First published in 1976, George H. Nash’s celebrated history of the postwar conservative intellectual movement has become the unquestioned standard in the field. This new edition, published in commemoration of the book's thirtieth anniversary, includes a new preface and conclusion by the author and will continue to instruct anyone interested in how today’s conservative movement was born.
The American Dream and American Cinema in the Age of Trump uses both film theory and insights from object relations theory in order to examine how recent films address and reflect the state of the ‘American Dream’. This fascinating book looks at how the American Dream is one of the organising ideas of American cinema, and one of the most influential cultural outputs of the twenty-first century, at a time of internal crisis. In an era characterised by populism, climate change and economic uncertainty, the book considers nine auteur films in how they illustrate the challenges of contemporary America. Graham S. Clarke and Ross Clarke present a bifocal perspective on some of the most well-received American films of recent years and how they relate to the American Dream in the context of the Trump presidency. For each of the nine films discussed, two different accounts are presented side by side so that each film is considered from an object relations psychoanalytic point of view (internal world) as well as a film and cultural theory perspective (external world). This unique approach is complemented by discussion of political and critical theory, providing a thorough and engaging analysis. Challenging and insightful, The American Dream and American Cinema in the Age of Trump will be of great interest to scholars of cinema, popular culture, American studies and psychoanalytic studies.
During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 to 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the reader. Included here are drafts and full versions of the later poems. Many passages reflect the theological interests that led to Coleridge's writing of Aids to Reflection, later to become an important source for the transcendentalists. Another development in this volume is the startling expansion of Coleridge's interest in 'the theory of life' and in chemistry - the laboratory chemistry of the Royal Institute and the theoretical chemistry of German transcendentalists such as Oken, Steffens, and Oersted.
Taking an interdisciplinary approach to the policies of the early years of the Colorado Fuel and Iron Company, Making an American Workforce explores John D. Rockefeller Jr.'s welfare capitalist programs and their effects on the company's diverse workforce. Focusing on the workers themselves—men, women, and children representative of a variety of immigrant and ethnic groups—contributors trace the emergence of the Employee Representation Plan, the work of the company's Sociology Department, and CF&I's interactions with the YMCA in the early twentieth century. They examine CF&I's early commitment to Americanize its immigrant employees and shape worker behavior, the development of policies that constructed the workforce it envisioned while simultaneously laying the groundwork for the strike that eventually led to the Ludlow Massacre, and the impact of the massacre on the employees, the company, and beyond. Making an American Workforce provides greater insight into the repercussions of the Industrial Representation Plan and the Ludlow Massacre, revealing the long-term consequences of Colorado Fuel and Iron Company policies on the American worker, the state of Colorado, and the creation of corporate culture. Making an American Workforce will be of interest to Western, labor, and business historians.
The Anarchist Cookbook will shock, it will disturb, it will provoke. It places in historical perspective an era when "Turn on, Burn down, Blow up" are revolutionary slogans of the day. Says the author" "This book... is not written for the members of fringe political groups, such as the Weatherman, or The Minutemen. Those radical groups don't need this book. They already know everything that's in here. If the real people of America, the silent majority, are going to survive, they must educate themselves. That is the purpose of this book." In what the author considers a survival guide, there is explicit information on the uses and effects of drugs, ranging from pot to heroin to peanuts. There i detailed advice concerning electronics, sabotage, and surveillance, with data on everything from bugs to scramblers. There is a comprehensive chapter on natural, non-lethal, and lethal weapons, running the gamut from cattle prods to sub-machine guns to bows and arrows.
This text identifies the indigenous roots of American liberal theology and uncovers a wider, longer-running tradition than has been thought. Taking a narrative approach the text provides a biographical reading of important religious thinkers of the time.
The definitive look at one of the most important Black art films and original filmmakers of the 1970s. Bill Gunn's Ganja & Hess (1973) has across the decades attained a sizable cult following among African American cinema devotees, art house aficionados, and horror fans, thanks to its formal complexity and rich allegory. Pleading the Blood is the first full-length study of this cult classic. Ganja & Hess was withdrawn almost immediately after its New York premiere by its distributor because Gunn's poetic re-fashioning of the vampire genre allegedly failed to satisfy the firm's desire for a by-the-numbers "blaxploitation" horror flick for quick sell-off in the urban market. Its current status as one of the classic works of African American cinema has recently been confirmed by the Blu-ray release of its restored version, by its continued success in screenings at repertory houses, museums, and universities, and by an official remake, Da Sweet Blood of Jesus (2014), directed by Spike Lee, one of the original picture's longtime champions. Pleading the Blood draws on Gunn's archived papers, screenplay drafts, and storyboards, as well as interviews with the living major creative participants to offer a comprehensive, absorbing account of the influential movie and its highly original filmmaker.
During the Sixties the nation turned its eyes to San Francisco as the city's police force clashed with movements for free speech, civil rights, and sexual liberation. These conflicts on the street forced Americans to reconsider the role of the police officer in a democracy. In The Streets of San Francisco Christopher Lowen Agee explores the surprising and influential ways in which San Francisco liberals answered that question, ultimately turning to the police as partners, and reshaping understandings of crime, policing, and democracy. The Streets of San Francisco uncovers the seldom reported, street-level interactions between police officers and San Francisco residents and finds that police discretion was the defining feature of mid-century law enforcement. Postwar police officers enjoyed great autonomy when dealing with North Beach beats, African American gang leaders, gay and lesbian bar owners, Haight-Ashbury hippies, artists who created sexually explicit works, Chinese American entrepreneurs, and a wide range of other San Franciscans. Unexpectedly, this police independence grew into a source of both concern and inspiration for the thousands of young professionals streaming into the city's growing financial district. These young professionals ultimately used the issue of police discretion to forge a new cosmopolitan liberal coalition that incorporated both marginalized San Franciscans and rank-and-file police officers. The success of this model in San Francisco resulted in the rise of cosmopolitan liberal coalitions throughout the country, and today, liberal cities across America ground themselves in similar understandings of democracy, emphasizing both broad diversity and strong policing.
In the first biography of U.S. House Speaker John W. McCormack, author Garrison Nelson uncovers previously forgotten FBI files, birth and death records, and correspondence long thought lost or buried. For such an influential figure, McCormack tried to dismiss the past, almost erasing his legacy from the public's mind. John William McCormack: A Political Biography sheds light on the behind-the-curtain machinations of American politics and the origins of the modern-day Democratic party, facilitated through McCormack's triumphs. McCormack overcame desperate poverty and family tragedy in the Irish ghetto of South Boston to hold the second-most powerful position in the nation. By reinventing his family history to elude Irish Boston's powerful political gatekeepers, McCormack embarked on a 1928 - 1971 House career and from 1939-71, the longest house leadership career. Working with every president from Coolidge to Nixon, McCormack's social welfare agenda, which included Social Security, Medicare and Medicaid, immigration reform, and civil rights legislation helped commit the nation to the welfare of its most vulnerable citizens. By helping create the Austin-Boston Connection, McCormack reshaped the Democratic Party from a regional southern white Protestant party to one that embraced urban religiously and racially diverse ethnics. A man free of prejudice, John McCormack was the Boston Brahmin's favorite Irishman, the South's favorite northerner, and known in Boston as "Rabbi John," the Jews' favorite Catholic.
