Lyricism is for those who are seeking poetic words of encouragement and inspiration after an emotional loss. It speaks of losing and finding love again, the enjoyment of life and defeating challenges of life.
As the world morphs into a optic that many times appears skewed to author and poet Cherice Antoinette she often spends a lot of quiet time alone with her thoughts on matters that show change before her eyes and how to process it all. Some of it derives from pain at the root and much has to do with love. In Love's Typhoon Cherice expresses the challenges of being single, independent, and still finding herself yet settling with who becomes as a woman. Her testimony is shared as love story with self and others in poetic prose.
Lyricism A Butterlfy's Bluze is poetic prose that encompasses the blossoming spirit of a woman in her early thirties experiencing variating experiences in love, life and personal growth.
Surrounded by lies and deceit how do you work out who is telling the truth? When highly decorated war hero, Colonel Tariq joins the intelligence agency, his rise to the top seems assured. But in his first case he discovers a CIA agent has killed a young prostitute and a diplomatic crisis erupts.As the two nations negotiate, angry mobs take to the streets and he is caught up in a national scandal. Tariq is instructed to eliminate the only witness and instigate a cover up, trapping him in a terrible moral dilemma. As his professional ambition and private life collide, he must make a life changing decision that will have far reaching consequences for the future of his family and his country.
From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere.
Letter-writing manuals were once popularly used in Europe to help people construct socially appropriate correspondence. By reading the model letters today, we can learn about the culture and concerns of the people who once used them. This volume contains a critical study of the manual as well as examples of actual model letters in the original Yiddish and English translations.
Phil Woods was an American original. One of the greatest saxophonists of all time, he was the first call for Quincy Jones, Dizzy Gillespie, Thelonious Monk, and Oliver Nelson. His iconic improvisation on Billy Joel's hit song "Just the Way You Are" is quite likely the most played instrumental solo in the world. His popularity soared while an expat in Europe during the cultural revolution of the late sixties and early seventies. Upon his return to the States, Woods formed a band that would perform together for four decades. Grammy Awards, dozens of DownBeat Readers Poll victories, and designation as a National Endowment of the Arts Jazz Master would follow. Life in E Flat is the unvarnished self-portrait of an artist who loved and lived a life of bebop. "I would have to give Phil Woods' sax solo on "Just The Way You Are" credit for making that a hit record." - Billy Joel "Life in E Flat is a gift, a compelling and entertaining memoir by one of the leading alto saxophonists in jazz for 60 years. Woods is a charismatic storyteller-literate, funny, insightful, self-aware, with a keen eye and ear for details that reveal character and wise observations about the music business and the jazz life laced with sardonic wit." - Mark Stryker, author of Jazz From Detroit ""Someone spotted me fondling the saxophone and misinterpreted my avaricious intent as musical interest..." So Phil Wood's lifelong journey began-a saga he relates with an irreverent, self-deprecating wit, from his earliest days in Western Massachusetts to recording timeless music and traveling the world with jazz legends. Time and again, he sets up a story like a punchline's coming, and often they do. What you always get is history rich in detail and long in feeling and self-honesty - the personal stumbles and the musical triumphs. Phil left us in 2015; this book he left us is a gift that shows how so much of him is still here." - Ashley Kahn, music historian and author of A Love Supreme: The Story of John Coltrane's Signature Album & Kind of Blue: The Making of the Miles Davis Masterpiece "Growing up a New York jazz fan, Phil Woods was always a favorite. He was straight ahead, personal but in control, brimming with ideas: solid in every way. This account of the late jazz man's American journey, assembled with a loving, light touch by the always discerning critic Ted Panken, is like a Woods' gig. Full of the right information, things you thought you knew but didn't (the stories of often being the only white man in the room especially after marrying Charlie Parker's widow are instructive), heartbreaking and triumphant, Life in E-Flat is 100% solid." - Mark Jacobson, author of The Lampshade and Pale Horse Rider, former staff writer of the Village Voice and New York Magazine, and contributing editor for Rolling Stone and Esquire