century dialogue and descriptions and still leaves enough room for play with the details. The twist ending lacks originality (readers will find themselves thinking of several movies and even more books), but originality isn't the point here. Eulberg delivers a fun, frothy romp that delights-and, refreshingly, doesn't involve anyone undead.' http://www.scholastic.com/readeveryday/images/mailsig.jpg
“The most brilliant Austen-adjacent book on the market. . . . Flynn’s style makes this a quick, fun read, and since the story is Jane-related there’s even a romantic subplot.” — Vulture “What lover of literature hasn’t dreamed of going back in time to meet Jane Austen? . . . . Kathleen A. Flynn brings this dream to life, creating a vivid portrait of Regency England in all its glory and squalor.” —Lauren Belfer, author of After the Fire and A Fierce Radiance Perfect for fans of Jane Austen, this engrossing novel offers an unusual twist on the legacy of one of the world's most celebrated and beloved authors: two researchers from the future are sent back in time to meet Jane and recover a suspected unpublished novel. London, 1815: Two travelers—Rachel Katzman and Liam Finucane—arrive in a field in rural England, disheveled and weighed down with hidden money. Turned away at a nearby inn, they are forced to travel by coach all night to London. They are not what they seem, but rather colleagues who have come back in time from a technologically advanced future, posing as wealthy West Indies planters—a doctor and his spinster sister. While Rachel and Liam aren’t the first team from the future to “go back,” their mission is by far the most audacious: meet, befriend, and steal from Jane Austen herself. Carefully selected and rigorously trained by The Royal Institute for Special Topics in Physics, disaster-relief doctor Rachel and actor-turned-scholar Liam have little in common besides the extraordinary circumstances they find themselves in. Circumstances that call for Rachel to stifle her independent nature and let Liam take the lead as they infiltrate Austen’s circle via her favorite brother, Henry. But diagnosing Jane’s fatal illness and obtaining an unpublished novel hinted at in her letters pose enough of a challenge without the continuous convolutions of living a lie. While her friendship with Jane deepens and her relationship with Liam grows complicated, Rachel fights to reconcile the woman she is with the proper lady nineteenth-century society expects her to be. As their portal to the future prepares to close, Rachel and Liam struggle with their directive to leave history intact and exactly as they found it. . . however heartbreaking that may prove.
What Would Jane Do? What's a strong, independent-minded woman supposed to do in a world of insipid dating guides? Sinéad Murphy responds by asking: Who has more time-tested secrets than Jane Austen, whose novels continue to captivate us almost two hundred years later? Whether you can recite paragraphs from Pride and Prejudice or just admired Colin Firth in his wet shirt, the romance of Jane Austen's world is one you'll never forget. Does love like that even exist today? Yes, it does . . . If you look closely at the women of Jane Austen's books, as the witty scholar Sinéad Murphy has, you'll discover Austen's countless tips for finding the right leading man, navigating the ups and downs of courtship, and building a happy, independent life for yourself.
The year is 1838, and seventeen-year-old Julia Elliston’s position has never been more fragile. Orphaned and unmarried in a time when women are legal property of their fathers, husbands, and guardians, she finds herself at the mercy of an anonymous guardian who plans to establish her as a servant in far-off Scotland. With two months to devise a better plan, Julia’s first choice to marry her childhood sweetheart is denied. But when a titled dowager offers to introduce Julia into society, a realm of possibilities opens. However, treachery and deception are as much a part of Victorian society as titles and decorum, and Julia quickly discovers her present is deeply entangled with her mother’s mysterious past. Before she knows what’s happening, Julia finds herself a pawn in a deadly game between two of the country’s most powerful men. With no laws to protect her, she must unravel the secrets on her own. But sometimes truth is elusive and knowledge is deadly.
Advice delivered with sense and sensibility just in time for the major motion picture Becoming Jane Women have looked to Jane Austen’s heroines as models of appropriate behavior for nearly two centuries. Who better to understand the heart of a heroine than Austen? In this delightful epistolary “what if,” Austen serves as a “Dear Abby” of sorts, using examples from her novels and her life to counsel modern-day heroines in trouble, she also shares with readers a compelling drama playing out in her own drawing room. Witty and wise—and perfectly capturing the tone of the author of Persuasion and Pride and Prejudice—Dear Jane Austen is as satisfying as sitting down to tea with the novelist herself.
Pride and Prejudice is about in most cases in the county of Hertfordshire, about 50 miles outside of London. The tale facilities at the the Bennet family, especially Elizabeth. The novel opens at Longbourn, the Bennet circle of relatives's property. Mr. And Mrs. Bennet have 5 children: Jane, Elizabeth, Mary, Kitty, and Lydia. The circle of relatives engages in a conversation approximately Mr. Bingley, "a single guy of massive fortune" who might be renting the nearby property of Netherfield Park. Mrs. Bennet sees Mr. Bingley as a ability suitor for one in every of her daughters.
NATIONAL BESTSELLER After nursing a broken engagement with Jane Austen novels and Absolut, Courtney Stone wakes up and finds herself not in her Los Angeles bedroom or even in her own body, but inside the bedchamber of a woman in Regency England. Who but an Austen addict like herself could concoct such a fantasy? Not only is Courtney stuck in another woman’s life, she is forced to pretend she actually is that woman; and despite knowing nothing about her, she manages to fool even the most astute observer. But not even her level of Austen mania has prepared Courtney for the chamber pots and filthy coaching inns of nineteenth-century England, let alone the realities of being a single woman who must fend off suffocating chaperones, condom-less seducers, and marriages of convenience. This looking-glass Austen world is not without its charms, however. There are journeys to Bath and London, balls in the Assembly Rooms, and the enigmatic Mr. Edgeworth, who may not be a familiar species of philanderer after all. But when Courtney’s borrowed brain serves up memories that are not her own, the ultimate identity crisis ensues. Will she ever get her real life back, and does she even want to?
From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Mansfield Park that makes her story of an impoverished girl living with her wealthy relatives an even more satisfying read. Here is the complete text of Austen’s own favorite novel with more than 2,300 annotations on facing pages, including: ● Explanations of historical context ● Citations from Austen’s life, letters, and other writings ● Definitions and clarifications ● Literary comments and analysis ● Maps of places in the novel ● An introduction, bibliography, and detailed chronology of events ● More than 225 informative illustrations Filled with fascinating details about the characters’ clothes, houses, and carriages, as well as background information on such relevant issues as career paths in the British navy, contemporary attitudes toward slavery, and the legal and social consequences of adultery, David M. Shapard’s Annotated Mansfield Park brings Austen’s world into richer focus.
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
