A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
Create the perfect image across 10 key photographic genres with digital photography expert Tom Ang, in this updated and newly repackaged paperback edition. Tom Ang's The Complete Photographer is your ultimate guide to every style and subject of digital photography, from portraits to wildlife to architecture. Organized by genre and updated to include all the latest technological developments and creative trends, this guide is packed with practical and tailored tutorials, assignments, and advice for each of the 10 categories covered so that you can achieve the results you want -- every time. Get a behind-the-scenes look at the detail that goes into the planning, setting up, and shooting beautiful photos, and learn how an idea progresses from concept to final image with interviews of 20 influential photographers. DK's richly illustrative design and Ang's clear writing and direction blend together in this second edition of The Complete Photographer to dissect the elements of 10 photographic genres and make stunning results achievable.
Information Methods takes a highly practical approach that helps students to acquire the skills they need to handle and communicate information with confidence in a wide variety of situations. Students can practice building their analytical and creative thinking skills. Students will also develop the writing and research skills that are vital for success in an academic context. The book's coverage extends to the different forms of writing in a business context. In addition, students are introduced to Web 2.0, social networking, database processing, global information systems and usability issues. This custom edition is published for Swinburne University and Open Universities Australia.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
"Dow produced oil paintings, photographs, ink wash drawings, and wood block prints until his death in 1922. The exhibitions showcases a recently discovered album of forty-one cyanotypes that Dow produced in 1899 and dedicated to his friend, the Ipswich poet Everett Stanley Hubbard"--Galley website.
This book chronicles for the first time in a detailed fashion the critical days of the invention and development of photography. In particular it explores the relationship between two Englishmen who played a key role in photography's early years; the preeminent scientist Sir John Herschel and William Henry Fox Talbot, the artist and scientist who had invented his own photographic process years before Louis Daguerre announced his discovery in Paris in 1839. Drawing on hundreds of Herschel's and Talbot's letters, notebooks, and diaries, Larry J. Schaaf tells the story of the evolution of photography as expressed through their words, and in the process he sheds light on some questions over which others have puzzled. Given that the camera and the necessary chemistry had coexisted for years, why rather than how was photography invented? Why did Talbot keep his own photographic process secret until Daguerre's announcement? Why did Herschel make such fundamental contributions to the process of photography, yet take very few pictures himself? Who or what provided the visual training that allowed Talbot to grow into the first photographic artist? Schaaf skillfully describes the complexities of the events, the personalities and interests of the participants, the often vital role played by trivial circumstances, and the chaotic nature of the progress of photography. He narrates the rivalry between Talbot and Daguerre, showing how it mirrored the differences between France and Great Britain in their support of science and art. Enhanced by more than 100 reproductions in color and in duotone of some of the earliest photographs ever made, this book vividly re-creates both the invention of an art and the art of invention.
Englishman Robert Livermore jumped ship in Southern California in 1822, yet just 15 years later became the respected owner of the 40,000-acre Las Positas land grant. Here he built his new Californio wife an adobe house in 1839. The wealth that flowed into California during the gold rush allowed Livermore to import a two-story house around the Horn, but entrepreneurs and squatters flowed in as well. Nathaniel Patterson opened the first hotel in the old Livermore adobe, frequented by miners on their way from the South Bay to the Sierra gold mines. Laddsville, a village built where the roads to Stockton and Dublin met, was also a going concern until the Central Pacific pushed over the Altamont Pass. On this line grew the town founded by William Mendenhall in 1869, named for pioneer Livermore, who had died more than a decade earlier. Soon Livermore became the valley's commercial center for hay, wheat, barley, wine grapes, and ranching.