The play is a study of religious fanaticism and self-serving manipulation based on an episode in the traditional biography of Muhammad in which he orders the murder of his critics. Voltaire described the play as "written in opposition to the founder of a false and barbarous sect".
This book explores how the figure of the Prophet Muhammad was misrepresented in English and wider Christian culture between 1480 and 1735. By tracing the ways in which 'Mahomet' was written and rewritten, contested and celebrated, this study explores notions of identity and religion, and the resonances of this history today.
DigiCat Publishing presents to you this special edition of "Mahomet, Founder of Islam" by Gladys M. Draycott. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Heretic and impostor or reformer and statesman? The contradictory Western visions of Muhammad In European culture, Muhammad has been vilified as a heretic, an impostor, and a pagan idol. But these aren’t the only images of the Prophet of Islam that emerge from Western history. Commentators have also portrayed Muhammad as a visionary reformer and an inspirational leader, statesman, and lawgiver. In Faces of Muhammad, John Tolan provides a comprehensive history of these changing, complex, and contradictory visions. Starting from the earliest calls to the faithful to join the Crusades against the “Saracens,” he traces the evolution of Western conceptions of Muhammad through the Reformation, the Enlightenment, and the nineteenth and twentieth centuries, and up to the present day. Faces of Muhammad reveals a lengthy tradition of positive portrayals of Muhammad that many will find surprising. To Reformation polemicists, the spread of Islam attested to the corruption of the established Church, and prompted them to depict Muhammad as a champion of reform. In revolutionary England, writers on both sides of the conflict drew parallels between Muhammad and Oliver Cromwell, asking whether the prophet was a rebel against legitimate authority or the bringer of a new and just order. Voltaire first saw Muhammad as an archetypal religious fanatic but later claimed him as an enemy of superstition. To Napoleon, he was simply a role model: a brilliant general, orator, and leader. The book shows that Muhammad wears so many faces in the West because he has always acted as a mirror for its writers, their portrayals revealing more about their own concerns than the historical realities of the founder of Islam.
A life of the prophet Muhammad by bestselling author Karen Armstrong. 'Armstrong has a dazzling ability: she can take a long and complex subject and reduce it to its fundamentals, without over-simplifying' SUNDAY TIMES 'One of our best living writers on religion' FINANCIAL TIMES 'Not just a sympathetic book that would dispel the misconceptions and misgivings of its western readers, but also a book that is of considerable importance to Muslims' MUSLIM NEWS Most people in the West know very little about the prophet Muhammad. The acclaimed religious writer Karen Armstrong has written a biography which will give us a more accurate and profound understanding of Islam and the people who adhere to it so strongly. Muhammad also offers challenging comparisons with the two religions most closely related to it - Judaism and Christianity.
The extraordinary life of the man who founded Islam, and the world he inhabited—and remade. Lesley Hazleton's new book, Agnostic: A Spirited Manifesto, is out now from Riverhead Books. Muhammad’s was a life of almost unparalleled historical importance; yet for all the iconic power of his name, the intensely dramatic story of the prophet of Islam is not well known. In The First Muslim, Lesley Hazleton brings him vibrantly to life. Drawing on early eyewitness sources and on history, politics, religion, and psychology, she renders him as a man in full, in all his complexity and vitality. Hazleton’s account follows the arc of Muhammad’s rise from powerlessness to power, from anonymity to renown, from insignificance to lasting significance. How did a child shunted to the margins end up revolutionizing his world? How did a merchant come to challenge the established order with a new vision of social justice? How did the pariah hounded out of Mecca turn exile into a new and victorious beginning? How did the outsider become the ultimate insider? Impeccably researched and thrillingly readable, Hazleton’s narrative creates vivid insight into a man navigating between idealism and pragmatism, faith and politics, nonviolence and violence, rejection and acclaim. The First Muslim illuminates not only an immensely significant figure but his lastingly relevant legacy.
The depiction of the prophet by the most revered Muslim sources reveals behavior that is immoral, criminal, and violent. The five oldest and most trusted Islamic sources don't portray Muhammad as a great and godly man. They confirm that he was a thief, liar, assassin, mass murderer, terrorist, warmonger, and an unrestrained sexual pervert engaged in pedophilia, incest, and rape. He authorized deception, assassinations, torture, slavery, and genocide. He was a pirate, not a prophet. According to the Hadith and the Qur'an, Muhammad and his henchmen plundered their way to power and prosperity. And by putting the Qur'an in chronological order and correlating it with the context of Muhammad's life, we find that Allah mirrored his prophet's character. Muhammad's god condoned immoral and criminal behavior. Allah boasts about being a terrorist. He claims to have deceived men, to have stolen their property, to have enslaved women and children, to having committed acts of murder, genocide, and sadistic tortures.