"Madonna Mary" by Mrs. Oliphant Margaret Oliphant Wilson Oliphant was a Scottish novelist and historical writer who usually wrote as Mrs. Oliphant. This example of domestic realism delves deeper into the dramatic. When the witnesses of a woman's wedding pass away before her marriage is thoroughly processed, she's unable to prove her nuptials are, in fact, legal. What ensues is strife and turmoil that only Oliphant would be able to write so eloquently.
My LadyÓ in Italian...evokes memories of magnificent paintings over the Christian centuries, each artist trying to convey an impression of some aspect in the mystery of Mary, the woman chosen by God for a special relationship in His Incarnation, and through Him to all His people. There have been many Madonnas through the ages, but only one Mary, Mother of Jesus. Like the mystery of her divine Son, her participation in the rightness of divine Truth can only be contemplated by our limited minds from a great variety of approaches. The subtitle, Mary in the Catholic TraditionÓ implies that no matter how her image may vary from one generation or culture to the next, our faith is focused on the authentic Mary of Scripture, Tradition and infallible Church teaching, revered not for herself but as the Mother of Christ.
Mary In Our Life: An Atlas of the Names and Titles of Mary, The Mother of Jesus, and Their Place in Marian Devotion presents the 1,969 names, titles, and appellations used to identify the Blessed Virgin Mary over the centuries in terms of their history and related events. Within these titles and their history can be seen the official and private attitudes and prejudices of the times; government pressures, conflicts, and interdictions; internal problems within the Catholic Church; and startling examples of dedication, devotion, and piety. Taken together, Marian titles are a real-life story of the Catholic faith.
The figure of the Virgin Mary comes loaded with baggage and preconceptions. She is usually depicted as the perfect, obedient, and highly esteemed woman, much like the Victorian notion of the “angel in the house.” For many black women, nothing could be more inaccessible. This book considers the relationship between African American women and Mary of Nazareth. After examining the history of black American motherhood during slavery and beyond, this book then gives an overview of the existing views of Mary in both the church and the academy. Lee then brings African American women and Mary together, creating a womanist Mariology by using womanist biblical and theological interpretation, as well as considering black motherhood during the age of “Black Lives Matter.”
In 1560 a poor woman named Margherita left the Italian city of Piacenza to check on her crop. In the field she heard herself being called, and turned to see a woman dressed in white. It was "the blessed Mother of God, Queen of Heaven, the Virgin Mary". Mary was soon joined by a male figure, whom she identified as Christ. "The blasphemies of Piacenza angered Christ", said Mary, who had intervened before Christ devastated the city with a flood. She gave Margherita specific instructions for the people of Piacenza to save themselves from divine punishment. And to ensure that Margherita would be believed, Mary gave a sign: she paralyzed Margherita's legs. In Madonnas That Maim, Michael Carroll looks at the ways in which Italians have revered, invoked, feared, and placated their madonnas and saints. Carroll examines a range of devotional practices that have been legitimated by the local Catholic clergy in Italy for centuries--including the cult of the patron saint, relics, miracles, processions, sanctuaries, pilgrimage, and the mixing of Catholic ritual and magic. He explores the "dark side" of holiness--the willingness of the madonnas and saints of Italy to maim, occasionally even to kill, in order to maintain their own cults--and discusses the psychological origins of such a belief structure. He also considers differences between northern and southern Italy, both in popular Catholicism and in the social structures that have allowed differences to emerge. Including an English-language overview of literature on popular Catholicism in Italy and summaries of important studies by its authors, Madonnas That Maim offers a rich account of the development of beliefs and practices that havecharacterized popular piety in Italy for the past five hundred years.
The Oxford Handbook of Mary offers an interdisciplinary guide to Marian Studies, including chapters on textual, literary, and media analysis; theology; Church history; art history; studies on devotion in a variety of forms; cultural history; folk tradition; gender analysis; apparitions and apocalypticism. Featuring contributions from a distinguished group of international scholars, the Handbook looks at both Eastern and Western perspectives and attempts to correct imbalance in previous books on Mary towards the West. The volume also considers Mary in Islam and pilgrimages shared by Christian, Muslim, and Jewish adherents. While Mary can be a source of theological disagreement, this authoritative collection shows Mary's rich potential for inter-faith and inter-denominational dialogue and shared experience. It covers a diverse number of topics that show how Mary and Mariology are articulated within ecclesiastical contexts but also on their margins in popular devotion. Newly-commissioned essays describe some of the central ideas of Christian Marian thought, while also challenging popularly-held notions. This invaluable reference for students and scholars illustrates the current state of play in Marian Studies as it is done across the world.
"Explores Shrine Madonnas, late medieval statues of the Virgin Mary that split open to reveal richly carved and painted interiors. Analyzes the changing roles of vision and sensation in the complex performative ways in which audiences engaged with devotional art, both in public and in private"--Provided by publisher.
This vast reference resource will appeal to anyone who wishes to find depictions of New Testament narratives from scholars, to students, to picture researchers. The first part of the book consists of a list of proper names, terms, and concepts relating to New Testament narratives represented. Under each name, term or concept, the ICONCLASS alphanumeric codes are entered, along with a brief description of the New Testament scenes in which the characters or actions occur. The second part of this text is organized according to the ICONCLASS alphanumeric codes, their order reflecting the Biblical sequence of narrative.
