He had little memory of who he was or where he'd been, but the images that kept flashing through his mind meant computer genius Claudia Reynolds was headed for danger and only Jack Maddox could rescue her. Although they'd technically met before, it wasn't until the bullets started to fly that the blond beauty was convinced to follow him through the remote South Dakota woods…far from the mysterious facility that Jack had once called home. Now, as Jack sensed they were closing in on answers too many people had died covering up, the long-forgotten pain buried deep in his past proved their connection was the only thing he could rely on. And the only thing keeping Claudia alive.
Criminologist Nicole Rafter analyses the source of the appeal of crime films, and their role in popular culture. She argues that crime films both reflect and shape our ideas about fundamental social, economic and political issues.
Collects Power Man (1974) #24-47, Power Man Annual (1977) #1. Luke Cage defends the streets of New York City, and even takes the fight to the outer boroughs, in this Epic Collection completing his solo adventures! He'll face menaces as tough as Moses Magnum, as bizarre as the Mace…and as infuriating as the Gem Theater's always-unpredictable vending machine! It's all set against the gritty streets of 1970s Times Square, a location as colorful as anything Marvel's minds have ever conjured up. Cage will also face an all-new and amped-up Chemistro; the Spear, who seeks to settle a score with the man who made Luke Cage bulletproof; and an adversary as unstoppable as death itself: the IRS! Also featuring the debut of Bill Foster as Giant-Man - and the one and only Piranha Jones!
THE REVEALING AND RIP-ROARINGLY FUNNY GUIDE TO MAKING EVERY RELATIONSHIP SMARTER, SANER, AND HAPPIER It's all very simple. When it comes to women, men are profoundly stupid. And when it comes to men, women—no matter how intelligent or mature—are completely crazy. Based on this groundbreaking insight, comedy writers and real-life couple Howard J. Morris and Jenny Lee have devised a relationship guide that is refreshingly honest, completely hilarious, and surprisingly practical. Using their own crazy/stupid romance as an example, they explain why women ask questions they don’t want answered—and why men persist in answering them. Why do guys suck at being romantic? And why does every conversation with a woman lead back to whether or not she’s fat? With wit, hard-earned wisdom, and an entertaining he said/she said format, the authors explore the unwitting method to his dumbness and the valid reasons behind her insanity while providing real relationship solutions and helping couples to reach the place where giving isn’t giving in, needing isn’t needy, and the sexes can break dysfunctional patterns and find a way to live happily ever after.
The Man in the Seventh Row tells the deeply affecting story of Roy Batty, a film fan who loves the cinema just a little too much. No matter the movie - The Graduate, Brief Encounter, The Magnificent Seven - Roy finds himself sucked from his seventh-row seat into the heart of the action on the big screen. His life has spiralled into The Purple Rose of Cairo in reverse. A fantasy come true -- or a living nightmare? "A strange and beguiling novel about films and those who love and live them" - Ian Rankin What they're saying... "A most unusual novel, proving emphatically that life is possible both inside and outside the cinema! It's a very nice lend of the real, the fictional and the dream world and I really don't think I've read anything quite like it before." - Barry Norman "...hugely enjoyable. Pacy, sharp and witty - in the proper sense - it is a novel that baby boomers and film buffs will strongly relate to, and all enthusiasts of unusual - of original - fiction will take great pleasure in." - Andrew Marr "Pendreigh's infectious love of cinema and brilliant wordcraft combine to make for a singularly enthralling tale of one man's journey through the hardships of life." - Literally Jen "... a wholly likeable read ... Pendreigh's novel is a pleasing dissection of man's all-too-modern need for escape in darkened auditoriums that posits him somewhere between David Thomson's Suspects and Guy Bellamy's The Secret Lemonade Drinker." - Paul Dale, The List "I loved it... a terrific read, definitely one for fans of film." - Janice Forsyth, Movie Cafe, Radio Scotland From the author... "The book is sub-titled The Movie Lover's Novel with good reason, as it certainly celebrates a love of the movies. You'll doubtless be familiar with many of the classic movies featured but it might also introduce you to one or two less familiar films. "Ultimately, The Man in the Seventh Row it is about childhood and adulthood, about obsession and love, and about loss and the possibility of redemption. "Set in Scotland and California, the book addresses questions we all have: where did we come from, where are we going, how long do we have?"
A personal relationship was strictly forbidden, but that didn’t stop Sergeant Abby Cross from wanting Sam Burke. She’d thought the FBI profiler cold and arrogant—until she worked with him, side by side, late into the nights on her town’s desperate search for two missing little girls. Sam hid his emotions well, but beneath the surface Abby sensed his fierce determination to bring the innocent children home. Falling for Sam could cost her her reputation and career. She had to keep things cool between them. But emotional fires were blazing in Eden, Mississippi—and love was the ultimate temptation. Previously Published.
Naomi Cross knew evil. She’d felt its presence when her daughter disappeared, years ago, and she felt it stalking her now. But this time, danger drove her into the strong, sheltering arms of the one man who could help her—Alex DeWitt. The man whose cherished daughter might be Naomi’s child. He was handsome as sin, and just as irresistible. And when he heard her desperate claim, Alex shocked Naomi with a wild proposal of his own. Naomi needed protection; Alex needed a wife. Together they could uncover the dark secrets of the past—and start the long journey home to paradise. Previously Published.
In The Gay Male Sleuth in Print and Film (2005), scholar Drewey Wayne Gunn examined the history of gay detectives beginning with the first recognized gay novel, The Heart in Exile, which appeared in 1953. In the years since the original edition's publication, hundreds of novels and short stories in this sub-genre have been produced, and Gunn has unearthed many additional representations previously unrecorded. In this new edition, Gunn provides an overview of milestones in the development of gay detectives over the last several decades. Also included in this volume is an annotated list of novels, short stories, plays, graphic novels, comic strips, films, and television series with gay detectives, gay sleuths of secondary importance, and non-sleuthing gay policemen. The most complete listing available—including the only listing of early gay pulp novels, present-day male-to-male romances, and erotic films—this new edition brings the work up to date with publications missed in the first edition, particularly cross-genre mysteries, early pulps, and some hard-to-find volumes. The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography lists all printed works in English (including translations) presently known to include gay detectives (such as amateur sleuths, police detectives, private investigators, and investigative reporters), from the 1929 play Rope until the present day. It includes all films in English, subtitled or dubbed, from the screen version of Rope in 1948 and the launch of the independent film Spy on the Fly in 1966 through the end of 2011. Complete with two appendices—a bibliography of sources and a list of Lambda Literary Awards—and indexes of titles, detectives, and actors, this extensively revised and updated reference will prove invaluable to mystery collectors, researchers, aficionados of the subgenre, and those devoted to GLBTQ studies.
Unlike such romanticized renegades as Robin Hood and Jesse James, there is another kind of outlaw hero, one who lives between the law and his own personal code. In times of crisis, when the law proves inadequate, the liminal outlaw negotiates between the social imperatives of the community and his innate sense of right and wrong. While society requires his services, he necessarily remains apart from it in self-preservation. The modern outlaw hero of film and television is rooted in the knight errant, whose violent exploits are tempered by his solitude and devotion to a higher ideal. In Hollywood classics such as Casablanca (1942) and Shane (1953), and in early series like The Lone Ranger (1949-1957) and Have Gun--Will Travel (1957-1963), the outlaw hero reconciles for audiences the conflicting impulses of individual freedom versus serving a larger cause. Urban westerns like the Dirty Harry and Death Wish franchises, as well as iconic action figures like Rambo and Batman, testify to his enduring popularity. This book examines the liminal hero's origins in medieval romance, his survival in the mythology of the Hollywood western and his incarnations in the urban western and modern action film.
