Ludus Coventriæ

Ludus Coventriæ

Author: K S (Katherine Salter) Block

Publisher: Sagwan Press

Published: 2018-02-08

Total Pages: 474

ISBN-13: 9781377127316

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Apocryphal Adam and Eve in Medieval Europe

The Apocryphal Adam and Eve in Medieval Europe

Author: Brian Murdoch

Publisher: Oxford University Press on Demand

Published: 2009-04-02

Total Pages: 307

ISBN-13: 0199564140

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The apocryphal Life of Adam and Eve explores what happened to Adam and Eve after their expulsion from Paradise. Professor Murdoch considers the varied development of the apocryphal material, and presents a fascinating analysis of the flourishing medieval tradition of Adam and Eve, celebrated in European prose, verse, and drama.


Farce and Farcical Elements

Farce and Farcical Elements

Author:

Publisher: BRILL

Published: 2016-10-11

Total Pages: 212

ISBN-13: 9004334246

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Farcical elements were incorporated into non-comic drama ever since the theatre had been rediscovered in the Middle Ages. Already at a very early stage, comic scenes proved to be popular additions to liturgical music drama and, later, to religious plays in the vernacular. Some scholars believe that the genre of farce developed out of these farcical elements. The suggestion was made that farces, similar to the stuffing of meat or poultry, had been added to plays to increase audience involvement. Other researchers see quite different origins for the farce. The present volume does not aspire to solve the question of the relationship between the two types of “comedy” on the medieval stages but its editors hope that it will nevertheless contribute to this discussion. In addition, it will enable its readers to form an impression of the huge variety of the comic in the vast area of medieval and early Renaissance theatre and drama.