A man of inventiveness, versatility and reformist ideas, Marshal Sebastien Le Preste de Vauban built a formidable ring of fortresses to protect France's national frontiers. More than just a fortification designer, Vauban was also a gifted economist, author, and political strategist. This book tells the complete story of Vauban's exceptional career, placing him within the framework of Louis XIV's reign and revealing his lasting influences in France and other nations. With the aid of numerous detailed drawings, 17th century bastioned fortification, artillery, and seige warfare are described in detail. Vauban's fortifications that are still standing today are particularly highlighted.
The Military Enlightenment brings to light a radically new narrative both on the Enlightenment and the French armed forces from Louis XIV to Napoleon. Christy Pichichero makes a striking discovery: the Geneva Conventions, post-traumatic stress disorder, the military "band of brothers," and soldierly heroism all found their antecedents in the eighteenth-century French armed forces. Readers of The Military Enlightenment will be startled to learn of the many ways in which French military officers, administrators, and medical personnel advanced ideas of human and political rights, military psychology, and social justice.
“[A] vivid and well written account of the life of the man who built some of the most magnificent military structures known to man.”—Clayton Donnell, “Fortress Archaeologist” Sebastien Le Prestre, Marshal Vauban, was one of the greatest military engineers of all time. His complex, highly sophisticated fortress designs, his advanced theories for the defense and attack of fortified places, and his prolific work as a writer and radical thinker on military and social affairs, mark him out as one of the most influential military minds of the late seventeenth and early eighteenth centuries. Yet no recent study of this extraordinary man has been published in English. James Falkner, in this perceptive and lively new account of Vauban’s life and work, follows his career as a soldier from a dashing and brave young cavalry officer to his emergence as a masterful military engineer. And he shows that Vauban was much more than simply a superlative builder of fortresses, for as a leading military commander serving Louis XIV, he perfected a method for attacking fortifications in the most effective way, which became standard practice until the present day. Falkner’s new study will add significantly to the understanding of Vauban’s achievements and the impact his work has had on the history of warfare. “A very enjoyable read for those looking for a good, basic account of Vauban’s career and his role in the wars of Louis XIV and of fortification more generally. Its usefulness is enhanced by various maps and reproductions of portraits of key characters and of contemporary plans of fortresses.”—War in History
Volume 1 of the Sun King's wars and armies goes from his early and turbulent years, from the resounding victory over Spain at Rocroi in 1643, the unstable years of the Fronde civil wars, his seizure of absolute power in 1661, his immediate control of national finances and armed forces, his measures to create the most effective army in Europe, the i
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
In the seventeenth century France was Europes most powerful nation, and its monarch, the flamboyant and headstrong young Louis XIV was almost an object of worship. Popularly depicted as the sun god Apollo, and known as Le Roi soleil, he was invested with unprecedented power and privilege. For almost 50 years he was the magnificent public face of an exceedingly rich, diverse culture. Louis XIV was also one of the most politically effective European monarchs ever, able to present himself within France and throughout Europe as the model of royal absolutism. But as a man he was irredeemably flawed and his reign proved ultimately damaging both to France and its monarchy. At the core of Levis enthralling biography lies the conflict between Louis role as custodian of the grandeur of France, and his undoubted sense of personal guilt at the effects of his rule on France and its people. It might be said he confused Frances glory with his own, and this was behind his prodigious expenditure and the lavish brilliance of his court. Levis attempt to understand this most extravagant of rulers leads him to ask, who was his father? Was it really Louis XIII? More likely, Levi claims, it was Cardinal Mazarin, the man with his hands on the reins of power during the regency. A fascinating psychological portrait of the king is explored in the context of this possibility. Levi looks in particular at what created in Louis the unlikely mixture of devotion and promiscuity that was his hallmark. This intricate, controversial and absorbing account fully examines the lengthy and testing role that fate cast for the Sun King in European history.
By the end of the eighteenth century, the French dominated the world of science. And although science and politics had little to do with each other directly, there were increasingly frequent intersections. This is a study of those transactions between science and state, knowledge and power--on the eve of the French Revolution. Charles Gillispie explores how the links between science and polity in France were related to governmental reform, modernization of the economy, and professionalization of science and engineering.