Long before she will achieve fame as the author of Little Women, Louisa May Alcott is writing stories of a more dark and mysterious nature. But nothing prepares her for the role of amateur detective she assumes when the body of her dear friend, wealthy newlywed Dorothy Wortham, is found floating in Boston's harbor. It's well known that Dorothy's family didn't approve of her husband, a confirmed fortune hunter, but Louisa suspects that some deeper secret lies behind her friend's tragic murder...
A young Louisa May Alcott accompanies her friend Sylvia to visit Boston's most famous spiritual medium, Mrs. Agatha D. Percy, to contact Sylvia's long-dead father. Louisa isn't one to believe such foolishness-until one of the seer's predictions comes true. Louisa and Sylvia visit the seer again, but Mrs. Percy's days of divination have been cut brutally short by a killer. Now, Louisa must solve the mystery of the crystal gazer's untimely death by uncovering the shocking truth about her life.
This collection of essays examines how college professors teach the genre of detective fiction and provides insight into how the reader may apply such strategies to his or her own courses. Multi-disciplinary in scope, the essays cover teaching in the areas of literature, law, history, sociology, anthropology, architecture, gender studies, cultural studies, and literary theory. Also included are sample syllabi, writing assignments, questions for further discussion, reading lists, and further aids for course instruction.
A volume in the Cultural Studies Series edited by Samir Dayal An innovative and entertaining look at genre, popular culture, enjoyment, and psychoanalysis. Detective fiction, a category that, broadly defined, runs the gamut from Oedipus Rex to "The Purloined Letter," continues to draw a range of fans and scholars, and to play a pivotal role in popular entertainment, contemporary literature, and psychoanalytic theory. But how do we derive pleasure from reading about or watching a detective’s exploits? Is our enjoyment in the vicarious experience of genius? Or in witnessing the commission of a crime, an equally vicarious experience of violence? Resisting Arrest looks at the detective genre in its many different cultural manifestations, from popular fiction (Christie) to high literature (Eco), from art films (Antonioni) to popular television series (Monk). In each case, Rushing finds that detective stories have less to do with fulfilling our hidden desires, as psychoanalytic explanations have traditionally asserted, than with purposively thwarting them. He argues that the genre is in fact constituted principally by the promises on which it fails to deliver, including the vicarious experience of both genius (readers expecting to play Sherlock Holmes are almost always cast as Watson) and antisocial violence, so that our pleasure is based on what Slavoj Zizek has called "the endless circulation around the always-missed object." Organized around the key ideas that structure the detective genre ("Desire," "Repetition," "Violence"), Resisting Arrest offers a thoroughly new interpretation that will appeal to scholars interested in questions about genre and cinema studies, popular culture, and psychoanalysis.
In this book, The Missing Heiress, the fifth in the DCI Buchanan series, DCI Buchanan is asked by his good friend Sir Nathan Greyspear if he could help his friend Amal Barazani with a private matter. Sir Nathan takes Buchanan to his club meet Amal Barazani. Amal Barazani explains that his daughter, Ziliini, heiress to the Mastrani fortune hasn't been seen since the previous Friday evening. First indications are that it could be a case of a spoilt brat having a tantrum and Buchanan asks if she has done this before. Amal says yes but it was always to stay with friends. Buchanan suggests that her friends are contacted. They have been, Amal Barazani tells Buchanan, but none of them have heard from her since the middle of the previous week. Could it even be a case of kidnapping for ransom, or is there more sinister reason for her disappearance? When a dismembered body, presumed to be that of her boyfriend, is discovered buried in a construction pit in the village of Westham, the indomitable team of DCI Buchanan and DS Street set out to discover why he was killed the whereabouts of Zilini Barazani the missing Mastrani Heiress.
IT'S a big thing," said Loveday Brooke, addressing Ebenezer Dyer, chief of the well-known detective agency in Lynch Court, Fleet Street; "Lady Cathrow has lost £30,000 worth of jewellery, if the newspaper accounts are to be trusted." "They are fairly accurate this time. The robbery differs in few respects from the usual run of country-house robberies. The time chosen, of course, was the dinner-hour, when the family and guests were at table and the servants not on duty were amusing themselves in their own quarters. The fact of its being Christmas Eve would also of necessity add to the business and consequent distraction of the household.
Back when Louisa May Alcott was an aspiring author she took to the art of writing short stories – much like her character Jo March in ́Little Women’. A thrilling and chilling story, 'A Whisper in the Dark' delves into the vulnerability of innocence as a young girl is sent to reside with her uncle and cousin, with the expectation that she will eventually marry the latter. The tale beautifully demonstrates the remarkable range and complexity of Alcott's work, and is often considered a gothic masterpiece. Fans of Stephen King, Gillian Flynn and Agatha Christie will find plenty to love in 'A Whisper in the Dark ́. Louisa May Alcott (1832-1888) was an American writer of numerous beloved novels, short stories and poems. One of her best-known works is "Little Women", a novel that has been turned into numerous film and television adaptations, such as the 2019 film, starring Saorise Ronan, Florence Pugh and Timothée Chalamet.
"A real murder, a real family and a brand new crime fiction heroine are woven together to make a fascinating, and highly enjoyable, read. I loved it." —Julian Fellowes, creator and writer of Downton Abbey and Belgravia The first in a series of thrilling Golden Age-style mysteries, set among the Mitford sisters, and based on a real unsolved murder, by Jessica Fellowes, author of the New York Times bestselling Downton Abbey books. It's 1920, and Louisa Cannon dreams of escaping her life of poverty in London. Louisa's salvation is a position within the Mitford household at Asthall Manor, in the Oxfordshire countryside. There she will become nursemaid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy, an acerbic, bright young woman in love with stories. But then a nurse—Florence Nightingale Shore, goddaughter of her famous namesake—is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret... Based on an unsolved crime and written by Jessica Fellowes, author of the New York Times bestselling Downton Abbey companion books, The Mitford Murders is the perfect new obsession for fans of classic murder mysteries.
