New edition of the Lowry in the popular Masterpieces of Art series. Renowned for his paintings of the industrial towns of North West England, Lancashire born Lowry had a distinctive and enchanting style, depicting the everyday life of the world around him. In association with The Lowry, which houses over 400 of Lowry’s works, this exceptional book portrays a selection of his paintings, sketches and other works, with subjects gleaned from urban landscapes teeming with his iconic ‘matchstick men’ to haunting unpopulated scenes. Often neglected by the elite of the art world his work has received much greater recognition in recent years.
Effectively master the most important principles and facts in pathology with this easy-to-use new edition of Robbins and Cotran Review of Pathology. More than 1,100 questions-reviewed and updated to reflect the new content in the parent text-reinforce the fundamentals of gross and microscopic pathology as well as the latest findings in molecular biology and genetics. This review book of multiple choice questions and answers, companion to Robbins and Cotran Pathologic Basis of Disease 9th Edition and Robbins Basic Pathology, 9th Edition, is the ideal study tool for coursework, self-assessment, and examinations, including the USMLE Step 1 examination in pathology. Access to this product, which may be at the discretion of your institution, is up to 3 years of online and perpetual offline access. Elsevier reserves the right to restrict or remove access due to changes in product portfolio or other market conditions. Develop a thorough, clinically relevant understanding of pathology through clinical vignette-style questions emphasizing problem solving over rote memorization. Single-best-answer and extended-matching formats reflect levels of difficulty that prepare you for examinations. Efficiently review a wide spectrum of topics with page references and a parallel organization to both Robbins and Cotran Pathologic Basis of Disease and Robbins Basic Pathology, making additional information easy to locate. Reinforce your understanding of key content with answers and detailed explanations for every question at the end of each chapter. Enhance your understanding of pathophysiology and integrate pathology with other medical disciplines by examining correlative laboratory, radiologic, and physical diagnostic data. Visualize key pathologic concepts and conditions and test your diagnostic skills with over 1,100 full-color images. Challenge your knowledge with a final comprehensive exam of 50 USMLE-style questions covering random topics. Features new questions that reflect today's hot topics in pathology, keeping you up to date. Includes many new illustrations to enhance visual guidance. Uses a new chapter arrangement to conform to the new Table of Contents in Robbins and Cotran Pathologic Basis of Disease, 8th Edition, for easier cross referencing.
The book begins with the previously unpublished transcripts of the broadcasts which cast a unique light on Lowry's art and developing reputation. In addition to all the usual elements of an art historical monograph on this scale, Rosenthal has devoted chapters to Lowry's technique, his visual friendship with his fellow painter David Carr; and a serious analysis and rebuttal of a theory that has advanced the view that Lowry suffered from Asperger's Disease.With 256 illustrations of which 205 are in full colour, Rosenthal's book is, and will remain, an indispensable guide to Lowry's extensive oeuvre and the cultural and psychological forces that shaped it.
Laurence Stephen Lowry RBA RA is mostly thought about in terms of his people and their industrial setting but there is a great deal more to be read from the detail of his paintings. Throughout his artistic career, Lowry used street furniture to brilliant effect. He was a master of observation and composition. Lamp-posts, telegraph poles, flag poles, fences (and sometimes just vertical posts with no apparent use) form an important part of Lowry's busy industrial scenes. As his work developed, lamps became a subject in their own right and became the focus of some of his later quiet, solitary works. The evidence of Lowry's careful thought about lamps and lamp posts is evident in his response to young artists asking for career advice as well as it is in the painting: 'no need to go to London to become a famous painter. You won't find better lamp-posts there.' This book examines an important aspect of Lowry's art for the first time. It is written by Richard Mayson who was brought up in Lowry's home-village of Mottram-in-Longdendale. Mayson has a life-long passion for street lamps and street furniture. Taking some of Lowry's best-known works as a reference, this book highlights Lowry's use of lamps and street furniture in his handling of composition, perspective and colour. The expression of solitude, an aspect of Lowry's life and often conveyed in his later work, is also considered. He also compares the treatment of street furniture in Lowry's paintings with the reality of Salford and Manchester streets from 1916 to the 1970s illustrating how Lowry's work evolved. Previously unseen works in private collections will be reproduced in this book for the first time.
This, the first ever biography of John Hewitt, is based on archival material, both personal and literary. In many ways it is also a biography of his wife, Roberta (nee Black), whose manuscript journal is also in the public domain. To establish Hewitt's late arrival as a poet, the book opens with a chapter recounting his negotiations with a London publisher over a long period and the eventual appearance of No Rebel Word (1949). Successive chapters trace his education, courtship, literary apprenticeship, first employment as a junior gallery curator in Belfast, the political conflicts of the 1930s and then the War Years, his rejection for the post of director in Belfast's Civic Museum and Gallery, and his utopian commitment to regionalism. Appointment to the Herbert Gallery in Coventry in 1956 brought recognition and confidence. His leanings towards socialist realism came to accommodate abstract art, and he defended the sculptor Barbara Hepworth against the penny-pinching ratepayers. Throughout this two-part career, Hewitt maintained his output as poet, culminating in the Collected Poems (1968). His Irish political commitments never wavered, though he became cautious about forms of nationalism which proclaimed themselves left-wing. Roberta Hewitt's work for the Coventry Labor Party provided an outlet for her energies and her domestic frustrations. Throughout these forty years, the poetry is kept constantly in view, sometime by reference to individual pieces and their origins, and some by means of longer "breaks for text" where more detailed criticism is practised. In 1972, the Hewitts returned to Belfast when the Troubles reached an ugly peak. Committed to anti-sectarianism, Hewitt withheld support from all parties, though he took an interest in trade union activity. Publishing (perhaps too much) poetry in his last decade-and-a-half, he died very much in harness.
'The best one yet!' ***** Reader Review 'This is the third time I've read the whole series and I enjoyed it as much as the first.' ***** Reader Review Stephen Pengelly, owner of Barton Manor, is detested by the local community. When he is found murdered, there are few tears - but many suspects. Soon, the police have their work cut out identifying a murder weapon like no other, capable of inflicting terrible injuries. When Adam Bailey is asked to help, he and Eve must discover who has most to gain - and who is prepared to kill, and kill again, to achieve their objective. Faced with mystifying carvings, historical manuscripts and a strange weapon - rumoured in ancient legends - the couple work to ascertain the truth. But as the myths spring to life, they bring with them a trail of death. Flesh and Blood is the fourth instalment in Bill Kitson's chilling and suspenseful Eden House mysteries. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh. Readers are hooked on The Eden House Mysteries: 'I couldn't sleep until I had finished this book' ***** Reader Review 'The best book I have read in a while' ***** Reader Review 'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review 'Read the whole thing in a day' ***** Reader Review 'One of the best authors I have come across' ***** Reader Review 'More twists than a corkscrew' ***** Reader Review 'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommend this book!' ***** Reader Review
