Just when things were starting to look up for Lottie her life's gone a bit pear-shaped, wonk-ways and downside up again. Her mum's all soppy over a bloke with a horrible shemo* daughter, her best pal Goose has disappeared in a cloud of nerd-gas and Lottie's in the midst of an existential crisis. There's only one thing to do - get the hell out of Cardiff and go on the road with the gorgeous Gareth Stingecombe (and his manly thighs). But things don’t go to plan, and Lottie starts to realise she might have been a bit me me me lately. . . *a female emo, obviously The wit of Louise Rennison with the depth of Jacqueline Wilson.
My name is Lottie Biggs and in three weeks time, I will be fifteen years old. At school, most people call me Lottie Not-Very-Biggs. I’ve never found this particularly funny . . . My current hair colour is Melody Deep Plum which is not as nice as Melody Forest Flame but definitely better than the dodgy custard colour I tried last week . . . And this is my book – it’s about important things like boys and shoes and polo-neck knickers and rescuing giraffes and NOT fancying Gareth Stingecombe (even though he has manly thighs) and hanging-out with your best friend having A BLATANTLY FUNNY TIME. It is definitely not about sitting in wardrobes or having a mental disturbance of any kind! Painfully honest and laugh-so-hard-you-forget-to-breathe funny. The wit of Louise Rennison with the depth of Jacqueline Wilson.
Lottie Biggs is recovering from her mental disorder of a reasonably significant nature with the help of her counsellor, who rather helpfully looks like Johnny Depp. Things are looking up - her hair is an excellent shade of black, she has a Saturday job in a hairdresser and Gareth Stingecombe and his manly thighs are still the love of her life. When Gareth undoes his trousers to show Lottie a fetching bruise on one of the aforementioned thighs, she comes to the realisation that, unlike everyone else she knows, she is A TOTAL UTTER VIRGIN. But how can she get any sort of experience when her boyfriend is doggedly, stubbornly and infuriatingly determined to preserve his energies for the rugby field? The wit of Louise Rennison with the depth of Jacqueline Wilson.
A powerfully told story of the love between two brothers in the aftermath of a family tragedy Griff and Dylan are driving into Manhattan with their parents when the worst happens. There is a terrible car accident and Dylan and Griff1s parents are killed. The boys are suddenly orphans with nowhere to go, until a kind aunt and uncle give them a new home in Wales. Now Dylan and Griff have everything they need love, a happy home and a future. But Dylan is worried about Griff: whether he is OK, whether he is coping with his grief. He doesn't seem to want to speak about it or really acknowledge the loss of their parents. But Dylan needs to be even braver than Griff, because there is something very important he needs to face up to before he can move on. The heartbreaking new novel from award-winning author Hayley Long Winner of the Mal Peet Children's Book Award at the 2017 East Anglian Book Awards, the Tir na n-Og Award (English language) 2018, the Staffordshire Libraries YTF2018 (Young Teen Fiction) Book Award and the Young Jury Prize 2020 (Flanders). Nominated for the Carnegie Medal 2018 Shortlisted for the Brilliant Book Award 2019, the Warwickshire Secondary Books Award 2019, the Stockport Children's Book Award 2018, the Hillingdon Secondary Book of the Year 2018 and the Dudley Teen Book Awards 2018
If you write a review of this book, please don't give away Jody's secret! It's hard enough being one half of the world's least identical twins, without both of you falling for the same guy. Jolene's turned flirting into a fine art, but Jody? Not so much. And as if a twinny love triangle wasn't messy enough . . . there's something nobody knows about Jody Barton. Something BIG. Told with the trademark warmth and laugh-out-loud humour of the much-loved Lottie Biggs books, this is a book that will make you think, with a gobsmacking twist you won't believe. Shortlisted for the Costa Book Awards 2012.
Shortlisted for the Costa Children's Book Award. A remarkable tale of confusion and betrayal - and a very special girl called Sophie. 'Some stories are hard to tell. Even to your very best friend. And some words are hard to get out of your mouth. Because they spell out secrets that are too huge to be spoken out loud. But if you bottle them up, you might burst. So here's my story. Told the only way I dare tell it.' Sophie Nieuwenleven is sort of English and sort of Belgian. Sophie and her family came to live in Belgium when she was only four or five years old, but she's fourteen now and has never been quite sure why they left England in the first place. Then, one day, Sophie makes a startling discovery. Finally Sophie can unlock the mystery of who she really is. This is a story about identity and confusion - and feeling so utterly freaked out that you just can't put it into words. But it's also about hope. And the belief that, somehow, everything will work out OK. SOPHIE SOMEONE is a tale of well-intentioned but stupid parenting, shock, acceptance and, ultimately, forgiveness, written in a brave, memorable and unique language all of its own.
Ten-year-old Nathan Abercrombie is having a really bad day. First, Shawna Lanchester, the prettiest girl in his class, doesn't invite him to her party. Then he gets picked last in gym class. Things couldn't get any worse...until he gets doused with an experimental serum that turns him into a half-dead zombie! Nathan soon discovers that being half dead isn't all bad. He doesn't need any sleep, so he can stay up all night and play games online. He doesn't feel any pain, so there's no need to worry about Rodney the bully anymore. Still, Nathan would rather be human. Will he find a cure? Or will Nathan be half-dead forever? Fans of David Lubar's popular Weenies short story collections—which have sold more than one million copies—will love My Rotten Life, the first of a series of hilariously rotten adventures starring Nathan Abercrombie, Accidental Zombie. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A groundbreaking mix of fiction and full-colour comic strip that follows a headstrong girl's journey into the bizarre fictional world of Abadazad to rescue her younger brother.
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.
