This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
“A heart-wrenching, beautiful, darkly comic, deeply necessary tale that stuns again and again with razor-sharp prose and glittering wit. Robert Goolrick is, without question, one of the greatest storytellers of our time.” —Téa Obreht, author of The Tiger’s Wife In the spellbinding new novel from #1 New York Times bestselling author Robert Goolrick, 1980s Manhattan shimmers like the mirage it was, as money, power, and invincibility seduce a group of young Wall Street turks. Together they reach the pinnacle, achieving the kind of wealth that grants them access to anything--and anyone. Until, one by one, they fall. Goolrick’s literary chops are on full display, painting an authentic portrait of a hedonistic era, tense and stylish, perfectly mixing adrenaline and melancholy. Stunning in its acute observations about great wealth and its absence, and deeply moving in its depiction of the ways in which these men learn to cope with both extremes, it’s a true tour de force. “An addictive slice of semiautobiographical fiction . . . Goolrick vividly plumbs the depths of fortune and regret. The result is a compulsively readable examination of the highs and lows of life in the big city.” —Publishers Weekly “A compelling, wholly seductive narrative voice . . . Goolrick’s stellar prose infuses this redemption story with a good deal of depth and despair, making it read like the literary version of The Wolf of Wall Street.” —Booklist “A dark, intoxicating morality tale . . . With his impeccable prose, Goolrick focuses his unflinching eye on the grittiness beneath the sleek facade of nightclubs, fashion, and monied Manhattan extravagance. Beautifully crafted, seductive, and provocative.” —Garth Stein, author of A Sudden Light and The Art of Racing in the Rain
Scribes of Space posits that the conception of space—the everyday physical areas we perceive and through which we move—underwent critical transformations between the thirteenth and fifteenth centuries. Matthew Boyd Goldie examines how natural philosophers, theologians, poets, and other thinkers in late medieval Britain altered the ideas about geographical space they inherited from the ancient world. In tracing the causes and nature of these developments, and how geographical space was consequently understood, Goldie focuses on the intersection of medieval science, theology, and literature, deftly bringing a wide range of writings—scientific works by Nicole Oresme, Jean Buridan, the Merton School of Oxford Calculators, and Thomas Bradwardine; spiritual, poetic, and travel writings by John Lydgate, Robert Henryson, Margery Kempe, the Mandeville author, and Geoffrey Chaucer—into conversation. This pairing of physics and literature uncovers how the understanding of spatial boundaries, locality, elevation, motion, and proximity shifted across time, signaling the emergence of a new spatial imagination during this era.
The Temple of Glas takes the form of an elusive and suspenseful-but for that reason all the more sensational-dream vision that demands close attention to detail and the dynamic way in which the meaning of events unfolds. Seducing readers with possibilities remains what the poem does best, and that special magnetism speaks not only to the provenance and textual history of Lydgate's text but also to its literary qualities.
When Geoffrey Chaucer died in 1400, his massive project, the Canterbury Tales, lay unfinished and unpublished. This volume includes five works that aim to fill in the gaps in this incomplete masterpiece. The pieces presented here date from the fifteenth century and survive in at least one manuscript collection of Chaucer's tales: John Lydgate's Prologue to the Siege of Thebes, The Ploughman's Tale, The Cook's Tale, Spurious Links, and The Canterbury Interlude and Merchant's Tale of Beryn. These pieces of Chaucerian apocrypha have been collected into one student-friendly edition, including introductions, notes, glosses, and a glossary to accommodate students of all levels of experience in Middle English.
The project is sponsored by the Consortium for the Teaching of the Middle Ages (TEAMS) and is affiliated with the Medieval Institute of Western Michigan University at Kalamazoo. --Book Jacket.
