Magdalene Odundo

Magdalene Odundo

Author: Sequoia Miller

Publisher: Princeton University Press

Published: 2024-09-10

Total Pages: 97

ISBN-13: 0691265305

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A beautifully illustrated look at how the acclaimed ceramicist draws on the postcolonial experience in her work Magdalene Odundo (b. 1950) is a Kenyan-born British ceramicist whose extraordinary works have been widely celebrated for their beauty and universality. Her studies of classical forms across many global traditions—from Greek and Chinese to Aztec and African—are evident in her intimate, evocative shapes. Sequoia Miller sheds light on the colonial and material traditions that inform Odundo's ceramics, showing how the artist deftly blends cultural and ethnographic sources to give expression to the postcolonial experience. This beautifully illustrated book discusses Odundo’s innovative method and puts her ceramic forms into conversation with global contemporary art. This close examination allows for a careful look at the artist’s works on paper—her prints and sketchbook drawings, published here in depth for the first time—demonstrating how they are a fundamental aspect of her creative practice. The book also features an in-depth Q&A with Odundo, in which she shares rare insights into her sense of self as an artist. With an incisive foreword by Susan Jefferies and illuminating contributions by Nehal El-Hadi, Elizabeth Harney, and Barbara Thompson, Magdalene Odundo provides new perspectives on an incomparable artist of our time, revealing the profound complexities of her work while deepening our understanding of modernism more broadly. Published in association with the Gardiner Museum of Ceramic Art, Toronto


Women and Ceramics

Women and Ceramics

Author: Moira Vincentelli

Publisher: Manchester University Press

Published: 2000

Total Pages: 316

ISBN-13: 9780719038402

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This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.


Insights and Interpretations

Insights and Interpretations

Author: Colum Hourihane

Publisher: Princeton University Press

Published: 2002

Total Pages: 260

ISBN-13: 9780691099903

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Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the most specialized resource for the iconographer. Throughout its eighty-five years, it has justly been recognized as one of the most learned institutions for the study of the art and culture of the medieval world. The essays in this book, all by staff or scholars of the archive, highlight some of the current research in the archive and the scholarship for which it has been widely renowned. The studies cover art from the Late Antique period to the end of the fifteenth century and include most of the media represented in the archive, from manuscripts to sculpture to glass. From reinterpreting previous scholarship to making new insights into the medieval mind, they explore such themes as Jephtha's Daughter; Mary Magdalene; Saints Blaise, Paul, Joseph, and Elisabeth of Hungary; and topics including women in the Bibles moralis es, Late German sermons, the iconographic program at Bourges Cathedral, Franciscan devotional art, and a late medieval Islamic manuscript. This volume presents some of the most exciting and interdisciplinary approaches to the study of these subjects, from the home of medieval iconography in Princeton. The contributors are Adelaide Bennett, Lois Drewer, Ivan Great, Judith Golden, Gerald Guest, Margaret Jennings, Margaret Lindsey, Mika Natif, Lynn Ransom, Pamela Sheingorn, and A. E. Wright.


Michael Armitage

Michael Armitage

Author: Anna Schneider

Publisher:

Published: 2021

Total Pages: 216

ISBN-13: 9783960988533

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The young British-Kenyan painter Michael Armitage (born 1984 in Nairobi, Kenya) has quickly become one of the most exciting voices in contemporary painting. In his large-format, nuanced oil paintings, he combines East African and European motifs and painting traditions. He draws inspiration from political events, pop culture, folklore and personal memories, weaving these into mythically charged and dreamlike images. With ?Paradise Edict? Michael Armitage, who will be awarded the renowned Ruth Baumgarte Art Award in the fall, celebrates his first major presentation in a museum setting and his first show in Germany.0Texts by: Don Handa, Imraan Coovadia, Elsbeth Court, Anna Schneider, Dimona Stöckle00Exhibition: Haus der Kunst, München, Germany (04.09.2020 - 14.02.2021).


Painting in Florence and Siena After the Black Death

Painting in Florence and Siena After the Black Death

Author: Millard Meiss

Publisher: Princeton University Press

Published: 1978

Total Pages: 300

ISBN-13: 9780691003122

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The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.


Living Pictures, Missing Persons

Living Pictures, Missing Persons

Author: Mark B. Sandberg

Publisher: Princeton University Press

Published: 2021-10-12

Total Pages: 349

ISBN-13: 0691238278

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In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the widespread interest in illusionistic scenes and tableaux, in the "portability" of sights, spaces, and entire milieus. Sandberg investigates this transformation of visual culture outside the usual test cases of the largest European metropolises. He argues that Scandinavian spectators desired an unusual degree of authenticity--a cultural preference for naturalism that made its way beyond theater to popular forms of museum display. The Scandinavian wax museums and folk-ethnographic displays of the era helped pre-cinematic spectators work out the social implications of both voyeuristic and immersive display techniques. This careful study thus anticipates some of the central paradoxes of twentieth-century visual culture--but in a time when the mannequin and the physical relic reigned supreme, and in a place where the contrast between tradition and modernity was a high-stakes game.


Black Artists Shaping the World

Black Artists Shaping the World

Author: Sharna Jackson

Publisher: National Geographic Books

Published: 2021-11-23

Total Pages: 0

ISBN-13: 0500652597

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Dedicated to the work of contemporary Black artists from around the world, this book is an exuberant introduction to artists from Africa and of African descent for young readers. Written by award-winning Black children’s author Sharna Jackson, this engaging book introduces young readers to twenty-six contemporary artists from Africa and of the African diaspora, working in everything from painting, sculpture, and drawing to ceramics, installation art, and sound art. These include prominent American artists Kerry James Marshall, Faith Ringgold, portraitist to Michelle Obama Amy Sherald, and Kehinde Wiley; British Turner Prize–winning painters Lubaina Himid and Chris Ofili; renowned South African visual activist and photographer Zanele Muholi; Nigerian sound artist Emeka Ogboh; Sudanese painter Kamala Ibrahim Ishaq; Kenyan-British ceramicist Magdalene Odundo; Afrofuturist-inspired performance artist Harold Offeh; and moving image artist Larry Achiampong, among others. Sharna Jackson’s experience as an award-winning children’s author combined with the curatorial expertise of Dr. Zoe´ Whitley, co-curator of the groundbreaking exhibition “Soul of a Nation: Art in the Age of Black Power,” make this an essential introduction to Black artists working today. This volume will serve as revelation to a new generation of aspiring young artists.


The Mirror and the Palette

The Mirror and the Palette

Author: Jennifer Higgie

Publisher: Simon and Schuster

Published: 2021-10-05

Total Pages: 336

ISBN-13: 1643138049

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A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.