The first complete study of Tieck to appear since 1935, this book draws on a vast amount of material to provide an analysis of his literary works, and brilliantly conveys the climate of 19th-century Romanticism, tracing its evolution from a movement of aesthetic protest to one of national awareness.
When originally published in 1993, this was the first bibliography of the secondary literature on Tieck. Given as much secondary literature surrounding Tieck’s life and works has been generated outside of his native Germany as within, this bibliography focuses particularly on his life and work from an international perspective. In order to make the information surrounding Tieck accessible, the book provides a detailed table of contents, with corresponding text divisions, rather than a subject index. It therefore highlights Tieck’s achievements in their various national contexts so that not only students of German can get an accurate feel for Tieck’s versatility and range.
Originally published in 1993, this was the first bibliography of the secondary literature on Tieck. It focuses on his life and work from an international perspective and highlights Tieck's achievements in their various national contexts so that not only students of German can get an accurate feel for Tieck's versatility and range.
Critical account of the works of Ludwig Tieck, the German Romantic writer, from a linguistic viewpoint. Although twentieth-century literary criticism has focused on language as a topic of discussion, critical evalutions of Romanticism and Romantic writers rarely deal with it in terms derived from the philosophy of language. This book evaluates the most prolific German Romanticist, Ludwig Tieck (1773-1853), from such a linguistic viewpoint, arguing that concerns in his work can be seen as forerunners of later language analysis, from speech-act theory to theories of reference. It covers Tieck's whole career, from his youth to his final novel, Vittoria Accorombona, providing a comprehensive analysis of this major author's work; it will also be of interest to those interested in the linguistic aspects of Romanticism.
“An exhilarating account of a remarkable historical moment, in which characters known to many of us as immutable icons are rendered as vital, passionate, fallible beings . . . Lively, precise, and accessible.” —Claire Messud, Harper’s Around the turn of the nineteenth century, a steady stream of young German poets and thinkers coursed to the town of Jena to make history. The French Revolution and the Napoleonic Wars had dealt a one-two punch to the dynastic system. Confidence in traditional social, political, and religious norms had been replaced by a profound uncertainty that was as terrifying for some as it was exhilarating for others. Nowhere was the excitement more palpable than among the extraordinary group of poets, philosophers, translators, and socialites who gathered in this Thuringian village of just four thousand residents. Jena became the place for the young and intellectually curious, the site of a new departure, of philosophical disruption. Influenced by Johann Wolfgang von Goethe, then an elder statesman and artistic eminence, the leading figures among the disruptors—the translator August Wilhelm Schlegel; the philosophers Friedrich "Fritz" Schlegel and Friedrich Schelling; the dazzling, controversial intellectual Caroline Schlegel, married to August; Dorothea Schlegel, a poet and translator, married to Fritz; and the poets Ludwig Tieck and Novalis—resolved to rethink the world, to establish a republic of free spirits. They didn’t just question inherited societal traditions; with their provocative views of the individual and of nature, they revolutionized our understanding of freedom and reality. With wit and elegance, Peter Neumann brings this remarkable circle of friends and rivals to life in Jena 1800, a work of intellectual history that is colorful and passionate, informative and intimate—as fresh and full of surprises as its subjects.
From Goethe to Gundolf: Essays on German Literature and Culture is a collection of Roger Paulin’s groundbreaking essays, spanning the last forty years. The work represents his major research interests of Romanticism and the reception of Shakespeare in Germany, but also explores a broader range of themes, from poetry and the public memorialization of poets to fairy stories - all meticulously researched, yet highly accessible. As a comprehensive examination of German literary history in the period 1700-1900, the collection not only includes accounts of the lives and work of Goethe, Schiller, the Schlegels, and Gundolf (amongst others), serving to nuance our understanding of these figures in history, but also considers diverse (and often underexplored) topics, from academic freedom to the rise of travel literature. The essays have been reformulated, corrected, and updated to add references to recent works. However, the core foundations of the originals remain, and just as when they were first published, the value of these essays – to researchers, students, and all those who are interested in German literary history – cannot be overstated.
"The Runenberg" is a fascinating fairy tale with a religious bend by German writer Ludwig Tieck. It tells the story of a gloomy hunter named Christian whose life takes an unexpected turn after meeting a stranger in the mountains.
Using an illuminating method that challenges the popular notion of Romanticism as aesthetic escapism, Theodore Ziolkowski explores five institutions--mining, law, madhouses, universities, and museums--that provide the socio-historical context for German Romantic culture. He shows how German writers and thinkers helped to shape these five institutions, all of which assumed their modern form during the Romantic period, and how these social structures in turn contributed to major literary works through image, plot, character, and theme. "Ziolkowski cannot fail to impress the reader with a breadth of erudition that reveals fascinating intersections in the life and works of an artist.... He conveys the sense of energy and idealism that fueled Schiller and Goethe, Fichte and Hegel, Hoffmann and Novalis...."--Emily Grosholz, The Hudson Review "[This book] should be put in the hands of every student who is seriously interested in the subject, and I cannot imagine a scholar in the field who will not learn from it and be delighted with it."--Hans Eichner, Journal of English and Germanic Philology "Ziolkowski is among those who go beyond lip-service to the historical and are able to show concretely the ways in which generic and thematic intentions are inextricably enmeshed with local and specific institutional circumstances."--Virgil Nemoianu, MLN
This volume explores in detail Kierkegaard's various relations to his German contemporaries. Kierkegaard read German fluently and made extensive use of the writings of German-speaking authors. It can certainly be argued that, apart from his contemporary Danish sources, the German sources were probably the most important in the development of his thought generally. The volume has been divided into three tomes reflecting Kierkegaard's main areas of interest with regard to the German-speaking sources, namely, philosophy, theology and a more loosely conceived category, which has here been designated "literature and aesthetics." This third tome is dedicated to the German literary sources that were significant for Kierkegaard; in particular the work of authors from German Classicism and Romanticism. Important forerunners for many of Kierkegaard's literary motifs and characters can be found in the German literature of the day. His use of pseudonyms and his interest in irony were both profoundly influenced by German Romanticism. This volume demonstrates the extent to which Kierkegaard's views of criticism and aesthetics were decisively shaped by the work of German authors.