Mahesh Dattani is the first Indian-playwright writing in English to be awarded the Sahitya Akademi award. His plays bring Indian drama into the present day in their themes "sexuality, religious tension and gender issues" while still focussing on human relationships and personal and moral choices which are the classic concerns of world drama.
Jairaj Parekh and his wife Ratna, aging Bharatnatyam dancers, are engaged in finding a substitute mridangam player to accompany their daughter Lata at her performance at a high-profile dance festival. Lata, in the meantime, nervously awaits the meeting between her parents and Viswas, the young man she wishes to marry. When the four meet, and in the conversations and discussions that follow, the fissures in the relationship between Jairaj and Ratna begin to explode into high-strung battles which lead back to their own youth and the tragedy that lies at the heart of their discord. The younger couple have their own issues to contend with: the obvious mismatch between the two sets of parents, the arguments over Lata’s career as a dancer after marriage and most unsettling of all, Lata’s attempt to balance her parents’ ambition with her own needs and desires. A brilliant study of human relationships and weaknesses framed by the age-old battle between tradition and youthful rebellion, Dance Like a Man has been hailed as one of the best works of the dramatic imagination in recent times.
Mahesh Dattani’s work has shaped contemporary English theatre in India over the past twenty-five years, boldly exploring themes like homosexuality, religious fanaticism, child sexual abuse and gender bias while also raising the bar for theatrical innovation. In Me and My Plays, he eloquently reflects on the highs and lows of surviving in a system largely indifferent to professional theatre. Included in this edition are Where Did I Leave My Purdah?, which explores the life and travails of Nazia, a feisty actress now in her eighties, who is forced to confront her past demons when she attempts to stage a comeback, and The Big Fat City, a black comedy about the residents of an apartment complex in Mumbai who unwittingly become accomplices to a murder. Intense and hard-hitting, both plays deal with the lies that simmer beneath the surface of our daily lives.
‘A playwright of world stature’—Mario Relich, Wasafiri On a Muggy Night in Mumbai is the first contemporary Indian play to openly tackle gay themes of love, partnership, trust and betrayal. Kamlesh—young, gay and clinically depressed—invites his friends home ostensibly for an evening of camaraderie. However, with the arrival of his sister and her fiancé, a series of dramatic confrontations is set into motion, leading to startling revelations and unexpected catharsis. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Brief Candle: Three Plays brings together the most recent work of Sahitya Akademi award-winner Mahesh Dattani as he continues to explore subjects that need to be addressed but are relentlessly brushed under the carpet of middle-class morality—incest; gender bias and death. The title play is set in a hospital ward where terminally ill patients put up an energetic farce in memory of their friend who died of cancer. The blurring of lines between their romp and the events of their own lives leads to revelations that are both tragic and life-affirming. In the radio play The Girl Who Touched the Stars; Bhavna—now an astronaut ready to take off on a mission into outer space—reflects on her past in this moment of glory; only to confront the bitter truths she has tried to ignore all her life. The fragile fabric of familial relations is ripped apart in Thirty Days in September when memories of a traumatic past return to haunt a mother and her daughter. Playful and poignant; devastating and redemptive; these critically acclaimed plays lay bare the far-reaching consequences of the choices we make; confirming Dattani as one of India’s foremost dramatists.