Flipping from sad to mad can make for a bad day, but Baby is learning some tricks for getting the happy back. Sometimes Baby is sad. And sometimes mad, mad, MAD! Baby screams and falls to the floor, and a spectacular tantrum follows, from furious crying to the final flop. What happens when Baby wants to stop, but even hugging a beloved blankie doesn’t dissolve the cranky? Maybe a walkabout is in order, with some mindful breathing to boot? Master of toddler expression Leslie Patricelli turns the focus to feelings in a relatable episode offering some tips for helping the mad go away.
Stanley Kramer, who proudly calls himself "the most frequently picked producer in movie history", has directed or produced such classics of the American cinema as "Guess Who's Coming to Dinner, High Noon, On the Beach, The Defiant Ones, Death of a Salesman, The Caine Mutiny", and "It's a Mad, Mad, Mad, Mad World". In this anecdote-laden autobiography, Kramer gives a highly-readable account of his fascinating life. Photos.
Come for a visit in Bear Country with this classic First Time Book® from Stan and Jan Berenstain. Brother and Sister’s friends have started collecting a new toy called Beary Bubbies and the cubs just have to have them! Will Brother and Sister come to realize that it’s all just a fad, or will they be stuck in a toy craze forever? This beloved story is a perfect way to teach children about not having to follow the crowd.
Bear is very, very, very MAD! Will he ever feel better? Find out in this sweet and silly picture book about toddler tantrums that little ones—and their caretakers—are sure to relate to. Bear had to leave the park early for his nap. Then he fell and got an owie on the way home. And then he had to leave his favorite boots and stick outside. Bear feels like nothing is fair, and that makes him VERY, VERY, VERY MAD! Can he find a way to move through his emotions and get back to feeling better? Maybe…but not before having a major meltdown!
The New York Times-bestselling children's book series returns with The Pout-Pout Fish and the Mad, Mad Day. The Pout-Pout Fish's morning has been maddening and rough. Disappointments and frustrations—Mr. Fish has had enough! It's been one thing, then another, then another stacked on top. He's mad and getting madder. Is there any way to stop? Swim along with Mr. Fish as he faces his anger and gains new understandings. With a little help from his friends, he might just discover the healing power of words and self-compassion.
When things go wrong at the opera house, they really go wrong. No one has a greater or more intimate knowledge of such moments than Mansouri. From the hilarious to the bizarre, this is a reader-friendly look at what is often thought of as an overly serious, even mysterious form of art.
“Seeing Mad” is an illustrated volume of scholarly essays about the popular and influential humor magazine Mad, with topics ranging across its 65-year history—up to last summer’s downsizing announcement that Mad will publish less new material and will be sold only in comic book shops. Mad magazine stands near the heart of post-WWII American humor, but at the periphery in scholarly recognition from American cultural historians, including humor specialists. This book fills that gap, with perceptive, informed, engaging, but also funny essays by a variety of scholars. The chapters, written by experts on humor, comics, and popular culture, cover the genesis of Mad; its editors and prominent contributors; its regular features and departments and standout examples of their contents; perspectives on its cultural and political significance; and its enduring legacy in American culture.
During a weekend trip to Ocracoke Island, siblings Judy and Stink Moody take part in a pirate treasure-hunting game, in which various clues lead them to silver coins, or "pieces of eight," hidden across the island.
In this searing meditation on the bonds of family and the allure of extremist faith, one of today’s most celebrated Christian writers recounts his unexpected journey from a strict fundamentalist upbringing to a life of compassion and grace—a revelatory memoir that “invites comparison to Hillbilly Elegy” (Publishers Weekly, starred review). “Searing, heartrending . . . This stunning tale reminds us that the only way to keep living is to ask God for the impossible: love, forgiveness, and hope.”—Kate Bowler, New York Times bestselling author of Everything Happens for a Reason Raised by an impoverished widow who earned room and board as a Bible teacher in 1950s Atlanta, Philip Yancey and his brother, Marshall, found ways to venture out beyond the confines of their eight-foot-wide trailer. But when Yancey was in college, he uncovered a shocking secret about his father’s death—a secret that began to illuminate the motivations that drove his mother to extreme, often hostile religious convictions and a belief that her sons had been ordained for a divine cause. Searching for answers, Yancey dives into his family origins, taking us on an evocative journey from the backwoods of the Bible Belt to the bustling streets of Philadelphia; from trailer parks to church sanctuaries; from family oddballs to fire-and-brimstone preachers and childhood awakenings through nature, music, and literature. In time, the weight of religious and family pressure sent both sons on opposite paths—one toward healing from the impact of what he calls a “toxic faith,” the other into a self-destructive spiral. Where the Light Fell is a gripping family narrative set against a turbulent time in post–World War II America, shaped by the collision of Southern fundamentalism with the mounting pressures of the civil rights movement and Sixties-era forces of social change. In piecing together his fragmented personal history and his search for redemption, Yancey gives testament to the enduring power of our hunger for truth and the possibility of faith rooted in grace instead of fear. “I truly believe this is the one book I was put on earth to write,” says Yancey. “So many of the strands from my childhood—racial hostility, political division, culture wars—have resurfaced in modern form. Looking back points me forward.”
