Most of the time, there is nothing remarkable about a movie theater today; but that wasn't always the case. When the great American movie palaces began opening in the early 20th century, they were some of the most lavish, stunning buildings ever seen. However, they wouldn't last -- with the advent of in-home television, theater companies found it harder and harder to keep them open. Some were demolished, some were converted, and some remain empty to this day. After the Final Curtain: The Fall of the American Movie Theatre will take you through 24 of these magnificent buildings, revealing the beauty that remains years after the last ticket was sold.
Documenting the evolution of the American movie theatre and exploring its role in American culture and architecture, this work focuses on the career of S. Charles Lee, who designed more than 300 theatres between 1920 and 1950, buildings that became prototypes for the whole country.
Los Angeles and the movies grew up together, and a natural extension of the picture business was the premium presentation of the product--the biggest, best, and brightest theatres imaginable. The magnificent movie palaces along Broadway in downtown Los Angeles still represent the highest concentration of vintage theatres in the world. With Hollywood and the movies practically synonymous, the theatres in the studios' neighborhood were state-of-the-art for showbiz, whether they were designed for film, vaudeville, or stage productions. From the elegant Orpheum and the exotic Grauman's Chinese to the modest El Rey, this volume celebrates the architecture and social history of Los Angeles's unique collection of historic theatres past and present. The common threads that connect them all, from the grandest movie palace to the smallest neighborhood theatre, are stories and the ghosts of audiences past waiting in the dark for the show to begin.
In the early 20th century the streets of small towns and cities across America were filled with the lights and sounds of movie theaters. The most opulent -- known as "movie palaces" -- were designed to make their patrons feel like royalty; people would dress up to visit. But as time went on it became harder and harder to fill the 2,000+ seat theaters and many were forced to close. Today, these palaces are illuminated only by the flicker of dying lights. The sound of water dripping from holes in the ceiling echoes through the auditoriums. In After the Final Curtain (Volume 2) internationally-renowned photographer Matt Lambros continues his travels across the United States, documenting these once elegant buildings. From the supposedly haunted Pacific Warner Theatre in Los Angeles to the Orpheum Theatre in New Bedford, MA -- which opened the same day the Titanic sank -- Lambros pulls back the curtain to reveal what is left, giving these palaces a chance to shine again.
Naylor believes that few buildings in America are as spectacular and marvelously original as movie theaters. But in many towns and cities some of these great theaters are lost forever, torn down or destroyed by neglect. In this book, Naylor recaptures the spirit of the old movie theaters, and shows where to find and see the hundreds that remain. He describes these architectural wonders in detail, providing evidence of why the picture palaces and movie houses of the past now share a treasured place in the national memory. ISBN 0-89133-127-1 (pbk.): $16.95 (For use only in the library).
Hitch Fit's Micah Lacerte and Diana Chaloux provide insight and tips on how anyone can be motivated and inspired to transform their own lives. Included in this book is information on lifestyle, nutrition and fitness. This educational book will show readers how they too can achieve weight loss, happiness, their ideal size, and relationship success, and all from a couple who don't just talk the talk, but walk the walk. Micah Lacerte and Diana Chaloux of HITCH FIT gym (www.hitchfit.com) want to help transform lives. This book includes the key points to start you on your own personal journey of success.
"Los Angeles is a city whose buildings define it, a city whose buildings are instantly recognizable. A bestseller in hardcover, Iconic L.A. has been completely updated and revised to include Case Study House #8, the famed steel-and- glass masterpiece designed by Charles and Ray Eames"--Provided by publisher.
In 1926 Silent Film Idol Rudolph Valentino, known as The Great Lover, passed away unexpectedly at the age of 31. In the years that have since passed, his death has come to overshadow his life and his work. But what would have been had he not died so young? This is the inspiration behind the whimsical novel, "Conversations with Rodolfo" written by Hala Pickford, The Founding Sheba of The Rudolph Valentino Society. A lover of silent film, Pickford uses her knowledge of film history to paint a picture of what might have occurred had Valentino not died in 1926, but in 2005. Would he have made it in the new medium of 'talkies' (sound film)? Would he be remembered like Charlie Chaplin? Or forgotten like Mae Murray? Would he have reconciled with the love of his life, Natacha Rambova? Or would he have been able to find a new love? "Conversations with Rodolfo" opens in 2004, following down on his luck wannabe music journalist, Michael Johnston. Johnston is madly in love with a new girl he has met named Gloria. Trying to impress her he agrees to a Saturday spent with her beloved grandparents. There he finds her grandfather is a man who calls himself Rodolfo, though many others have known him by the name 'Rudolph Valentino'. Despite his age, Rodolfo is as lively as a 20 year old, and on Michael's request he agrees to a series of interviews about his long life, with the stipulation that they not be published until his death. Through these interviews we get to hear the story of Rudolph Valentino, from his boyhood in Italy to the birth of his granddaughter. From his role in The Sheik, to his work with Charlie Chaplin in the 1950s.
