Madrigal's Magic Key to Spanish
Madrigal's Magic Key to Spanish

Author: Margarita Madrigal

Publisher: Crown

Published: 1989-09-01

Total Pages: 513

ISBN-13: 0385410956

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Use the English you already know to quickly learn the basics of Spanish with this unique, accessible guide featuring original illustrations by Andy Warhol—from one of America’s most prominent language teachers. Read, write, and speak Spanish in only a few short weeks! Even the most reluctant learner will be astonished at the ease and effectiveness of Margarita Madrigal’s unique method of teaching a foreign language. Completely eliminating rote memorization and painfully boring drills, Madrigal’s Magic Key to Spanish is guaranteed to help you: • Learn to speak, read, and write Spanish quickly and easily • Convert English into Spanish in an instant • Start forming sentences after the very first lesson • Identify thousands of Spanish words within a few weeks of study • Travel to Spanish-speaking countries with confidence and comfort • Develop perfect pronunciation, thanks to a handy pronunciation key With original black-and-white illustration by Andy Warhol, Madrigal’s Magic Key to Spanish will provide readers with a solid foundation upon which to build their language skills.

The Italian Madrigal in the Early Sixteenth Century
The Italian Madrigal in the Early Sixteenth Century

Author: Iain Fenlon

Publisher: CUP Archive

Published: 1988

Total Pages: 424

ISBN-13: 9780521252287

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This 1988 book examines the genesis and dissemination of the Italian madrigal in its formative stages. Iain Fenlon and James Haar have analysed this vast repertoire as it is found in manuscript and print offer information concerning the date and provenance of many fundamental sources together with a view of the subject which differs radically from previous treatments. Their study is divided into two parts. The first covers the rise and early cultivation of the madrigal, chiefly in Florence and Rome. The second contains a detailed descriptive inventory of all known manuscripts and printed editions, finishing with lists of contents and concordances in each case. This important study will serve those with an interest in Renaissance music and the changing cultural ambience of early sixteenth-century Florence and Rome.

Disney Encanto: The Magical Family Madrigal
Disney Encanto: The Magical Family Madrigal

Author: Editors of Studio Fun International

Publisher: Studio Fun International

Published: 2021-10-26

Total Pages: 28

ISBN-13: 9780794448691

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Relive the adventure of The Walt Disney Animation Studio’s newest film, Encanto, in this book with a toy microphone! Encanto tells the tale of an extraordinary family, the Madrigals, who live hidden in the mountains of Colombia, in a magical house, in a vibrant town, in a wondrous, charmed place called an Encanto. The magic of the Encanto has blessed every child in the family with a unique gift from super strength to the power to heal—every child except one, Mirabel. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional family’s last hope. The film features all-new songs by Emmy(R), GRAMMY(R) and Tony Award(R) winner Lin-Manuel Miranda (“Hamilton,” “Moana”) and is directed by Byron Howard (“Zootopia,” “Tangled”) and Jared Bush (co-director “Zootopia”), co-directed by Charise Castro Smith (writer “The Death of Eva Sofia Valdez”) and produced by Clark Spencer and Yvett Merino. Walt Disney Animation Studios’ “Encanto” opens in theaters November 24, 2021.

The Madrigal
The Madrigal

Author: Susan Lewis Hammond

Publisher: Routledge

Published: 2012-08-06

Total Pages: 376

ISBN-13: 1135966990

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The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.

The Italian Madrigal
The Italian Madrigal

Author: Alfred Einstein

Publisher: Princeton University Press

Published: 2019-08-06

Total Pages: 509

ISBN-13: 0691200718

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Volume 1 of 3. This monumental three-volume work on the Italian madrigal from its beginnings about 1500 to its decline in the 17th century is based on the research of 40 years, and is a cultural history of the development of Italian music. Mr. Einstein, renowned musicologist, supplies a background and a sense of proportion to the field: he gives the right order to the single composers in the evolution fo the madrigal, attaches new values to old names, and places in the foreground the outstanding, but until now rather neglected, personality of Cipriano de Rore. His work is not, however, purely musicological; his object is to inquire into the functions of secular music in Italian life during the Cinquecento, and to contribute to our knowledge and understanding of that great century in general. Translated from the German by Oliver Strunk, Roger Sessions and Alexander H. Krappe. Originally published in 1948. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

From Madrigal to Opera
From Madrigal to Opera

Author: Mauro Calcagno

Publisher: Univ of California Press

Published: 2012-04-18

Total Pages: 343

ISBN-13: 0520951522

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This pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch’s love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultural history, the book demonstrates that the birth of opera relied on an important feature of the madrigalian tradition: the role of the composer as a narrative agent enabling performers to become characters and hold a specific point of view.

Guarini's 'Il pastor fido' and the Madrigal
Guarini's 'Il pastor fido' and the Madrigal

Author: Seth J. Coluzzi

Publisher: Taylor & Francis

Published: 2023-01-19

Total Pages: 483

ISBN-13: 1315463032

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Battista Guarini’s pastoral tragicomedy Il pastor fido (1589) began its life as a play, but soon was transformed through numerous musical settings by prominent composers of the late sixteenth and early seventeenth centuries. Through the many lives of this work, this book explores what happens when a lover’s lament is transplanted from the theatrical stage to the courtly chamber, from speech to song, and from a single speaking character to an ensemble of singers, shedding new light on early modern literary and musical culture. From the play’s beginnings in manuscripts, private readings, and aborted stage productions in the 1580s and 1590s, through the gradual decline of Pastor fido madrigals in the 1640s, this book examines how this widely read yet controversial text became the center of a lasting and prolific music tradition. Using a new integrative system of musical-textual analysis based on sixteenth-century theory, Seth Coluzzi demonstrates how composers responded not only to the sentiments, imagery, and form of the play’s speeches, but also to subtler details of Guarini’s verse. Viewing the musical history of Guarini’s work as an integral part of the play’s roles in the domains of theater, literature, and criticism, this book brings a new perspective to the late Italian madrigal, the play, and early modern patronage and readership across a diverse geographical and temporal frame.