The untold story of the last odyssey of the heroic age of Antarctic exploration Sir Ernest Shackleton’s 1914 Antarctic endeavor is legend, but for sheer heroism and tragic nobility, nothing compares to the saga of the Ross Sea party. This crew of explorers landed on the opposite side of Antarctica from the Endurance with a mission to build supply depots for Shackleton’s planned crossing of the continent. But their ship disappeared in a gale, leaving ten inexperienced, ill-equipped men to trek 1,356 miles in the harshest environment on earth. Drawing on the men’s own journals and photographs, The Lost Men is a masterpiece of historical adventure, a book destined to be a classic in the vein of Into Thin Air.
After two decades of estrangement that followed the death of his Caucasian mother, Westen Chan joins his father, Xin, on an emotionally charged trip to China, during which both men reveal their individual pain.
Questioning popular belief, a historian and re-examines what exactly led to the British Empire’s loss of the American Revolution. The loss of America was an unexpected defeat for the powerful British Empire. Common wisdom has held that incompetent military commanders and political leaders in Britain must have been to blame, but were they? This intriguing book makes a different argument. Weaving together the personal stories of ten prominent men who directed the British dimension of the war, historian Andrew O’Shaughnessy dispels the incompetence myth and uncovers the real reasons that rebellious colonials were able to achieve their surprising victory. In interlinked biographical chapters, the author follows the course of the war from the perspectives of King George III, Prime Minister Lord North, military leaders including General Burgoyne, the Earl of Sandwich, and others who, for the most part, led ably and even brilliantly. Victories were frequent, and in fact the British conquered every American city at some stage of the Revolutionary War. Yet roiling political complexities at home, combined with the fervency of the fighting Americans, proved fatal to the British war effort. The book concludes with a penetrating assessment of the years after Yorktown, when the British achieved victories against the French and Spanish, thereby keeping intact what remained of the British Empire. “A remarkable book about an important but curiously underappreciated subject: the British side of the American Revolution. With meticulous scholarship and an eloquent writing style, O'Shaughnessy gives us a fresh and compelling view of a critical aspect of the struggle that changed the world.”—Jon Meacham, author of Thomas Jefferson: The Art of Power
A novel of rare grace and power, Lost Men is the story of a father and a son each confronting his past. Westen Chan was just eight years old when his Caucasian mother died and his father, Xin, sent him away to be raised by her relatives. Twenty years later, after a lifetime of estrangement, Westen receives an invitation from his father to travel with him to China—a prom-ise Xin once made when Westen was a child. So it is that two strangers—a father and a son—travel halfway around the world to a land that one of them knows intimately and the other has never seen. As they tour the country, the two men reveal themselves slowly and awkwardly: Westen’s history of failed relationships and his conflicted cultural identity; Xin’s regret at leaving his son and the terrible secret he’s kept too long. And in the end, their relationship may just hinge on the contents of a sealed letter written by Westen’s mother before her death—one that threatens to answer the lifelong question neither of them has dared to ask. Powerful, moving, and beautiful, Lost Men is a stunning literary novel that explores cultural and ethnic identity, the meaning of family, the exigencies of fate, and the lengths to which we will go to reconnect with those we fear we have lost. Brian Leung reveals both the intimate hearts of his characters and the telling details of place with equal and substantial grace.
The untold story of the last odyssey of the heroic age of Antarctic exploration Sir Ernest Shackleton’s 1914 Antarctic endeavor is legend, but for sheer heroism and tragic nobility, nothing compares to the saga of the Ross Sea party. This crew of explorers landed on the opposite side of Antarctica from the Endurance with a mission to build supply depots for Shackleton’s planned crossing of the continent. But their ship disappeared in a gale, leaving ten inexperienced, ill-equipped men to trek 1,356 miles in the harshest environment on earth. Drawing on the men’s own journals and photographs, The Lost Men is a masterpiece of historical adventure, a book destined to be a classic in the vein of Into Thin Air.
In a world where the human population has been decimated, self-reliance is the order of the day. Of necessity, the few remaining people must adapt residual technology as far as possible, with knowledge gleaned from books that were rescued and have been treasured for generations. After a childhood of such training, each person is abandoned by their parents when they reach adulthood, to pursue an essentially solitary existence. For most, the only human contact is their counsel, a mentor who guides them to find 'the one', their life mate as decreed by Fate. Lack of society brings with it a lack of taboo, ensuring that the Fate envisioned by a counsel is enacted unquestioningly. The only threats to this stable, if sparse, existence are the 'lost men', mindless murderers who are also self-sufficient but with no regard for the well-being of others, living outside the confines of counsel and Fate. Is Fate a real force, or is it totally imagined, an arbitrary convention, a product of mankind's self-destructive tendency? Is it our responsibility to rebuke inherited 'wisdom' for the sake of envisioning and manifesting our own will? "Beginning with solitude, ending with ironic hope, every moment is challenged by the present. An extraordinary challenge to our present. Colón’s début offers a dark, disturbing allegory, one that recalls for contemporary fantasy the best traits of literary tradition." Neil Easterbrook (SFRA 2009 Pioneer Award winner) "An entirely original, weird, and wonderful world that always keeps us guessing. In this impressive debut, Colón confronts us with the most difficult questions that can be asked - about fate, free will, and the foundations of justice." Lee Konstantinou (author of Pop Apocalypse, a Possible Satire)
Torry Martin—a comedian, actor, and hippie—fled from California to the wilderness of Alaska, searching for answers to life's big questions. He found what he was looking for...and a lot more! A moose got its head stuck in Torry's window. A reindeer was trapped in his kitchen. A bear almost prevented him from reaching his airplane. He once woke up frozen to his cabin floor. Like the Israelites of old, Torry experienced plenty of miracles and mishaps in the wilderness. And like them, he came face-to-face with God and was changed forever. Each of these true stories of Torry's hilarious blunders and misfortunes contains a nugget of truth, but one theme prevails: If God can reclaim and repurpose Torry Martin's life, He can do the same for you and those you love.
"The Four Lost Men is the first publication of the long version of Thomas Wolfe's story of familial and national reflection set during World War I. Here Wolfe supplies a moving portrait of his dying father, as well as a rich meditation on American history and ambitions. Discussion of the title characters - Presidents James A. Garfield, Chester A. Arthur, Benjamin Harrison, and Rutherford B. Hayes - provides Wolfe an opportunity to assess the mood and promise of the nation as well as to reflect on the obstacles that had blocked paths toward untapped American potential." "Originally published as a short story of seven thousand words in Scribner's Magazine in 1934 - and later abridged by one thousand words for republication in the 1935 anthology From Death to Morning - Wolfe's expanded tale is published here for the first time in its full length of some twenty-one thousand words."--BOOK JACKET.
Polari is a secret form of language mainly used by homosexual men in London and other cities during the twentieth century. Derived in part from the slang lexicons of numerous stigmatised and itinerant groups, Polari was also a means of socialising, acting out camp performances and reconstructing a shared gay identity and worldview among its speakers. This book examines the ways in which Polari was used in order to construct 'gay identities', linking its evolution to the changing status of gay men and lesbians in the UK over the past fifty years.
