Late at night in a foreign land, an English army sweeps through the landscape under cover of darkness and takes the seat of power. Struggling to contain his men and the ambitions of his superiors, the commanding officer attempts to negotiate the unspoken rules of this alien country. He seeks to restore peace to a country ravaged by war. This is Scotland in the eleventh century at the height of the fight for succession of the Scottish throne. David Greig's Dunsinane premiered in February 2010 at Hampstead Theatre, London, in a production by the Royal Shakespeare Company.
This story will be told, the way it has always been told. What else use is it otherwise? The hags on the heath. The woman who went mad. The man who became a tyrant. When her husband returns victorious from the battlefield with a prophecy that he will become king of Scotland, Lady Macbeth vows to make their darkest ambitions a reality. So far, so familiar. But then the story fragments. Shakespeare's Lady Macbeth is ruthless and driven, unstoppable in her pursuit of power, yet she quickly descends into madness and despair. Zinnie Harris's thrilling new version undoes the narrative we know, and remakes it, examining Lady Macbeth's trajectory and asking if we have really heard the whole story. This edition includes an afterword by Dan Rebellato, Professor of Contemporary Theatre at Royal Holloway, University of London. Macbeth (an undoing) premiered at the Royal Lyceum Theatre, Edinburgh, in February 2023.
This story will be told, the way it has always been told. What else use is it otherwise? The hags on the heath. The woman who went mad. The man who became a tyrant. When her husband returns victorious from the battlefield with a prophecy that he will become king of Scotland, Lady Macbeth vows to make their darkest ambitions a reality. So far, so familiar. But then the story fragments. Shakespeare's Lady Macbeth is ruthless and driven, unstoppable in her pursuit of power, yet she quickly descends into madness and despair. Zinnie Harris's thrilling new version undoes the narrative we know, and remakes it, examining Lady Macbeth's trajectory and asking if we have really heard the whole story. This edition includes an afterword by Dan Rebellato, Professor of Contemporary Theatre at Royal Holloway, University of London. Macbeth (an undoing) premiered at the Royal Lyceum Theatre, Edinburgh, in February 2023. It transferred to the Rose Theatre, Kingston, Theatre for a New Audience, New York, and returned to the Royal Lyceum in 2024.
ARDEN RENAISSANCE DRAMA GUIDES offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars provide invaluable insights into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: Essays on the play's critical and performance history A keynote essay on current research and thinking about the play A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online Regularly performed and studied, Macbeth is not only one of Shakespeare's most popular plays but also provides us with one of the literary canon's most compellingly conflicted tragic figures. This guide offers fresh new ways into the play.
What is the best approach for helping students to understand higher level concepts? How can specific subject knowledge be implemented in lessons? Ready to Teach: Macbeth brings together the deep subject knowledge, resources and classroom strategies needed to teach Shakespeare’s tragic play, as well as the pedagogical theory behind why these ideas work, helping teachers to deliver a knowledge-rich curriculum with impact. Each chapter contains lesson-by-lesson essays and commentaries that enhance subject knowledge on key areas of the text alongside fully resourced lessons reflecting current and dynamic best practice. The book also offers an introduction to the key pedagogical concepts which underpin the lessons and why they are proven to help students develop powerful knowledge and key skills. Whether you are new to teaching or looking for different ways into the text, Ready to Teach: Macbeth is the perfect companion to the study of ‘the Scottish play’.
Macbeth : the question of personality reversal -- Othello : the question of jealousy -- As you like it : the question of escaping conventional society -- Hamlet : the question of guilt and blame -- The taming of the shrew : the question of gender and dominance -- Much ado about nothing : the question of a (happy?) marriage
This volume offers a wealth of critical analysis, supported with ample historical and bibliographical information about one of Shakespeare’s most enduringly popular and globally influential plays. Its eighteen new chapters represent a broad spectrum of current scholarly and interpretive approaches, from historicist criticism to performance theory to cultural studies. A substantial section addresses early modern themes, with attention to the protagonists and the discourses of politics, class, gender, the emotions, and the economy, along with discussions of significant ‘minor’ characters and less commonly examined textual passages. Further chapters scrutinize Macbeth’s performance, adaptation and transformation across several media—stage, film, text, and hypertext—in cultural settings ranging from early nineteenth-century England to late twentieth-century China. The editor’s extensive introduction surveys critical, theatrical, and cinematic interpretations from the late seventeenth century to the beginning of the twenty-first, while advancing a synthetic argument to explain the shifting relationship between two conflicting strains in the tragedy’s reception. Written to a level that will be both accessible to advanced undergraduates and, at the same time, useful to post-graduates and specialists in the field, this book will greatly enhance any study of Macbeth. Contributors: Rebecca Lemon, Jonathan Baldo, Rebecca Ann Bach, Julie Barmazel, Abraham Stoll, Lois Feuer, Stephen Deng, Lisa Tomaszewski, Lynne Bruckner, Michael David Fox, James Wells, Laura Engel, Stephen Buhler, Bi-qi Beatrice Lei, Kim Fedderson and J. Michael Richardson, Bruno Lessard, Pamela Mason.
This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.
'A storyteller who could teach Scheherazade a thing or two about pace, suspense and imaginative invention'New York Times THE REAL MACBETH . . . It is the eleventh century and in the isles of Orkney a young boy is born. He is named Thorfinn, baptized as Macbeth. To the north are the warring Vikings and south lies Alba - the Scottish mainland. Orkney is the prize in between, and an unlikely place from which a young man might launch a bid as ruler of a united Scotland. Yet Thorfinn is unlike other men. He has a warrior's courage and the wiliness of the underdog. By his side stands his wife Groa, as shrewd and valiant as her husband. Together they will navigate the treacherous waters of the new millennium, uniting a divided nation and birthing a legend that will survive a thousand years. Thorfinn Macbeth will be King Hereafter . . . 'Stunning' Washington Post
