This collection uses a transnational approach to study contemporary English-language poetry composed by poets of South Asian origin. The poetry contains themes, motifs, and critiques of social changes, and the contributors seek to encapsulate the continually changing environments that these contemporary poets write about. The contributors show that English-language poetry in South Asia is hybridized with imagery and figurative language adapted from the vernacular languages of South Asia. The chapters examine women’s issues, concerns of marginalized groups—such as the Dalit community and the people of Northeastern India—, social changes in Sri Lanka, the changing society of Pakistan, and the formation of the identity in the several nation states that resulted from the British colony of India.
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
In the postcommunist world of organized mobility, commodified hospitality and portable devices, the category of people labelled as migrants, the displaced and refugees symbolize a different kind of movement. Among them, the postnational figure of the refugee stands out. Fleeing their land alone or in a group, on foot or on buses and trains, or via makeshift boats and commercial flights, dressed in unfamiliar clothes and borrowed identities, the refugees travel “to dare a future from the taken roads.” Their journey of escape is fraught with danger and despair, their survival complicated by the politics of suspicion, and their right to return compromised by the power game between sovereign states. Waiting for ever in transit zones or living underground like animals but exploited for their labour, the refugees are the “untouchables” of the 21st century who put to test the universal and moral duty of hospitality. When the international legal regime of human and humanitarian rights does not come to their rescue, refugee women and children feel twice abandoned. This volume of collected essays tries to explore the journey of refugees as represented in New Literatures in English. Who are these refugees? What circumstances triggered their movement? At what point in history? Where do they go? How do they cope? What are their dreams? When does the refugees’ silence break into speech and story? How does life assert itself in spite of impending death? Could the death of a refugee be as insignificant as her bare life of exile? Scholars from Europe, Africa, India and Sri Lanka give here a comprehensive picture of the refugee movement across the globe since the Second World War. The refugee narratives highlight the need to extend the logic of protection from persecution to asylum from economic crisis and ecological imbalance, in order to offset the after effects of imperial outreach and industrial expansion. With a short story by Chika Unigwe by way of a foreword and contributions from Petra Tournay-Theodotou, Helga Ramsey-Kurz, Marta Cariello, Stavros Karayanni, Jean-Marie Soungoua, Federico Fabris, Evelyne Hanquart-Turner, Annie Cottier, Geetha Ganapathy-Doré, G. Sujatha and V. Vinod Kumar.
The Rapids of a Great River begins with selections from the earliest known Tamil poetry dating from the second century CE. The writings of the Sangam period laid the foundation for the Tamil poetic tradition, and they continue to underlie and inform the works of Tamil poets even today. The first part of this anthology traverses the Sangam and bhakti periods and closes with pre-modern poems from the nineteenth century. The second part, a compilation of modern and contemporary poetry, opens with the work of the revolutionary poet Subramania Bharati. Breaking free from prescriptions, the new voices—which include Sri Lankan Tamils, women and dalits, among others—address the contemporary reader; the poems, underscored by a sharp rhetorical edge, grapple with the complexities of the modern political and social world. The selection is wide-ranging and the translations admirably echo the music, pace and resonance of the poems. This anthology links the old with the new, cementing the continuity of a richly textured tradition. There is something in the collection for every reader and each will make his or her own connections—at times startling, at other times familiar.
What are the fictions that shape Canadian engagements with the global? What frictions emerge from these encounters? In negotiating aesthetic and political approaches to Canadian cultural production within contexts of global circulation, this collection argues for the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Using the twinned framing devices of crosstalk and cross-sighting, the contributing authors attend to how the interplay of the verbal and the visual maps public spheres of creative engagement today. Individual chapters present a range of methodological approaches to understanding national culture and creative labour in global contexts. Through their collective enactment of methodological crosstalk, they demonstrate the productivity of scholarly debate across differences of outlook, culture, and training. In highlighting convergences and disagreements, the book sharpens our understanding of how literary and critical conventions and theories operate within and across cultures.
Whether the product of passion or of a cool-headed decision to use ideas to rationalize excess, the decimation of the world's libraries occurred throughout the 20th century, and there is no end in sight. Cultural destruction is, therefore, of increasing concern. In her previous book Libricide, Rebecca Knuth focused on book destruction by authoritarian regimes: Nazis, Serbs in Bosnia, Iraqis in Kuwait, Maoists during the Cultural Revolution in China, and the Chinese Communists in Tibet. But authoritarian governments are not the only perpetrators. Extremists of all stripes—through terrorism, war, ethnic cleansing, genocide, and other forms of mass violence—are also responsible for widespread cultural destruction, as she demonstrates in this new book. Burning Books and Leveling Libraries is structured in three parts. Part I is devoted to struggles by extremists over voice and power at the local level, where destruction of books and libraries is employed as a tactic of political or ethnic protest. Part II discusses the aftermath of power struggles in Germany, Afghanistan, and Cambodia, where the winners were utopians who purged libraries in efforts to purify their societies and maintain power. Part III examines the fate of libraries when there is war and a resulting power vacuum. The book concludes with a discussion of the events in Iraq in 2003, and the responsibility of American war strategists for the widespread pillaging that ensued after the toppling of Saddam Hussein. This case poignantly demonstrates the ease with which an oppressed people, given the collapse of civil restraints, may claim freedom as license for anarchy, construing it as the right to prevail, while ignoring its implicit mandate of social responsibility. Using military might to enforce ideals (in this case democracy and freedom) is futile, Knuth argues, if insufficient consideration is given to humanitarian, security, and cultural concerns.
The three-decade-long conflict tore apart the Tamils’ world in Sri Lanka. This anthology, framed by war, brings together poems, stories and a memoir by Tamil writers living there and in the diaspora. Wide-ranging and from recent decades, till the war’s ending, these pieces have been translated with great skill for the first time into English. Stark, and sometimes lyrical, distilling memory, history, mythology and classical literary tropes, they powerfully echo the Tamils’ sorrows and deep fears, their longings and hopes for tomorrow. Laments about youths felled by gunfire, their forced disappearances, the loss of family and homes, desecration of shrines, repeated displacements, becoming international refugees alternate with remembrance of the beauteous forests and sea, of celebrations of Tamil language and culture, and the compassion of women providing people succour. Accompanied by an introduction to set the context, this rich and moving volume reveals the spirit of a wounded island and brings its voices to a new audience.
Sri Lanka has had a celebrated history, a long colonial past, and since independence in 1948 has passed through a series of crises and political experiments. It has had a remarkable record of voters turning out unpopular governments, often by sweeping margins. On 8 January 2015 voters again performed this feat when Maithripala Sirisena, representing a coalition of disparate parties, defeated Mahinda Rajapaksa for the presidency. Rajapaksa was turning the nation away from its democratic heritage towards authoritarianism and militarism. Independent Sri Lanka’s economy stagnated for decades before it began to grow in the 1980s. It has had significant economic growth since the end of the 26-year war against the separatist Liberation Tigers of Tamil Eelam (LTTE) in 2009. Although reconciliation between the Sinhalese Buddhist majority and Hindu, Muslim and Christian minorities seems distant, prospects for Sri Lanka seem better than they have been for decades. The Historical Dictionary of Sri Lanka contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Sri Lanka.
Tropes and Territories demonstrates how current debates in postcolonial criticism bear on the reading, writing, and status of short fiction. These debates, which hinge on competing definitions of "trope" (motif vs rhetorical turn) and "territory" (political or aesthetic), lead to studies of space, place, influence, and writing and reading practices across cultural divides. The essays also explore the character of diasporic writing, the cultural significance of oral tale-telling, and interconnections between socio/political issues and strategies of style.
