Every year, the Gant family performs an annual ritual desecrating the tomb of Aurora Bing. The Gants have held a grudge against the legendary silent film star for almost eighty years, but for Sherm Gant and his son, things have become personal. Aurora's only grandchild, Hubie Swope, has shut down Sherm's notoriously rowdy beachfront bar, and refuses to allow The Pit to reopen until Shem undertakes expensive upgrades. This means war. And when The Pit catches fire and Hubie Swope's charred remains are found in the rubble, it also means murder. Who killed Hubie Swope? Crime-fighting duo Mitch and Des have no idea. Not only are Sherm and his son prime suspects, but so are the women in Hubie's life. To their surprise, Mitch and Des discover that Dorset's building inspector, a quiet widower who repaired cuckoo clocks in his little house on Lavender Lane, was secretly juggling four girlfriends at once. And then there's Gaylord Holland, a builder who had a beef of his own with Hubie. Dorset is in turmoil, and only New York City film critic Mitch Berger and Connecticut State Police Resident Trooper Des Mitry can put it back together. The Lavender Lane Lothario is the eleventh in David Handler's original, hilarious and charming series featuring the engaging biracial couple that fans love.
In this book, Jane K. Brown offers an original reading of Goethe's complex masterpiece in the context of European Romanticism. Looking at the two parts of Faust in sequence, she views the second part as an elaboration of what was implicit in the first, and she clarifies the patterns of thought and organization underlying the play. In Faust, she argues, Goethe not only situates German culture within the wider European literary tradition, but also demonstrates that all literature is by its nature allusive--that it exists only as part of a tradition.
Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this first volume, a general introduction by Stephen Bernard and Michael Caines introduces Rowe's works and the five volumes that comprise this set. It then presents the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent along with a newly written explanatory introduction by Rebecca Bullard and John McTague which precedes the full edited text. Appendices covering dedications performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.