Kevin Smith is an ordinary guy. He works a plain job. Owns a normal, but disorganized home. And plays like every single man. In short, he is the average male. Until one day on vacation, he takes a run in the park and rescues a bag lady from mugging, after which his life is never the same. The mysterious lady grants him one wish. Assuming the woman's offer is false, Kevin returns home with thoughts of a past conversation in his mind. Later when he steps from the shower everything has changed. The disorderly home is no more. All his vacation chores have been completed. And most surprising of all he has seven wives. Will this unexpected twist turn out to be the blessing he hoped for, or a curse he wished he'd never asked for?
Some poems are better written in flesh . . . After Wall Street and Tahrir Square, after ISIS and the NSA, after Ferguson and Eric Garner: here come the poets. In a downtown poetry slam with a place on the team to be won, eight young poets prepare to do battle. But backstage it's all kicking off with love triangles, families to feed and wounds to rip open. And in the end, is it about winning – or finding the words that need to be said? Octagon received its world premiere at the Arcola Theatre, London, on 16 September 2015.
A beautiful and ruthless lady from Ohio, Zeo Zoe Wilkins made her living as a gold digger, marrying a series of wealthy older men. She hired attorney Jesse James, Jr. to provide legal muscle to extract money from an ex-husband. On the night of March 15, 1924, she was brutally murdered in her Kansas City home. Deftly mixing historical conjecture with forensic fact, the author follows the opportunistic, eccentric, and troubled lives of Wilkins and James, while making a convincing case that their mutual avarice led to a murderous confrontation that bloody night.
What would you do if you discovered that the world you were born into was a complete lie? "There is a veneer to this world we live in. A kind of covering, like a mask. If you start to peel back the layers, you will see things that you may not want to see..." In the future there is no war, no famine and no poverty. In the future the zombies didn't come. The apocalypse didn't happen and no virus wiped-out humanity. In the future the world is good. There is order, minimal crime and a content, well-fed society. Or so it seems... But if everything is so good, so perfect, then why does Jon Kobe, a First Year law enforcement graduate feel that something is not quite right with the world that he lives in? When the tortured body of a young girl is discovered in an alleyway, branded with a symbol meaning Hell, Kobe begins to see the frayed-edge of his world and the horrors that lie beneath. Below the surface of an idyllic society, awaits the sadistic truth where human lives are just fodder for the entertainment of the privileged few. For Kobe to survive, he must find the courage to abandon everything that he believes in and become something that he is not. Octagon is a gripping, page-turning sci-fi thriller and a brutal exploration of true human nature. Every future has a price. But are you willing to pay that price?
For decades after its invention, television was considered by many to be culturally deficient when compared to cinema, as analyses rooted in communication studies and the social sciences tended to focus primarily on television's negative impact on consumers. More recently, however, denigration has largely been replaced by serious critical consideration of what television represents in the post-network era. Once derided as a media wasteland, TV is now praised for its visual density and complexity. In the last two decades, media scholars have often suggested that television has become cinematic. Serial dramas, in particular, are acclaimed for their imitations of cinema's formally innovative and narratively challenging conventions. But what exactly does "cinematic TV" mean? In Cinematic TV, author Rashna Wadia Richards takes up this question comprehensively, arguing that TV dramas quote, copy, and appropriate (primarily) American cinema in multiple ways and toward multiple ends. Constructing an innovative theoretical framework by combining intertextuality and memory studies, Cinematic TV focuses on four modalities of intermedial borrowings: homage, evocation, genre, and parody. Through close readings of such exemplary shows as Stranger Things, Mad Men, Damages, and Dear White People, the book demonstrates how serial dramas reproduce and rework, undermine and idolize, and, in some cases, compete with and outdo cinema.
NEW YORK TIMES BESTSELLER • From Lauren Graham, the beloved star of Gilmore Girls and Parenthood, comes a witty, charming, and hilariously relatable debut novel about a struggling young actress trying to get ahead―and keep it together―in New York City. It’s January 1995, and Franny Banks has just six months left of the three-year deadline she set for herself when she came to New York, dreaming of Broadway and doing “important” work. But all she has to show for her efforts so far is a part in an ad for ugly Christmas sweaters, and a gig waiting tables at a comedy club. Her roommates―her best friend Jane, and Dan, an aspiring sci-fi writer―are supportive, yet Franny knows a two-person fan club doesn’t exactly count as success. Everyone tells her she needs a backup plan, and though she can almost picture moving back home and settling down with her perfectly nice ex-boyfriend, she’s not ready to give up on her goal of having a career like her idols Diane Keaton and Meryl Streep. Not just yet. But while she dreams of filling their shoes, in the meantime, she’d happily settle for a speaking part in almost anything—and finding a hair product combination that works. Everything is riding on the upcoming showcase for her acting class, where she’ll finally have a chance to perform for people who could actually hire her. And she can’t let herself be distracted by James Franklin, a notorious flirt and the most successful actor in her class, even though he’s suddenly started paying attention. Meanwhile, her bank account is rapidly dwindling, her father wants her to come home, and her agent doesn’t return her calls. But for some reason, she keeps believing that she just might get what she came for. Someday, Someday, Maybe is a story about hopes and dreams, being young in a city, and wanting something deeply, madly, desperately. It’s about finding love, finding yourself, and perhaps most difficult of all in New York City, finding an acting job. Praise for Someday, Someday, Maybe “A winning, entertaining read . . . [Lauren Graham] has smartly mined just the right details from her own experience, infusing her work with crackling dialogue and observations about show business that ring funny and true.”—The Washington Post “A charmer of a first novel . . . [Graham] has an easy, unforced style and, when the situation calls for it, a keen sense of the ridiculous.”—The Wall Street Journal “With insight, care, and an abundance of humor . . . Graham demonstrates that her acting chops are not her only talent.”—Library Journal “Thoroughly charming.”—Entertainment Weekly “Sweet, funny, and full of heart . . . a dazzling debut.”—Emily Giffin, New York Times bestselling author of Something Borrowed and Where We Belong “Warm and funny, charming and smart.”—Diane Keaton, New York Times bestselling author of Then Again “Graham deftly captures what it’s like to be young, ambitious, and hopeful in New York City.”—Candace Bushnell, New York Times bestselling author of Sex and the City and The Carrie Diaries “Fresh and funny and full of zingers, Lauren Graham’s charming writing style instantly drew me in.”—Meg Cabot, bestselling author of the Princess Diaries and Heather Wells Mystery series
An art form combining the skills of a DJ with the intimacy of a letter, a good mixtape was the ultimate audio valentine. Today, when the iPod and playlists reign supreme, the cassette has been rendered obsolete, and the art of crafting these sonic calling cards has been relegated to back-of-the-closet, thirty-something nostalgia. Now, thanks to Jason Bitner, we can relive our lost youth and lost loves. In Cassette from My Ex, sixty noted writers and musicians wax poetic about their own experiences with these charming artifacts and the relationships that inspired them. Contributors include: Maxim editor Joe Levy Author Rick Moody Former Rolling Stone writer and MTV2 veejay Jancee Dunn The Magnetic Fields' Claudia Gonson Stories range from the irreverently sweet, such as the doomed love affair between a Deadhead and a Goth, to the touching, such as the heartbreaking discovery of a former love passing away. Everyone will find a story or a song to relate to. Just hit play.
