Italy’s greatest novel and a masterpiece of world literature, The Betrothed chronicles the unforgettable romance of Renzo and Lucia, who endure tyranny, war, famine, and plague to be together. Published in 1827 but set two centuries earlier, against the tumultuous backdrop of seventeenth-century Lombardy during the Thirty Years’ War, The Betrothed is the story of two peasant lovers who want nothing more than to marry. Their region of northern Italy is under Spanish occupation, and when the vicious Spaniard Don Rodrigo blocks their union in an attempt to take Lucia for himself, the couple must struggle to persevere against his plots—which include false charges against Renzo and the kidnapping of Lucia by a robber baron called the Unnamed—while beset by the hazards of war, bread riots, and a terrifying outbreak of bubonic plague. First and foremost a love story, the novel also weaves issues of faith, justice, power, and truth into a sweeping epic in the tradition of Ivanhoe, Les Misérables, and War and Peace. Groundbreakingly populist in its day and hugely influential to succeeding generations, Alessandro Manzoni’s masterwork has long been considered one of Italy’s national treasures. Translated by Archibald Colquhoun
When your world blows apart, what will you hold onto? TAG is a medical slave, doomed to spend his life healing his master's injured gladiators. But his warrior's heart yearns to fight in the gladiator ring himself and earn enough money to win his freedom.LUCIA is the daughter of Tag's owner, doomed by her father's greed to marry a much older Roman man. But she loves studying the natural world around her home in Pompeii, and lately she's been noticing some odd occurrences in the landscape: small lakes disappearing; a sulfurous smell in the air. . . . When the two childhood friends reconnect, each with their own longings, they fall passionately in love. But as they plot their escape from the city, a patrician fighter reveals his own plans for them -- to Lucia's father, who imprisons Tag as punishment. Then an earthquake shakes Pompeii, in the first sign of the chaos to come. Will they be able to find each other again before the volcano destroys their whole world?
"This marriage is not supposed to happen." Lombardy, 1628, a time of oppressive Spanish occupation of Northern Italy, and of the Thirty Years' War. The young lovers Lorenzo and Lucia, both from peasant families, are planning their wedding. However, the villainous Don Rodrigo has designs on Lucia, and the lovers are forced to flee their village. Their dangerous journey in exile takes them through one of the most dramatic epochs in Italian history, filled with war, famine and plague - will they ever be able to find happiness together? Dave Eggers says, of the series: "I couldn't be prouder to be a part of it. Ever since Alessandro conceived this idea I thought it was brilliant. The editions that they've complied have been lushly illustrated and elegantly designed."
Godfather to Mussolini, national hero of Italy and the WWI irredentist movement, literary icon of Joyce and Pound, lover of actress Eleonora Duse: here is Lucy Hughes-Hallett’s extraordinary biography of Gabriele d’Annunzio, poet, bon vivant, harbinger of Italian fascism. Gabriele d’Annunzio was Italy’s premier poet at a time when poetry mattered enough to trigger riots. A brilliant self-publicist in the first age of mass media, he used his fame to sell his work, seduce women, and promote his extreme nationalism. In 1915 d’Annunzio’s incendiary oratory helped drive Italy to enter the First World War, in which he achieved heroic status as an aviator. In 1919 he led a troop of mutineers into the Croatian port of Fiume and there a delinquent city-state. Futurists, anarchists, communists, and proto-fascists descended on the city. So did literati and thrill seekers, drug dealers, and prostitutes. After fifteen months an Italian gunship brought the regime to an end, but the adventure had its sequel: three years later, the fascists marched on Rome, belting out anthems they’d learned in Fiume, as Mussolini consciously modeled himself after the great poet. At once an aesthete and a militarist, d’Annunzio wrote with equal enthusiasm about Fortuny gowns and torpedoes, and enjoyed making love on beds strewn with rose petals as much as risking death as an aviator. Lucy Hughes-Hallett’s stunning biography vividly re-creates his flamboyant life and dramatic times, tracing the early twentieth century’s trajectory from Romantic idealism to world war and fascist aggression.
Betrothed- The Gambia Story captures the life of a young woman who flees her country to avoid an arranged marriage. Set amidst a backdrop of the Harmattan winds of Banjul, the silver skyline of Baltimore and the scintillating waters of the Caribbean, Serrah Jallow seeks a new life- a culture, a career, a love. By chance or perhaps by fate, she discovers Sonny Felipe, a man shrouded in mystery, but willing to unveil her every defense erected from past guilt, disappointment and divorce. Secret after secret is revealed as Serrah Jallow struggles to make her way back finally- to love. ...
The story is set in the seventeenth century, in the Duchy of Milan, then a Spanish possession in northern Italy; however, the plot is merely a pretext for the author to weave a timeless and universal tale that touches on every human feeling, passion, and behavior. In compelling fashion, love, hate, prejudice, vengeance, forgiveness, fear, courage, crime, punishment, redemption, treachery, loyalty, religion, superstition, love of country, devotion to duty, generosity, greed, art, science, politics, economics, and emigration come together in this book, making it, unquestionably, one of the giants of foreign literature. The book opens as two of Don Rodrigos toughs order the local parish priest, Father Abbondio, not to marry Lucia to Renzo--she a beautiful, honest and deeply religious country girl, he a sensible, upright and God-fearing craftsman. Don Rodrigo is an arrogant aristocrat able to impose his will on those around him thanks to an overall social structure that favors the powerful and preys on the downtrodden. He has forbidden the marriage because he has bet his cousin that he will seduce Lucia, and has set a deadline for his deed. The fearful priest obeys Don Rodrigos order, but a saintly monk, Brother Christopher, tries to dissuade him from lusting after the girl. Irritated by the friars plea, Don Rodrigo decides to kidnap Lucia, to be certain of possessing her before the expiration of the bet deadline. He fails because Lucia is not at home at the time of the attempted abduction. Trying to take advantage of a loophole in the law which allows two people to declare themselves man and wife (provided a priest is present), she and Renzo have gone to Father Abbondios residence, to force him to witness their exchange of vows. However, Father Abbondio, afraid of Don Rodrigos retribution, foils the two young peoples attempt. His screams cause his sexton to ring out the general alarm from the churchs bell tower. The fiancs, the would-be kidnappers, and the entire village are thrown in total disarray. Brother Christopher helps Lucia find safe haven in a convent, and makes arrangements for Renzo to find work in Milan, away from Don Rodrigos fury. Immediately after arriving in Milan, Renzo is, however, caught up in a bread riot sparked by a government-decreed price increase. He is framed and arrested as one of the riot ringleaders, but is able to escape to a neighboring country, where he is forced to disguise his identity. Since Don Rodrigos is not powerful enough to infiltrate Lucias place of asylum, he seeks the help of another man, "whose long arm often reached farther than his enemies eyes." Lucia is treacherously abducted and taken to this ferocious overlords castle, from where she is to be turned over to Don Rodrigo. However, the overlord has secretly been harboring serious concerns over his past crimes. Lucias plight and pleadings help precipitate his crisis of conscience. He goes to see Cardinal Federigo, who is on a pastoral visit in a nearby village, and, with the Cardinals encouragement, decides to change his way of life. Lucia is freed unharmed, but is still unable to return home because of the ever present threat from Don Rodrigo. So, she goes to live in Milan, under the protection of a powerful, well meaning, but rather eccentric couple. There, she has to wage a constant struggle with herself, because on the night of her abduction she had made a vow that she would remain a virgin if she could safely come out of that predicament. Though still deeply in love with Renzo, she is determined to keep her vow because of her strong religious faith. War, famine and pestilence further complicate the lives of the two young people but, at long last, Renzo is able to go looking for Lucia, and finds her in a hospital, recovering from the plague. Brother Christopher, who had gone to that same place to care for the diseased and the moribund, counsels Lucia on her vow, and releases her from it. Don Rodrigo dies from the plague, and the two fiancs are finally free to marry. They move to Renzos adopted country and from then on lead a comfortable and serene life, made all the more pleasant by their past suffering and their trust in God.
Farewell to Reason offers a vigorous challenge to the scientific rationalism that underlies Western ideals of “progress” and “development,” whose damaging social and ecological consequences are now widely recognized. For all their variety in theme and occasion, the essays in this book share a consistent philosophical purpose. Whether discussing Greek art and thought, vindicating the church’s battle with Galileo, exploring the development of quantum physics or exposing the dogmatism of Karl Popper, Feyerabend defends a relativist and historicist notion of the sciences. The appeal to reason, he insists, is empty, and must be replaced by a notion of science that subordinates it to the needs of citizens and communities. Provocative, polemical and rigorously argued, Farewell to Reason will infuriate Feyerabend’s critics and delight his many admirers.
