Part 1 of 3! Got ghosts in your garage?! Tired of those pesky zombies roaming around your front lawn? Have no fear! Doc Macabre, the one-man supernatural sweeper-upper, is here! There's no job too big for Doc, who, with the aide of his right hand man, er... robot, Lloyd, will have you back resting in your lounge chair monster-free! (For a fee, of course!) Niles and Wrightson's latest opus is here!
In 2003 Steve Niles, creator of the 30 Days of Night comics series, launched a series of occult detective stories featuring the monstrously hard-boiled Cal McDonald. A pill-popping alcoholic reprobate, Cal is the only line of defense between Los Angeles and a growing horde of zombies, vampires, possessed muscle cars, mad scientists, werewolves, and much more weirdness! * I literally screamed HOLY $#@% when I put this book down. It is that good... Cal McDonald is truly one of the coolest characters in comics." —Ain't It Cool News"
Containing more than 200 images from the archives of Charles S. Anderson Design Co. and a sharply hilarious text by the main writer and host of the legendary "Mystery Science Theater 3000," this is a kitsch and campy testament to America's love of horror.
In this unique volume, a number of scholars spanning diverse areas and backgrounds offer fresh insight into how perceived concepts of horror and dark subject matter influence cultures and societies around the world. The contributions here explore how topics considered disturbing, mysterious, or fascinating are found not only in works of fiction and entertainment, but also in the cultural fabrics, belief systems, artistic creations, and even governmental structures of societies. Topics discussed in this book include witchcraft, voodoo, zombies, spiritualism, serial killers, monsters, cemeteries, pop culture entertainment, and the sublime in transcendental experiences. As the academic study of horror becomes more mainstream, collections such as this are instrumental in realizing just how much it impacts our lives—past, present, future, and imaginary. Thus, this volume of intriguing and profound topics offers scholars, students, and lovers of learning a much-needed fresh and innovative intellectual exploration of the horror genre and the cultural fascination with the mysterious unknown.
50+ original flash horror tales organized by five themes: Spook Houses, Slashers, Witchcraft, Within the Woods, and Cemetery Chillers. A book perfect for time spent around the campfire or on a long car trip! Brand new pieces from award-winning authors such as Kealan Patrick Burke, Tim Waggoner, and Sara Tantlinger - and also from many of the genre's finest, including: V. Castro, Beverley Lee, Ali Seay, Yolanda Sfetsos, Michael Harris Cohen, Kenneth Cain, Brandon Scott, Eddie Generous, Corey Farrenkopf, and so many more!
This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...
Werewolves stealing. Vampires mugging. Ghouls beaten in their own sewers. A man murdered by monsters - with a letter opener. The connection? Private investigator Cal McDonald is damned (literally) if he knows.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
In eighteenth-century Venisalle, faith governs life and death, and the guilty hide their shame behind masks, showing their faces only in the secret rites of the confessional. It is to this stronghold of the Inquisition that the souls of Hell have escaped to possess the living, spreading sin, murder, and chaos. Amid the carnage, one man is blessed with the clarity to recognize the demons that prey on his countrymen — and the means to return them to the fires of Hell. But as the stakes rise, the lines separating good and evil begin to blur, and the Marquis — the dark avenger whom even demons fear to cross — finds himself torn between the blind faith that has defined his life and the bitter truths exposed under his new sight.
